Society & Culture

Pain and Expression: An Interview with Panic Volkuskha

By Devon Bowers

Below is the transcript of an email interview with artist Panic Volkuskha, where we discuss art and how it can relate to reality, specifically focusing on a rather recent piece entitled Couples Therapy.



What made you interested in art? Why are you so passionate about art?

I enjoyed drawing from a very early age. Comic books, specifically Japanese manga, are actually what got me into art in the first place.

I'm a transgender man, I spent the first 24 years of my life being viewed and treated as a woman. So being raised as a little girl in the 90s, I didn't find many American comics and tv shows that interested me. The stuff aimed at girls didn't click for me -- I didn't like the art style, I didn't like the plot lines. Japanese comics and cartoons, like "Sailor Moon," "Cardcaptor Sakura," and "Revolutionary Girl Utena," did click for me. Many of those were created by women, and the main characters were young girls, who got to have magical powers and fight villains. And they got to wear super cool costumes while doing it!

My dad often says that he knew I was serious about art when I was seven. I had gotten in trouble for drawing during class, so I started setting my alarm clock early to draw before I went to school. My dad said nothing would have gotten him out of bed early at that age.

I have my parents to thank, too. Both of them work in the arts, so I grew up going to plays and art museums on a regular basis. For a long time, I didn't realize that was not the norm for most kids. My parents may not always like the content of my art, some of my paintings and comics deal with disturbing subjects, but they have always been supportive.

By middle school, I was really using art as an escape and as a form of therapy. I was bullied at school before there was much public discourse about how damaging bullying is -- it's emotional abuse -- so the school didn't really know how to handle it. The teachers and administrators didn't seem to understand how horrible it was for me. I felt dismissed and unheard. My art was where I could make myself heard.


You said in a recent Tumblr post that you live with "depression, anxiety, obsessive skin-picking, and some lingering trauma." Do you use art as a way of dealing with that?

Oh, absolutely. Since I started studying art therapy, I've begun to see that a lot of the art I was making/continue to make has been an instinctive method of therapy for myself, particularly comics. There's a form of therapy called "narrative therapy," which is based around the idea that everyone tells stories, to themselves and about themselves. These stories influence self-perception, emotions, and behaviors. Narrative therapy also holds that the "true" story doesn't really matter because all stories are subjectively true; you experience it, therefore it is real. This is particularly helpful with PTSD, because trauma can distort and conceal "true" memory.

Before I ever heard of narrative therapy, I was making comics about the stories that I told about myself and the stories others told about me -- what it was like to be seen as an intelligent, high-achieving student when inside I was incredibly anxious and self-loathing. I was sexually abused at a fairly young age, by a kid my own age, and those memories are pretty fragmented. For awhile, I was plagued by the fact that I couldn't fully remember what happened. So I made a comic about what I did remember, how it made me feel, and how I accepted it as a part of myself, but not as what defined me. It really helped to lessen some of the anxiety and intense emotion surrounding the event; even if I didn't have the full "real" memory, I had my true experience of it.


Why is it that you chose drawing/painting as your particular art style? What other artists do you admire or have influenced you?

Drawing is usually the easiest thing to do! There's almost always something to draw with, no matter where you are. I draw when I want to complete something relatively quickly, as my paintings take a longer time and tend to be more detailed.

I like acrylic and oil paints the best. I've worked with them the most, so I have a sense of mastery, I know how to do what I want with them.

My favorite art movement is the German Neue Sachlichkeit or "New Objectivity" movement. It developed after WWI, before WWII, and focused on the social and economic desperation of the times. The general style involves realistic depictions that are distorted and bizarre, a reflection of the climate in Germany at the time. A lot of the Neue Sachlichkeit artists were outspoken about the rise of the Nazi regime and had to flee Germany.

One of my favorite comic book artists is Lynda Barry. She has an incredible ability to tell funny and serious stories through the view point of children; she really captures how it felt to be a kid, to know more than the adults around you think you know, but to still not fully know what's going on.

Another big influence for me is Dave McKean. His work, particularly "Cages," expanded my idea of what can be done with comics. He uses photography, digital manipulation, painting, collage, and he blends it all together so well -- it never feels chaotic, like too much, it's all considered and composed.

To just list some influences -- Otto Dix, Jenny Saville, Odd Nerdrum, Dino Valls, Henry Darger, David B's "Epileptic," Charles Burns' "Black Hole," "7 Miles a Second" by David Wojnarowicz and David Romberger, "Dorohedoro" by Q. Hayashida, Kate Beaton's comics make me laugh myself sick, "Vampire Loves" by Joann Sfar and all of my friends who are artists.


Regarding the "Couples Therapy" piece that has gained a lot of attention as of late. I wanted to know, what inspired you to make that piece? What made you chose those specific characters and television shows?

I was taking a class on systems therapy, which refers to a number of theories of therapy that believe, even when working with one person, you have to consider the entire system, the family system the person grew up in, systems of economics, race, gender, and sexuality, and the broader sociocultural system that we all live within. All of these tie into the individual and how they experience the world. For instance, the anxiety and/or depression experienced by a transgender Latina woman is informed by different factors than the anxiety and/or depression experienced by a cisgender white man.

Our class used different families as examples in our class discussions, as case examples, fictional or nonfictional families that were relatively well-known so that everyone had some base knowledge for the discussion. I started thinking about families in pop culture, the ones that I had grown up with, and was suddenly struck by the fact that Homer Simpson and Peter Griffin are both abusive fathers. I mean, I kind of knew that, but I had never thought about it very seriously before. Hank Hill sometimes borders on emotionally abusive, but he's the most understanding and adaptive of all three characters.

I started wondering, if I considered the behavior of Homer, Peter, and Hank seriously -- then what would Bart, Chris, and Bobby be like as adults? Looking at the behavior of their fathers, the behavior of the entire family, and how the family is viewed in the context of the show, how would these kids turn out? The idea snowballed from there and I began sketching out the comic.


What do you think are some of the long-term effects that shows like Family Guy and The Simpsons have on normalizing violence and abuse, while masking it under comedy?

I don't think the shows themselves are responsible for child abuse, which is what some people seem to think this sort of criticism -- my criticism -- is claiming. I think the shows normalize abuse. All three shows are semi-realistic family sitcoms, with "King of the Hill" being the most grounded in reality. The Simpsons, the Griffins, and the Hills are pretty much all put forward as the "average American family." And the Simpsons and the Griffins are abusive families.

If the shows were consistently cartooinshly violent, like "Coyote and Roadrunner," I wouldn't have so much of a problem. But the shows are relatively grounded in reality and present these families as "average sitcom families."

If the abusive behavior is meant to be satire of actual abusive families, then it is not good satire. It falls into the trap of simply repeating/displaying the thing that it's trying to satirize, with no criticism or deeper message.

Part of this is a cultural shift, I think. The creator of The Simpsons is my parents' age; they grew up in a time when physical punishment of children was the norm. Sure, there was some sort of line that you weren't supposed to cross, or else it would be abuse, but getting hit with a belt or chased around the house with a switch was a part of their childhood. And my parents joke about it with their siblings because it's part of their shared experience, and part of why they chose to never ever physically punish me.

There are so many studies coming out now that show how extreme and long-lasting the effect of physical punishment can be; not just extreme physical punishment, any physical punishment, even spanking. Maybe physical punishment was normal enough when my parents were kids, and even when I was a kid, so that it could be a joke, but not anymore.

Lastly, I've been getting a lot of messages from people about the comic that really drives home that these depictions are a problem. People writing me and saying "It took me a long time to realize my family was abusive because shows like this made it look normal," or "This is the kind of thing that happened to me and it was horrible and I don't understand why I'm expected to laugh at it." Those messages made me want to cry and I think they're very telling.


What every day things inspire you?

People! I love portraits and figure drawing. I honestly believe that everyone is beautiful; there is at least one facet of any person that would make a beautiful painting, the unique pattern of crooked teeth, the folds of flesh on a person's stomach, the hollows made by the eye socket.

My classes are really inspiring. As much work as grad school is, it's very exciting to be studying a subject that is so important to me.


How can people support your work?

The big one that I urge everyone to do with art online is to properly credit the artist. Always try to find the original source and link to it.

I do have a Society6 (https://society6.com/panicvolkushka) and an Etsy ( https://www.etsy.com/shop/panicvolkushka). There isn't as much on there as I would like, what with being a full time student and employed, but whenever I have a break from school, I try to add new stuff.

Lying Down On the Job: The Ableist, Racist, Classist Underpinnings of 'Laziness'

By Lindsey Weedston

Hello, I'm a lazy Millennial.

In other words, I'm from a generation that has worked more hours for less money than any generation before me, but occasionally I eat a granola bar for breakfast instead of pouring myself a bowl of cereal. According to some, including many writers of online thinkpieces, that's enough to make me "lazy."

But the problem isn't me, or young people in general, or any group that's historically been decried for its idleness. Like Millennials, groups that are called "lazy" are often the hardest-working people around. They're just subject to ableism, racism, classism, and other bigotry that codes exploitation or exhaustion as "unwillingness to work."

I myself have had a very confusing relationship with "laziness" from a young age, often being called "lazy" for enjoying reading and video games by the same parents who praised me for always getting my homework done on time.

Needless to say, I became rather confused about the quality of my work ethic. Was I lazy or not? In my teens, I developed an anxiety disorder and a perfectionism that made academic shirking impossible, but the constant state of worry disrupted my sleep and left me so exhausted that I would often come home from school and go straight to bed for a nap. Sometimes, all I could do was lay in bed, awake, ruminating on everything I could possibly worry about.

But because I was in bed, this was called "laziness."

In adulthood, I encountered yet more inconsistencies about what it meant to be "lazy." Like many young adults, I started out working in the food and customer service industries, before I eventually got a job as a content writer for a digital marketing company.

I worked so little at that office job, I couldn't believe it. I could spend multiple hours each day scrolling through Tumblr or playing on social media. My "work" time involved reading articles vaguely related to my work-mostly because there wasn't much work for me to do. Compared to being on my feet all day, being expected to work every moment on the clock, it was nothing.

I worked three times as hard at my food and customer service jobs as I did at any of my digital marketing positions. And yet contemptuous thinkpiecers keep on describing people who work in those industries as "lazy." Why don't you get a REAL job? Like reading Tumblr while sitting at a desk, instead of busting your ass at McDonald's.

According to Dr. Alison Munoff, a licensed clinical psychologist, "laziness" is nothing more than a value judgement.

"'Laziness' is not a personality trait, it is simply a matter of a lack of proper motivation and reinforcement, as it is a behavioral pattern rather than a part of who we are," says Dr. Munoff. "The ability to actively approach a task in a time-effective manner changes depending on the task and its value in our lives. For example, in a situation of obtaining limited resources, people find themselves quite motivated and resourceful, meaning that this task is simply a priority based on its value and necessity, and has little to do with someone's personality. Unfortunately I find that when asked about the first time people were told they were being 'lazy,' it was from a parent or caregiver who was unsuccessfully attempting to motivate the child without a good understanding of the way this idea would be carried forward."

In nature, animals spend a lot of their time being idle. Most of the footage shot of big cats like lions are of them lazing around. Part of this is because many of them are nocturnal, but it's also because animals will hunt, forage, and eat until they're full, and then most of the rest of their time is spent conserving energy. Laying around doing pretty much nothing is completely natural. It's adaptive. Yet laziness has this negative connotation in many human societies. And that negative connotation is often deployed in ableist, racist, and classist ways.

Basically every race of color has been called "lazy" by white people in the U.S. at one time or another. This is completely absurd considering the fact that people of color built this nation with their bare hands. From the Chinese immigrants building our railroads to our entire economy being built on the backs of black slaves, the United States owes everything to exploited, underpaid, and incredibly hard-working people of color.

Today, we can all enjoy reasonably priced produce thanks to the many exploited Latin undocumented immigrant workers picking our fruit and vegetables-labor that is so intensive that we "non-lazy" white people simply can't handle it. And let's not forget that all of this land was stolen from the Indigenous tribes that were here before we floated over and laid claim to it all. Isn't stealing other people's hard work supposed to be lazy?

Or is it just that it's easier to call people lazy than admit that you exploited them?

Even if you're not racist, you've probably used the idea of laziness in a way that hurts a lot of people. I still struggle with an anxiety disorder and go through bouts of depression, and a lot of what's involved in these mental illnesses looks like what people call "laziness." Depression saps your energy and makes everything seem pointless. Anxiety is paralyzing, making even some of the simplest tasks (like calling people on the phone) seem daunting, so I avoid them.

Combine the two and you've got me huddled into a ball on the bed, unable to do anything but listen to Netflix playing in the background. It looks like laziness, but I'm actually engaged in an exhausting war in my own head. Anxiety is like pushing a giant boulder in front of you wherever you go, and depression is like dragging a giant boulder attached to your legs by chains.

People with physical illness and disability are also prone to being accused of laziness, especially if that illness or disability is not visible to others. There are people who are nearly constantly in pain or constantly fatigued, but you would never know by looking at them. These individuals work much harder than able-bodied and "healthy" people. Not only do they often have to work to survive because disability payments (if they can get them) are not nearly enough, they have to navigate a world that caters to able-bodied people, and they have to navigate that world while their bodies work against them. But article after article decries the "laziness" of people who use motorized carts or take elevators up one floor instead of using the stairs, not for a second thinking that there are people who wouldn't be able to shop or go up floors at all without these "conveniences."

It's not just articles, either. Politicians demonize people who are too sick or disabled to work, calling them "lazy" as justification for taking away the meager allowance our government gives them-which is not enough to live on, let alone cover medical bills. That ableism intersects with classism, with people assuming that those living in poverty or on welfare must be too lazy to go to school or get a better job. Racism shows its face here, as well, particularly in the myth of the "welfare queen." And the hatred leveled at fat individuals under the guise of thinking them "lazy" can be very intense.

It's easier to think of someone as "lazy" than to face the fact that school costs too much, that better jobs are inaccessible, that childcare is unaffordable, that people are forced to work so hard for so little that there's no way they could have enough energy to attempt schooling or finding better work, and that what we give to people who can't work is insufficient to the point of being shameful. I could say that calling people lazy is, in itself, lazy, but it's not just an intellectual shortcut. It's a defense mechanism.

Everyone has a finite amount of energy. Some of us have greater drains on our pool of energy than others, whether it comes from the stress of racial microaggressions, the stress of poverty, or mental or physical illness. Needing more time to recover isn't laziness. Having less time or energy to make breakfast than the previous generation isn't laziness. When you take a second to look into the reasons behind the behavior, you'll never end up finding laziness. Because laziness isn't real.


This was originally published at The Establishment.

Art, Race, and Gender: An Interview with Son of Baldwin

By Devon Bowers

Below is a transcript interview I had with the founder and operator of the Facebook page, Son of Baldwin, where we discuss comic books as a political medium and also as it relates to and in many ways reflects the current racial and gender structures we see in society.



What made you interested in comics? For me, personally, comics were an extension of my interest and enjoyment of animation.

My father bought me my very first comic books when I was four years old and I was hooked instantaneously. At that point, I had already been introduced to super heroes via the 1973 Super Friends cartoon and then the 1975 Wonder Woman television series. I was fascinated with the idea of these larger-than-life characters with incredible powers who used those powers to protect defenseless people from the evil and corrupt. That resonated with me on a primal level. Forty years later, it still does.

Comic books are the reason I'm a writer today. My earliest writings were me attempting to create my own superhero stories. Additionally, two superheroes in particular played a major role in the shaping of the very unsophisticated political consciousness of my childhood:Wonder Woman and her black sister, Nubia. Wonder Woman comics were filled with stories that touched on very basic, elementary feminist principles. And with the introduction of Nubia, a very clumsy race awareness was brought to the fore. Both impacted me in ways that I can't fully articulate, but suffice to say, they were my first child-like understandings of identity.

The fact that these were female characters was quite important. I wasn't drawn to Superman orBatman, or even Black Lightning and Black Panther in the same way. I believe that I was rejecting, on some subconscious level, the narrowness and rigidness of a particular brand of masculinity and the increasing and needless violence that came along with it. Wonder Woman and Nubia-with their bold strength, unabashed femininity, and desire to teach first and punch only if they had no other choice-seemed more balanced and free. The escapist fantasies I had with them allowed me the room to safely explore other, queerer aspects of myself, aspects that I was only beginning to become aware of and understand. At four years old, I couldn't know that this is what was happening, but looking back, it makes a great deal of sense.


Given the fact that so many movies and shows are flourishing due to diversity, why don't you think that companies don't have more diverse characters, if for no other reason than to cash in?

There are a great number of experts, theorists, and thinkers who believe racism, sexism, and other forms of institutional bigotry are tied to economics. The prevailing wisdom goes something like: to rid ourselves of these evils, we must disconnect them from their economic incentive; we must make bigotry unprofitable. But what that class analysis fails to contend with are the psychological benefits of bigotry. Bigoted ideology helps oppressive groups feel good about their actions, beliefs, practices, and thoughts. It warps their perception of reality so that any evidence contrary to their false ideas of supremacy are discarded and discounted. They'll invent flimsy excuses to uphold the status quo in the face of utter ruin. This benefit is separate from economics. It lives in that mental and emotional realm that allows poor white people, for example, to say: "I may be poor, but at least I'm not black!" or straight black people to say, "I may be black, but at least I'm not queer."

So when the research shows that inclusive media is actually more profitable than exclusive media , they regard that data as suspect and reject it. Simultaneously, when the exclusive media they promote fails financially, they behave as though they're baffled in regard to why that might be and continue to make more of the same stuff in the face of utter failures. As a last resort, they might test the research by releasing inclusive media, but that's always a game of gotcha. If the media does well, they say it's a fluke. If it does poorly, then it's a self-fulfilling prophecy.

It doesn't matter if what they thought was inclusive was actually tokenism dressed in offensive stereotypes. It doesn't matter how many inclusive forms of media do well or how many exclusive forms of media fail. The bigot isn't operating from a logical, rational, common-sense perspective. Even the capitalist bigot will choose losing money over allowing marginalized peoples and perspectives centralized locations in the production of media-especially marginalized peoples and perspectives they can't control.


Would you say that comics can be used effectively as a means of political engagement on some level?

Absolutely. I'd be loath to give my nieces and nephews a comic book without first reading it and then reading it with them, though. Many comic books contain really toxic messages about race, gender, gender identity, sexuality, disability, etc. I think comic books politically engage children in ways that I find abhorrent. Most comics teach kids that physical violence is the way to solve most problems; that women should always be subject to the gaze and whims of men; that queer people don't exist, or if they do, it's as the strange punchline or comic relief; that being disabled is the worst thing in the world to be and must be "corrected"; that all races should be subordinate to the white race, and so on. It's very, very rare that I come across comics that I would give to the children in my family (Princeless is a pretty good one). But I do find that my adult friends and family are politically engaged with the comic books they read. Mostly though, they, like me, find themselves in opposition to the overt and covert sociopolitical messages in them. Most mainstream comic books, I'm convinced, are created for white, heterosexual, cisgender, non-disabled men-which makes sense since that demographic, by and large, is the one creating them.


What are your thoughts on the fact that Scarlett Johansson is playing Major Motoko in an upcoming Ghost in the Shell movie ? Do you think that this is being used as a ploy of sorts to get people from criticizing Marvel for not creating a standalone Black Widow movie?

Scarlett Johansson to be playing an Asian character is blatant racism; it's yellowface. There's just no other way for me to view it. It's bold and proud racism masquerading as a necessary casting choice. Racists will always try to justify their racism and, in the justification, attempt to remove the racism label: "It was an economic decision! And Johansson is popular, so…!" They say that as though either of those plea cops shield them from the racist label. They don't. Racism is racism irrespective of the "justification."

There's just no way in the world I will see Ghost in the Shell without an Asian actor in the lead role. Period. The end. That goes for Doctor Strange, too. Ain't no way I'm supporting that film either. My response to Hollywood racism is to do everything in my power to ensure that their racist products fail. Not that they'd ever learn their lesson: How many Exodus' or Gods of Egypts have to flop before they get it? I learned that they don't want to get it. They dismiss my views by calling me a SJW (social justice warrior)-a term that they seem to think is a slur, which reveals much more about them than it does about me-and whining about how hard it is not to be a bigot.

So instead of trying to persuade bigots why it's wrong to be bigots, I give my money to those who already know why. That's why I make it my business to support ARRAY.

As far as a Black Widow stand-alone film , I don't think there's any way Marvel can protect itself from that criticism. There is no sleight-of-hand they can pull that could distract anyone from something so obviously and egregiously sexist.


Regarding the role of women in the comic book industry, would you say that there is some room for women in the industry in terms of women taking the lead in creating and producing comics?

I wish I could say yes. The industry is so incredibly hostile to women, though. Like openly hostile; so openly that it seems almost built into the industry's design.

For example, there's this situation at DC Entertainment where one of the senior editors has been repeatedly accused of sexual harassment-for years and years, by many women-and only now, after one woman spoke publicly and other survivors of this man's behavior spoke up and social media got a hold of their testimonies-is DC "investigating." And they made sure to use DC Entertainment Diane Nelson to make the public statement about the investigation in an oh-so-cynical Public Relations 101 stunt move. Like that wasn't absolutely transparent. It's almost like if the public never found out about the allegations, DC would have been content with allowing it to continue, like sexual harassment is a normal part of their professional culture.

And it's not just the publishers; it's the audience, too. Women have complained of harassment and worse at comic conventions and other comic-related spaces including comic book retail stores. And don't venture into the comment sections at every comic book news site or message board. Misogyny is a staple. If you were a woman, would you feel welcome in such a vicious environment?

And it's a shame that this is the state of the industry because there are so many talented female creators and eager female readers who could help boost the industry's lagging sales-especially DC's, whose market share continues to shrink.


I find it strange in some ways (though in some ways not), that in many cartoons such as Justice League Unlimited that have strong, well-liked female characters such as Vixen and Hawkgirl and yet people seem to think that movies or shows based on those characters wouldn't succeed. Why would you say that is?

The answer is bigotry. Bigots cannot understanding centering anything outside of their identity sphere. It doesn't matter how many times Batman, Spider-Man, or Superman fail, they will be given multiple chances to succeed. Because they are perceived as having inherent value due to merchandising, etc. But if Vixen was given as many chances to find her stride as Batman, Spider-Man, and Superman have over these many decades, maybe she would eventually find her popularity as well. Though I must say, Vixen comes out of a kind of stereotype about black women's sexuality and womanhood; a white, patriarchal gaze which regards it as animalistic, base, degenerate, evil, and wayward. Vixen needs a black woman writer to redeem and revitalize her, and remove her from the clutches of the white supremacist sensibility that imagined her. There's a dope character in there somewhere, but a black woman's vision is needed to realize it.


How are cartoons used to enforce gender roles? I say this as the show Young Justice was canceled by DC as they thought that women wouldn't purchase toys of the largely male cast. ( http://io9.gizmodo.com/paul-dini-superhero-cartoon-execs-dont-want-largely-f-1483758317 )

It's funny you should ask this. I just wrote an essay about a superhero cartoon called DC Super Hero Girls for The Middle Spaces that explores, in some ways, the function of cartoons.

What I've come to understand is that most American media aimed at children is propaganda designed to enforce very conservative and harmful ideas about class, disability, gender, gender identity, nationality, race, sexuality, and Otherness in general. There are some exceptions ( Steven Universe may be one, though I have some minor issues with that show as well that I hope someone can correct; but that's the topic of another conversation). But for the most part, this media is attempting to indoctrinate children into becoming a very specific kind of citizen, a very specific kind of laborer, a very specific kind of taxpayer, a very specific kind of soldier, to practice a very specific kind of religion, to form a very specific kind of family-and all of those things lean noticeably to the right.

That's why we have toy commercials where only boys play with racing cars and only girls play with dolls. Shit, we even call boys' dolls "action figures" to ensure that the line between genders is solidly drawn. Cartoons, which are little more than 15- and 30-minute commercials for toys and games, are design to reinforce these outdated and limiting notions. And, unfortunately, adults have been indoctrinated far longer than children. So most adults act as the police force ensuring their children absorb these restrictive, reductive ideas.


Why do you think that so many people who are into comics want to keep the entire medium to a small few, denigrating people who are just learning about the comics or who became interests in them via the movies as not being 'true fans?' Doesn't that hurt them in a sense as a major reason comic book movies were/are being made is because of those people who haven't yet/don't read the comics?

People, I've come to understand, are afraid of change. We become anxious when we perceive that something might change because we allowed some other group to be included. The comic book fanatic that denigrates new readers because they think the new readers might cause the industry to alter its priorities and storytelling to accommodate the new reader has much in common with the xenophobe who wants to build a wall at the southern border to keep Mexicans out of the United States because they think the Mexicans will "steal their jobs." Those fears are family. They live together. And they will, thankfully, die together. It's inevitable. They're scared of that, too.


What comics/graphic novels would you say had an impact on you on a personal level and why did they have such a major impact? [For me, I would say Solanin, Blankets, and Not Simple.]

I love this question. There are a few. I tend to like comic books/graphic novels that make me think, that make me question things, that encourage me to envision a better world and a better way of life, and invite me to be a better human being:

Erika Alexander and Tony Puryear's Concrete Park is the very first comic book/graphic novel that I've ever read about people of color that wasn't plagued by the white gaze. It's the very first comic book I've encountered in which people of color are centralized, are the default, belong in the landscape, are the norm. It's the very first comic book that I felt didn't ask permission to exist in this state. It avoids stereotypes. It allows its characters the full realm of humanity and is unapologetic in allowing its Blackness to begin with a capital B. And it's a Blackness that wasn't imagined by white folks who listen to rap music and had a black roommate in college so now they think they're experts on black people even though all they can manage to conjure is black pathology. With beautiful writing and beautiful art, this comic, more than any other, provides a way for me to envision fully realized black characters in my own stories.

Phil Jimenez 's Otherworld was such a smart examination of sociopolitical hierarchy. The backdrop was Celtic myth and science fiction, but the heart of the story was about the lovelessness that defines contemporary conservative ideology and how it can only lead to human extinction. Art wise, every page is a masterpiece. Every detail is rendered meticulously. And the colors were outrageous. The series only lasted seven issues when it was scheduled to go for 12. So I never got to read the conclusion, but what I did read impacted my personal politics in a very profound way.

Kieron Gillen and Jamie McKelvie's Young Avengers broke all of the rules in terms of narrative and visual storytelling, and did so with elegance, grace, and aplomb. They literally broke the boundaries of the panels in their stories-the art often allowed the characters to actually use the white space between panels as weapons! And then they broke one of the biggest boundaries of all: In their final issue, they revealed that every member of the team was queer. Basically, all the things the industry would have said couldn't be done because it would affect sales, they did. Their fearlessness bolstered my own.



Robert Jones, Jr. is a writer from Brooklyn, N.Y. He earned both his B.F.A. in creative writing and M.F.A. in fiction from Brooklyn College. His work has been featured in The New York Times Gawker The Grio , and the Feminist Wire . He is the creator of the social justice social media community, Son of Baldwin, which can be found on Facebook Google Plus Instagram Medium Tumblr , and Twitter . His first novel is in the revision stage and he's currently working on the second.

"Why Don't You Just Get a Better Job" and Other Dumb Shit People Say to Low-Income Earners Stuck in Precarious Work

By Chloe Ann King

For most of my working life I have been stuck in the hospitality industry which is lowly paid, painfully precarious and poorly regulated. In New Zealand, where I live, hospitality employers mostly treat you as nothing more than an easily replaceable unit to turn-over-profit. I have spent over a decade in this industry and as such I have become acutely aware of the fact that no matter how many shifts I work or how many poorly paid jobs I undertake; I will never have enough money to meet rising living costs.

Sometimes, my life is a bit depressing. You know what I mean? I get up, I go and work one of my multiple jobs and I come home. Each week I check my bank balance and I feel pretty put-out about how low my pay is as compared to how hard I worked for it.

Obviously, working hard at minimum wage jobs is never going to land me economic security. No matter how hard I have worked in the hospo industry I have never ever received a pay-rise, not once. The lie of "hard work" serves to convince us that if we fail to achieve happy, healthy and joy filled lives which are economically secure thanks to well paid jobs, it is because we failed to work hard enough for it. Constantly we are told that external factors do not affect us. This type of pervasive 'positive' rhetoric isendlessly used by many self-help Gurus such as Tony Robbins, one of America's most well-known motivational speakers.

The lie of "hard work" is pitched to us - those from the working and lower classes, by not only self-help gurus and spiritualists but politicians and well intentioned high school teachers and even our parents, as being one of the best paths to prosperity. This myth is perpetuated and disseminated by the mainstream media as motivational newsworthy 'human interest' stories. However, there is very little which is human about these types of stories. The core of these news pieces has nothing to do with humanity or being human and everything to do with selfishness and individualism and play on insecurities and our need to compare our lives to others who we think or we are passive aggressively told, have it better than us.

A few months ago the NZ Herald (New Zealand's most read newspaper which controls the national narrative) ran yet another one of these "motivational" articles on a young landlord named Gary Lin. Who has managed to buy up a staggering eleven properties citing "hard work" as a reason for his success. He told the NZ Herald,

"Work hard, work smart, save hard, and invest smart. Wealth creation is not rocket science - perseverance and hard work can get you there."

As if wealth creation is something we should as young people, be aspiring to. In times of great wealth inequality, we should be demanding wealth dispersal not setting out to create and covet wealth for ourselves. Gary, unlike most of us, was given a hefty "leg up" or what we poor folk call a "handout" by his father in the sum of $200,000 as a wedding gift which allowed him to buy his first home which cost him $175,000. I guess for some people money really does grow on trees.

I hate to break it to you Gaz - can I call you Gaz? But "hard work" had nothing to do with your successes in life.

Gaz got lucky. He won the genetic lottery and was born into wealth - he did not earn the money that helped him buy his first home. It was given to him. Instead of using his unearned wealth to help others he made the choice to punch-down and profit off the growing number of people stuck in the rental trap by hoarding properties. Gaz has engaged in predatory behavior by renting his properties out at market rental rates. In an unregulated rental market the odds are never in favor of tenants. As George Minbiot wrote for the Guardian, "Rent is another term for unearned income."

People like Gaz rarely acknowledge their economic success is at the expense of those from the lower and working classes. To recognize this Gaz, might have to feel a little bit bad about how he came into his millionaire property portfolio. He might have some kind of world shattering epiphany that he is not as smart as he believes and his successes are owed more to an ability to stomach the ruthless actions and attitudes needed to 'make it' in a society that is quickly turning into a dystopian one. Which makes The Hunger Games, look like child's play. Sociopathy and luck had more to do with Gaz's successes in life than actual "hard work", talent and intelligence.

Lawyer and anti-poverty activist David Tong, responded to Gaz's flawed belief that anyone can own property if they just "work hard" enough, with these words:

"Motivational read from the NZ Herald: You too can be a rich property investor. If dad gives you a $200,000 gift"

"Hard work" and motivation don't mean shit in a broken economy that was built on the blood, backs and bones of the working class and the most marginalized and vulnerable. Increasingly, accessing upward mobility - which buying property can help you obtain as well as a better quality of life, is becoming an impossible task because of low wages, insecure work and a flooded job market. People are just struggling to get off minimum wage let alone save for a house.

***

The New Zealand Council of Trade Unions states that "At least 30% of New Zealand's workers - over 635,000 people - are in insecure work. We believe it may well cover 50% of the workforce." No matter how hard you work it is impossible to get ahead when your employer only offers you inconsistent hours and denies your basic right to a guarantee of minimum hours.

Casual contracts are used widely within the hospitality and service industries and state that your employer owes you "no minimum of hours." But the expectation is that you will cover and come in when needed and if you refuse you are often faced with penalties. Such as having your shifts cut the next week. Having the stability of a salary as opposed to waged work is a far off dream for so many of us. You can't budget let alone save money for a house when you never know what your pay-check is going to be from one week to the next.

Economic insecurity because of cut shifts and insecure hours has been a major feature of my working life. For example, last year just before Christmas I had my shifts cut in half. I went from working between four and five shifts a week down to only two. I was given six days' notice and when I pointed out how hard this would hit me economically to a Duty manager I was told, "I should go and find a second job" and reminded that "I was only on a casual contract so there was not much I could do about it."

For the last few months I had been back-breakingly flexible for this employer. I had come in whenever I was needed and covered shifts at short notice. I had worked hard to make every customer's experience an enjoyable one, all this for minimum wage. I spent most of December desperately scrounging around for a second job, as did two other workers who had suffered the same fate.

I popped into the same work soon after my shifts had been cut to collect my tips and one of the regulars who had been drinking, accosted me verbally and demanded to know why I was in such vocal support of the recent rolling strikes of Bunnings Warehouse workers. These workers had been subject to Zero Hour contracts, eternal bullying and harassment from managers and no guarantee of shifts or rosters. He said "why don't these Bunnings workers just go out and get a better job". This statement coming from a white male Baby Boomer who enjoyed free tertiary education and did not start his working life off in debt. All is crimson and gold in middle class Whiteywood, I guess.

"Why don't you just go and get a better job?" This singular narrative epitomizes the ignorant attitudes of people like Gaz and the regular from my work whose name is ironically Gary, as well. It also puts the sole responsibility of finding well paid and meaningful work onto the worker, while absolving a government's responsibility to push for job creation which serves their citizenry and the environment and to raise the minimum wage to a living wage, in New Zealand.

If over 30% of the workforce is stuck in precarious work and large sectors of the workforce earn below Aotearoa's living wage of $19.25 an hour, finding "better work" is statistically impossible for a vast majority of us. There are thousands of hospitality businesses in Auckland, New Zealand, and only a handful pay a living wage and nearly none offer a guarantee of hours. As such telling people to "get a better job" is like telling them to buy a lotto ticket and live in hope they take out the jackpot.

***

No matter what the Gaz's, Gary's and the self-help superstars such as Tony Robbins of this world have to say on the myth of "hard work" and perseverance paying off one day, the reality is our ability to access upward mobility; buy a house; obtain a decent standard of living is tied to what type of work you can access. External factors not only deeply impact people's lives they oppress those who do not benefit from certain types of privilege. Not all roads lead to Rome. More often than not for us poor folk they lead to roadblocks and hurdles that increase based on the colour of your skin, the class you were born into and/or your gender, how bodily abled you are and your sexuality or a combination of all of these.

People's situations are complicated and difficult and cannot be curtailed into passive aggressive motivational "one liners" that nearly always punch-down and not up. Our working class struggles cannot be solved by a set of self-help rules or keys or steps which are meant to guide anyone to economic stability and lead you to the life of your dreams and a perfect job. In the book, The New Soft War on Women, the chapter entitled 'Doing Well May Not Work Out So Well', Caryl Rivers and Rosaling C. Barnett, write,

"We like to believe that the workplace is fair and that if we do a good job, we will be rewarded. After all, that's the American way. But this belief is less true for women than it is for men. Indeed, too often women's performance which is stellar gets fewer rewards than men do - even men who are less than outstanding."

During a major speech at Wellesley College, presidential candidate Hillary Clinton, talked about the role women can play in politics and public life, she said,

"We know we've got to keep pushing at that glass ceiling. We have to try and break it… Obviously. I hope to live long enough to see a woman elected president of the United States."

Encouraging women to break the glass ceiling is all well and good but what if moving off minimum wage and accessing a living wage, is no easy feat? In America alone, 6 out of every 10 women are stuck on minimum wage.

The Glass Ceiling is so high up most of us can barely even see it. Researchers at the non-profit group Catalyst point out, "[…] when you start from behind, it's hard enough to keep pace, never mind catch up-regardless of what tactics you use." Both Rivers and Barnett went on to write,

"Doing all the right things to get ahead-using those strategies regularly suggested in self-help books, coaching sessions and the popular press-pays off much better for men than it does for women."

As women, we do not struggle to "get ahead" because of personal failings but this struggle is born from structural sexism which creates gendered inequality.

Telling white women and women of colour to be more ambitious and just "work harder" if they want to smash the Glass Ceiling and obtain a decent standard of living is almost laughable. Considering many women, in particular, indigenous women and women of colour, are still struggling to make it out of the basement. Still, self-help gurus such as Tony Robbins preach to millions that none of what I am writing about actually matters: race, gender… whatever you were born as, and into, does not have to hold you back. You just have to believe in yourself and follow the Tony Robbin's step-by-step guide to snagging a life beyond anything you could ever dream of. Which he has called: '12 Keys to an Extraordinary Life'. You couldn't make this shit up. He said at a recent event:

"I don't care if you are young or old, I don't care what your colour is, what your gender is, what country you come from, if you understand the science of building wealth you can have an abundance of it. If you violate those rules [of the 12 keys to an Extraordinary Life] either because you're ignorant to them or you don't apply then, you are going to have financial stress"

Tony, who sounds uncomfortably like Gaz in his belief anyone can become a millionaire, may as well have just said "we are all one"! "Everyone can make it no matter what grinding and economically depressive situations you come from"! And be done with it.

Financial stress is not brought about because you have unknowingly violated one or more of the '12 Keys to an Extraordinary Life' which Tony has made tens of millions off. Violating female stereotypes of passivity have a lot more to do with our failure or success in the workplace than how hard we do, or do not, hustle for top positions and top earning brackets. Rivers and Barnett write, "Competent women violate the traditional female stereotype of passivity. And that violation can trigger a reaction of fear and loathing [in the workplace]."

Financial stress is brought about because of injustices such as the pay-gap and the coloured pay-gap. Something Tony, has clearly gone out of his way to ignore. Self-help gurus and people like Gaz and Gary tend to, "displace questions of social justice and frame their rhetoric by the individualist and corporatist values of a consumer society," as both Jeremy Carrette and Richard King wrote in the book, Selling Spirituality: the silent take over of religion.

Both Rivers and Barnett point out in relation to the American pay gap,

"Hispanic/Latino women have the lowest median earnings, earning just 55 percent of the median weekly earnings of white men; black women have, median weekly earnings of 64 percent of those of white men."

The pay gap for America's first nation indigenous women also sits at 55 cents in the dollar compared to white men, as non-profit AAUW reports. Indigenous women are faced with earning nearly half of what white men do in America.

Similarly, in Aotearoa indigenous Maori and Pasifika women, face significant coloured/indigenous pay-gaps compared to white men and women. TheDominion Postreported last year, "Maori and Pasifika women are more likely to be in the lowest paying jobs, which increases the poverty in their lives and communities." The Human Rights Commission has been tracking unfairness and inequality at work and cites that Pasifika women on average earn $57,668 while white men earn $66,900. What this data shows us is that, "Men are paid more than women overall and within ethnic groups. The effects increase when combining several factors as is the case between New Zealand European men and Pacific women. These patterns have persisted over time."

These "patterns" of women of colour and Indigenous women being paid significantly less than white men and women, to do the same damn jobs have "persisted" all over the world from America to Aotearoa. Injustice and oppression is locally and globally connected.

A more accurate description of what the aspirational metaphor of the Glass Ceiling is made out of is to say it is made from lead. So many women are much more likely to fall off what Rivers and Barnett have labelled the "glass cliff" than triumphantly smash the glass ceiling into a million little pieces. Following Tony Robbin's guide to obtaining some magical, fairy-tale life, or any other pseudo bullshit glittery guides to financial freedom, aren't going to be very effective for women born into a system which was built to silence and eradicate them.

The only thing I am aspiring to "smash" is white imperial patriarchal systems that at best disempower women and at worst, brutally and often violently oppress them.

***

As workers we are criticized for our behavior whether we are told we need to be "more ambitious" or we "just need to work harder" in response to our perceived failure to land a great job with good pay and consistent hours. I am so tired of listening to people who endlessly tell me to go and get a "better job" or a "real job" (what does that even mean?!). And I have lost count of the times I have been told by people who hold anti-protester positions to "go and get a job" while I am on the picket line or the protest ground. As if the low waged work I do counts for absolutely nothing. As if service industry work is some kind of phantom job.

This is for anyone who has ever told a service worker to go and get a "job" or a "real job": why don't you make your own double shot soy latte, flip your own burgers and pour your own damn beer and make your own designer espresso martini, which costs more than I make in an hour.

When as a worker, I refuse to put up with horrible workplace conditions and hit the picket line or call the Union as a form of resistance I have been called a "trouble maker", "dirty hippy" and an "inconvenience". I am proud to be all of those things. I am glad I stood up and was brave and risked job loss (sometimes I have lost my job for speaking out) and arrest in an attempt to better my workplace conditions. The only people who are "dirty" are those who seize on disaster capitalism and economically benefit from the oppression of others… I am looking at you Tony Robbin's and Gaz.

We need more workers collectively rising up and following the lead of Health Care workers, Bunning Warehouse and Supermarket workers and more recently Bus drivers. Who have all relentlessly hit union backed picket lines to demand 'fair pay for fair work' and better work conditions, in New Zealand. And less people thinking magically one day their lives will get better if they just play by the rules and perform their duties at work without complaint. This is nothing but blind faith. It is like believing in god: no matter how long you patiently wait he is not going to come and save you.

People from the working classes and those who have been in the wake of the 2008 financial crash, disenfranchised from the middle and upper-classes can save each other. But we need to refuse to allow those who hold power to continue to pit us against one another in some kind of Capitalist Death Match. Where the only prize you get is some demeaning job where the wages are so low you have to pick between buying food or paying the electricity bill. Starving or freezing does not sound like much of a "win" to me. It sounds like bullshit.

The more people who push against injustice in staggering numbers the harder it is for the media to ignore us and distort our messages of resistance.

Many people's grinding situations have nothing to do with individual 'bad choices' or laziness or you know, violating the '12 Steps to an Extraordinary Life'. No matter how many times we hear rotten rhetoric like this we must refuse - absolutely - to accept these types of pervasive and dominant narratives. At their core these narratives use shame and ruggedly focus on the individual as a method to pacify and silence. We must disrupt language that is designed to disempower and divide workers while seeming to empower. We need to seek out ways to elevate the voices of our most vulnerable and the messages of people of conscience who can envision a better world and whose political imaginations outstretch the dominant reality.

Lastly, we need to fight and stand with other workers against employers who exploit their employees and view them as nothing more than units to turn-over capital. Jeremy Carrette and Richard King, went on to write in their before mentioned book:

"We are never obliged to accept the dominant version of reality (however conceived throughout history) without question."

Capitalism as a Form of Human Sacrifice: The Comedy of Innocence and The Comedy of Guilt

By Nick Partyka

The mention of human sacrifice is likely to conjure a bevy of fantastic notions, images of exotic locales, and perhaps visions of pre-historic peoples dancing around a fire or an altar. For some, the idea may even trigger a visceral disgust. Despite killing untold numbers of persons for heresy or apostasy, the main religions of the Western world reject human sacrifice as a part of their practice of religious worship. The God of Abraham, that little episode with Isaac notwithstanding, does not require the shedding of human blood as a feature of the way He proscribes being worshiped. Many things may still be sacrificed as part of Christian religious practice, but blood, human or animal, is not one. Certainly this God, through the medium of his Earthly spokespersons, has commanded, or at least endorsed, the shedding of others' blood, e.g. that of Jews, Muslims, Pagans, and heretics. But, even here, the shedding of blood is not a mainstay of conventional worship. We rational, modern, scientifically minded people are quick to dismiss the idea of human sacrifice. Though the form has changed, we still practice human sacrifice, and it remains an important part of how society and community are reproduced. Moreover, we preserve significant features of sacrificial rituals as practiced by ancient people.

Among Marx's first words in the Manifesto are his famous, and oft quoted, line, "The history of all hitherto existing society is the history of class struggles".[1] But, importantly, he continues, "Freeman and slave, patrician and plebian, lord and serf, guild-master and journeyman, in a word, oppressor and oppressed stood in constant opposition to one another".[2] Class society is based on hierarchy, that is, on social relations of domination and subordination. And this social relationship of domination is not an end in-itself, but rather it is the means by which wealth, resources, status, and opportunities are funneled into the hands of the dominating class. Class society has always functioned in this way, as a fundamentally predatory mechanism whereby the wealthy exploit the poor. And, as long as class-based society persists, so too will this mechanism of predation and exploitation, as well as the inequalities and divisions that come with it. This is one of Marx's most essential points; wealth and poverty go together, because poverty is the direct result of the accumulation of capital.

Ritual sacrifice is typically thought of as a relic of the ancient past, something barbaric or ignorant peoples engaged in, as something enlightened societies eschewed once they developed a truly scientific, i.e. modern, way of thinking. Unfortunately for the victims, ritual human sacrifice is a widespread practice in contemporary society. It is the very foundation of how the dominant class reproduces its wealth, power, and position. We share with our ancient peers the need to justify human sacrifice, to rationalize our actions, and thus to appease our conscience. It is in this vein that while the ancient Greeks made use of a "comedy of innocence", we modern Westerners have adopted the "comedy of guilt". The ancient Greeks needed their sacrificial victims to be willing in order to appease their guilty conscience. Perhaps the most salient example is Agamemnon's sacrifice of Iphigenia at Aulis. We moderns also need our victims to be responsible for their own murder, that is, they must be the authors of their own demise. Thus, for example, the string of incoherent, blatantly racist, exaggerated, and downright preposterous legal excuses given for the murder of unarmed citizens by police, especially people of color.

Just as with the ancient Greeks, myth helps sustain our preferred justifications for ritual sacrifice. Myth is essential because at the heart of ritual sacrifice lies the deadly contradiction. Namely, the question, as Walter Burkett asks it, "Can what is not a gift really be a sacrifice?" If society can't get the victim to agree to be sacrificed, then the act is much more a murder than a sacrifice, and hence an unworthy form of offering for a God(s). Complicating the matter is one major difference, namely, that unlike the ancients, we specially select, and then groom for the purpose, the eventual victims of sacrifice. In their ritual comedy, the ancient Greeks only had to trick an animal into a performing a simple gesture, our modern ritual comedy requires highly elaborate, sophisticated, and inter-connected social, economic, and political institutions. Within these institutions lurk apparitions like the welfare queen, the food-stamp surfer, the ghetto gang-banger, the lazy immigrant, et cetera. These are myths created by the dominant class to rationalize and justify the ritual sacrifice of some members of the community.


The Comedy of Innocence

For the ancient Greeks, ritual sacrifice was an integral part of the practice of their religion.[3] The sacrificial ritual consisted of the killing, butchering, and eating of the sacrificial animal. Blood sacrifice was one the most important ways in which the ancient Greeks connected to their Gods. The obvious similarity of animal blood to human blood, the sense of worshiping a God in animal form, the wearing of clean clothes, the wearing of animal masks during the ritual, all point to the way in which the animal sacrificed stood in for human sacrifice. The Gods required sacrifice in order to be propitiated, and thus provide the things Greek people needed in order to flourish. There is a certain quid pro quo about this practice. The Gods want things, and human wants things. So, humans give the Gods what they want, and thus the Gods will give humans what they want. Humans, of course, want things like good weather for growing crops, calm seas for sailing and trading, for favor in battle, et cetera. Human sacrifice, despite appearing in Greek literature, was certainly considered to be taboo by the ancient Greeks; in fact, the Furies are thought to hunt down and wreak vengeance upon those who commit blood crimes. Indeed, there remains no archeological evidence for human sacrifice among the Greeks. Thus, the sacrificial animal stands in for humans, and also for the God, in the ritual sacrifice.

The sacrificial ritual was an important way that community was re-created by the Greeks. Most members of the community had roles to play in the ritual. This ritual was an elaborate process, and it would begin with cleansing, and festooning the chosen animal. Because the Greeks made use of animals like cattle and sheep, the most important sacrificial animals, for their secondary products, they would have been older animals, chosen based on having a suitably healthy and unblemished appearance. The Gods demand a good looking sacrifice, not an ugly or deformed one. The process then moved on to a ritual procession to the sanctuary which included singing and dancing, and invocations to the particular God the sacrifice is intended for. Once the procession reached the sanctuary the comedy of innocence would then be performed. After this, the clan chief, a person of political and thus also religious power, would kill the animal, catching its blood in a basin, then spatter some over the altar, and the rest being burnt. Then the animal would be skinned and butchered, the inedible bits set aside for reconstituting the animal symbolically. These innards, the splanchna, are then burned on the altar. Lastly comes the cooking and eating of the meat.

The offerings to the Gods must be burnt, for it is in the form of smoke that the sacrifice rises to the sky, that is, to a place where the Gods can consume it. If the blood of a sacrifice was allowed to drain into the ground, this would be a sacrifice to chthonic Gods, that is, the Gods of the underworld. Moreover, the Gods require sacrifice because without it, they cease to exist. Indeed, there is no God where there is no sacrifice, no ritual observance of the God. The Gods thus depend on sacrifice to sustain their own existence. This comes out in Aristophanes' The Birds, where two disaffected Athenians defect to form a new kingdom in the sky with the birds, after which they begin an embargo on humans' sacrifices to the Gods, in effect threatening to starve the Olympians. Whether the offering is burned up or poured out, if the Gods do not receive sacrificial offerings, and in the appropriate form, they will eventually perish.

Even without potential embargoes, as described in Aristophanes' play, the mechanics of the sacrificial ritual posed problems for the Greeks. They utilize myth, and the comedy of innocence to alleviate the moral dilemmas their form of religious worship created. Consider again Walter Burkett's question, How can something that is not a gift be a sacrifice? The Greeks get the meat of the animal, all the useable pieces, and the rest is symbolically reconstituted, and then offered to the Gods. Why, one might reasonably ask, are the Gods satisfied with what they receive? Here the myth of Prometheus helps the Greeks have their cake and eat it too. In one form of the myth Prometheus tells the humans to sew up innards and entrails, the inedible bits, back inside the skin. He then helps the humans by tricking Zeus into choosing the "reconstituted" animal instead of a pile of meat. In a different version of the myth Zeus intentionally picks to get the worse end of the deal, no doubt because of his benevolence. In fact, in the first version of the myth, it is precisely because Prometheus tricked Zeus, that Zeus took fire away from humans. This is why Prometheus then has to do what he becomes best known for, namely, stealing fire from Mt. Olympus and giving it back to humans. This is how, through myth, the Greeks could answer Burkett's question in the affirmative.

The other problem that had to be confronted was that the idea of a cow, sheep, ram, or pig consenting to be sacrificed by a human in the name of a God is laughable. Humans and animals possess no reliable means of communicating, especially for such a complex notion as ritual sacrifice. Moreover, even if a machine enabled humans and animals to communicate, it is by no means clear that we could sufficiently explain to them notions like God and ritual sacrifice for them to make a suitably informed choice that could alleviate humans' guilt. Thus, the Greeks made use of the comedy of innocence to resolve their feelings of guilt at killing an animal they have raised, and have a relationship with, and stands in symbolically for humans. As we saw above, this process would occur at the beginning of the sacrificial ritual. The human participants would stand in a circle, water would be brought in a vessel, and there would be a ritual washing of hands. Water would then be offered to the animal, or perhaps sprinkled on its head, inducing the animal to make a gesture that the humans could interpret as it giving its assent to be sacrificed. In another variation of this process a select few animals might be arrayed around the altar, upon which were places some food item cows would find hard to resist. The first animal to move in for a taste of the treats displayed before it could then be interpreted as assenting to be sacrificed. Since the animal could be said to go "voluntarily" to the sacrificial altar any feelings of guilt the Greeks had would be assuaged.

One can see now how the practice of ritual sacrifice in ancient Greek religion made a comedy, a mockery, of the innocence of the sacrificial animal by conducting a sham of a ceremony through which the animal agrees to be killed. This is how the Greeks again answer Burkett's question in the affirmative. Something which is not a gift can be a sacrifice, if the sacrifice itself consents to be sacrificed. The sacrificial animal in effect makes a gift of itself. And then, since the animal stands in for both God and human, each makes itself the sacrifice, giving itself as a gift to the other. This reciprocal giving formed the basis of the on-going relationship between humans and the Gods. It also helped re-create and reinforce the sense of community through participation in the ritual sacrifice and meal. Thus, through myth and comedy the Greeks were able accomplish two important tasks in how they rationalized their practice of ritual sacrifice. First they were able to obtain important elements of reproducing their community, that is, meat products, and at the same time to appropriately honor the Gods.


The Comedy of Guilt

Ritual sacrifice is no less a part of contemporary society than it was ancient Greek society. One important difference is that while the ancient Greeks may or may not have actually engaged in human sacrifice, contemporary capitalist society definitely does.[4] And, where the ancients situated their comedy at the beginning of their sacrificial ritual, we moderns place our comedy at the end of our sacrificial ritual. Unlike the ancients we select our sacrificial animals more or less at birth, and then groom them assiduously for their role. The most important difference between us and our ancient Greek counterparts is that while they made a comedy of the innocence of their sacrificial victim, we moderns make a comedy of the guilt of our sacrificial victims. Only if presented with "choices" at the beginning, and then voluntarily making the wrong choice can we moderns revel in the joy of the punishment of the sacrificial victim. We go out of our way, quite a ways out sometimes, to establish the guilt of the sacrificial victim. For, indeed, there can be no joy in punishment unless the victim is guilty. However, the institutional structure of capitalist society is such that the mechanisms for establishing guilt are so decisively flawed that it constitutes a comedy of guilt.

Capitalist society precisely structures inequality so that those on the bottom have the least wealth, the fewest resources, the fewest opportunities, the worst schools, the worst healthcare, the unhealthiest neighborhoods, are destined for the worst jobs, for social marginalization, mass incarceration, political disenfranchisement, and for an early death. These people try to make their ends meet as best they can, and when this requires bending or breaking the law, they are punished severely. A society based, most fundamentally, on private property delights in seeing people punished for crimes against property. This makes the observers feel more secure in their property holdings, and helps reaffirm the basic notions and prejudices of a form of community based on the ownership and exchange of private property. Just like with the ancient Greeks, the comedic aspect to our modern sacrificial rituals helps assuage our collective guilt, it helps us to answer Burkett's question in the affirmative. The comedy of guilt, just like the comedy of innocence, makes the voluntary action of the would-be sacrifice the key element. Modern capitalism needs its sacrificial victims to be willing, or, as it is in our case, unwilling to abide by the eminently reasonable prescriptions of a system of law designed to uphold the bourgeoisie as a class, and thus the system of social relations that sustains their position of ideological hegemony.

One particularly dark variation on this ritual comedy of guilt can be observed in the extremes to which authorities, pundits, and everyday people on social media, will go to place blame for their own death on those unarmed, mostly people of color, killed by police. Legally speaking, we simply allow the police to claim that they felt that their lives were in danger, thus excusing the use of deadly force. In these instances one can observe the comedy of guilt being played out as predominantly white officers try again and again to explain how and why they felt so threatened that they had to kill an unarmed civilian. Darren Wilson, in one particularly ghastly instance of this ritual, went so far as to make Michael Brown out to be a demon, to imbue him with super-human qualities, and thus perceive him as posing a deadly threat to Wilson's life. In another, rather macabre, instance of the comedy of guilt there is the case of Tamir Rice. Many attempted to place the blame on this little boy because the officer perceived him as older, and as more threatening. Many even tried making his own murder Tamir's fault by blaming him for playing with a realistic-looking toy gun in public, which he should not have been doing in the first place. In this same vein one can observe the comedy of guilt being played out in cases like that of Trayvon Martin & Dontay Ivy, Eric Garner & Freddy Gray, Laquan MacDonald & Jamar Clark, Sandra Bland & so many many others. "If only the now deceased citizen hadn't done when confronted by the police", or "if they had only said y when stopped by the police", "if only they hadn't been engaging in z low-level criminal offense at the time, or just prior", are the refrains sung during the ritual comedy of guilt.

More mundane variations on this sacrificial ritual, and the comedy that accompanies it, occur on a daily basis. Indeed, they form the very foundation of capitalist society. Without ritual sacrifice, the form of community which is most central to reproducing bourgeoisie society cannot be sustained. For the Greeks, ritual sacrifice was also about sustaining community. In their case the sustenance is more physical in nature, that is, they needed the calories. The Greeks sacrificed animals because they needed to eat, but also to honor the Gods. Today, we also need to eat, but the way we feed ourselves is much more complex than it was with the ancient Greeks. The sustenance derived from ritual sacrifice is, however, much more financial in nature today than in more distant epochs. The plain truth is that capitalism profits from the use, exploitation, and destruction of the poor, in particular black and brown bodies, and the bodies of women. This is as true today as it was in the halcyon days of the Atlantic slave trade. After slavery there was Segregation, after Segregation there was Jim Crow, after Jim Crow there arrived mass incarceration. Mass incarceration is the modern form taken by the capitalist machine which feeds on the poor, on black and brown bodies, and on the bodies of women, and profits from their poverty, captivity, marginalization, and also their deaths.

Poverty and inequality are the structural products of capitalism. They are also the main drivers of the feelings of desperation and exclusion that incline many to engage in illegal activities. Simply put, capitalism is a pyramid scheme whereby the opulence of the few is subsidized by the exploitation of the many. Thus, the kinds of material and social circumstances that studies have routinely shown to be criminogenic are the direct result of the "healthy" operation of a capitalist economy. Thus, capitalism can never be without crime, since it creates so many potential criminals, and incentivizes the rewards of successful crime so heavily. This is the main reason why the search for guilt, after certain kinds of individuals commit certain kinds of crimes is so comedic, to the point of being a mockery, a sham. Capitalist society chooses, almost from birth, those it will subject to the kinds of social and material pressures that drive people to crime in order to meet their needs, either for material resources or for social status. Then, after some of these people succumb to the pressures and incentives arrayed before them, capitalists utilize their power to organize public rituals of sacrifice, or as we call it, the criminal justice system. Capitalist elites intentionally dis-invest in public social services, e.g. education and healthcare, then when people find it impossible to live with dignity, they resort to any means necessary to provide. Capitalist elites criminalize this behavior, then apprehend, try, and if convicted, punish those who refuse to accept the social station assigned them. One grotesque example of the comedy of guilt in this connection is the widespread criminalization of homelessness.

One other prominent, and almost Kafkaesque, example of the way capitalist society makes a comedy of the guilt of its sacrificial victims is the insidious school to prison pipeline scholars have done much work to illuminate. The poorest students - usually people of color - are crowded into the worst neighborhoods, are segregated into the worst schools, and are suspended, expelled, and otherwise disciplined at an alarmingly disproportionate rate. These students are, without a sufficient education, left to fend for themselves in an economy we're constantly being told is globalizing and shifting to reward highly educated, high-skill workers. These people, again, mostly people of color, are increasingly caught up in the criminal justice system, where they are stopped and questioned, arrested, charged, tried, and convicted much more often than their white peers. Then they are given more sever treatment at sentencing, less lenience at parole, few to no resources for re-integration upon release, then thrust into the same job market for which they were originally poorly suited, only now at a further disadvantage; and also likely formally politically disenfranchised. Capitalist society condemns an entire segment of the population, the working classes, to systematic deprivation of resources and opportunities, and then punishes these people when they do whatever they have to in order to get by. Once these poor and marginalized persons have been caught-up in the criminal justice system their labor is exploited for profit by the prison-industrial complex. Dis-investing in resources for the re-integration of former convicts into their communities ensures that recidivism rates will be high enough to produce a reliable pool of labor to exploit. The privatization of prisons, which are proliferating in America, only exacerbates these incentives by cutting out the middle-man of the allegedly impartial "democratic" state.

Outside of, though certainly many times in conjunction with, the prison-industrial complex, the poor and marginalized are preyed upon and exploited by other elements of the capitalist ruling class. Sub-prime loans, student loans, and payday loans are all ways that the desperation, humiliation, and aspiration of the poor and marginalized are used against them for profit. The dominant neo-liberal narratives about education and the job market, for example, endlessly repeat how essential a college education is for success. And yet, poor students who reach for a better future by getting a college degree are finding that education is not a silver-bullet for social mobility, nor a panacea for income inequality. Large debt loads, a recession weakened labor market, structural changes in the capitalist global economy, as well as racism, patriarchy, and elite privilege all combine to sharply limit the avenues of social mobility truly open to graduates from the lower classes. Even those who major in highly remunerative disciplines, get excellent grades, and graduate, often face significant obstacles to success in their chosen field, e.g. the prospect of years of unpaid internships in order to have a resume appropriate to the job one ultimately wants, that they simply cannot afford. Payday loans, with their egregiously high interest rates and heavily punitive system of fees and fines, have been decisively shown to be nothing more than economic traps to bilk the poor of what little they may have. These companies take advantage of poor people, whose delicate economic equilibrium are easily disrupted by exogenous shocks, and who typically have insufficient savings to absorb those shocks; if they have any savings at all. Payday loans offer a quick fix to the cash-strapped poor, which quickly and reliably spiral into a mountain of crushing debt the poor borrower has little to no chance of ever paying off.

And then, after the poor and marginalized have fallen victim to the trap set by predators in our rigged economy, the elite, and of course their sycophants, blame the victims for their victimization. Recent college grads should have not gone to college if they couldn't afford to pay back the loans, debtors should have forgone whatever luxury they borrowed money in order to maintain. In this elite narrative it is always the moral failings of the individual that produce their impoverished, and desperate situation. The sub-prime loan crisis at the bottom of the housing collapse in 2007-2008 is a perfect example. Poor families were targeted by the big banks for risky loans that the banks assumed, even without a financial crisis, those families could not pay back. In the boom stage, elites and their institutions proclaim to the poor that prosperity is within reach; "easy credit can get you that home in the suburbs with the good schools". When the securitized debt instrument trend caught fire the incentives for financial institutions to create debt only multiplied. Then, after the crash, all the blame was placed at the door of those greedy poor families trying to live beyond their means, i.e. live with dignity outside the ghettos assigned to them. If only those people hadn't fallen for the insidious trap set for them by the sophisticated con-artists and loan sharks on Wall-Street, then the economy wouldn't have collapsed. This is a great example of the comedy of guilt being played out before our eyes.


Conclusion

Over the years, elites have developed an elaborate lexicon and discourse that they use to condemn the poor and justify the violence visited on them. The prejudices of the bourgeoisie against the poor are reified in formal law codes, sometimes approved by "representative" governments, and then used to justify the brutality needed to harness the labour-power of the poor to the apparatus of capitalist accumulation. These prejudices can be millennia old. Interestingly, this ancient pedigree can be seen in the very word at the heart of the controversy. "Democracy" is an oft invoked concept these days, but one about which there is not always a great deal of clarity. The word comes from the Greek words, Demos, meaning 'the people', and kratos , meaning 'power'. In the ancient world the term 'democracy' would have been used by elites as a pejorative for a kind of polis where the "common man", especially those with no property, had a voice in the government. Thus, 'democracy' translates as "the force of the people". Though, one must mention here that Demos does not refer to "the people" in the way modern readers will likely infer. The demos refers to the body of native-born adult male citizens of the polis. And, even more specifically it is used to refer to those native-born adult males wealthy enough to afford the hoplite panoply.

In the ancient world, 'demokratia' was invoked by elites in much the same way that the term 'anarchy' is used by elites today. However, the word 'anarchy' comes from the Greek 'an', a prefix implying the negation of what follows, and 'archos', meaning 'ruler'. Thus, 'an archos' translates as "without a ruler". The difference is that a ruler has some kind of legitimacy on their side, whether they are a tyrannos or a basileus. A demokratia, on the other hand, has no, and can have no, legitimacy at all; it is by definition an illegitimate regime, based on use of force by the majority of the worst people against the minority of the best people. One finds this echoed in the Romans' use of the concepts of libertas and licentia. The former refers to the legitimate power of the senatorial class to make the law, and to dominate the most important functions of the state. The latter referred to the illegitimate use of force by the lower classes against the nobility. A political regime imposed by, and for the Plebian order, in the eyes of the Patricians, could never be said to act with or from libertas, even though they were acknowledged to be free men and Roman citizens. A political regime dominated by the Plebian order could only ever be said to act from licentia, that is, from wantonness, lust, and instinct. The Plebians could never act from freedom, because they are led around by their dominant pursuits, pleasure and luxury, thus they can only act from licentia.

Suchlike forms of prejudiced language are still an integral part of the acting out of the comedy of guilt in capitalist society. This is because these vocabularies help elites ritually express their rationalizations for sacrifice, and thus absolve themselves of guilt. Only once they have been self-absolved can the moral guilt of sacrificing an unwilling victim be dissolved in the mind of the elite, who have always been the ones who organized and performed sacrifice. The comedy of guilt must be continually re-performed in order for the ruling class of capitalist society to square the circle implicit in Burkett's question; How can that which is not a gift be a sacrifice? By shifting blame for the problems and peril associated with poverty and precariousness onto the poor and exploited, the elite are able to turn unwilling victims into consenting sacrificial animals. So, when the process of capital accumulation requires the consumption, degradation, and exploitation of human life, as it inherently does, elites are ready with a bevy of convenient rationalizations that deflect blame; and, in a way that allows elites to continue to feel good about enjoying their opulence, even amidst appalling poverty. The ideology of the elite has always been flexible enough to accommodate the needs of the ritual comedy of guilt. Medieval Christian rulers found a way to rationalize the exploitation and persecution of Jews for profit; early modern Europeans found a way to rationalize the Atlantic slave trade; contemporary Americans have, in this illustrious tradition, found a way to rationalize a school to prison pipeline and prison-industrial complex that continues the super-exploitation of black and brown bodies which has fueled the capitalist development of the, now, "developed" countries.


Notes

Marx, Karl. "Manifesto of the Communist Party". The Marx & Engels Reader. Ed. Robert C. Tucker.:473

Ibid, 474

For excellent resources on the religion of ancient Greece see Burkett, Walter. Greek Religion. 1977. Trans. John Raffan. Harvard University Press, 1985. Also see Meineck, Peter. "When Gods Walked the Earth: Myths of Ancient Greece". Barnes & Noble Audio. Portable Professor Series: 2005.

Scholarly opinion is divided on this question. Though there are literary references to human sacrifice, e.g. Achilles' sacrifice of Trojan captives during the funeral of Patroclus, there is as yet no archeological evidence of the practice of human sacrifice among the Greeks.

The Gathering Storm: Donald Trump and the Hollowed-Out American Heartland

By Sean Posey

During the winter of 2016, the ever-present visage of Donald J. Trump remained burned into television sets and computer screens across America. In the well-manicured lawns of the modest working-class homes of Austintown, Ohio, situated in long-struggling Mahoning County, "Team Trump. Rebuild America" signs began popping up everywhere.

Formerly a sparsely populated farming community, Austintown grew as a working-class suburb in the decades after World War II. Steel and autoworkers could commonly afford vacations and college tuition for their children; the community, in many ways, symbolized the working-class American Dream. By 1970, Austintown, along with the neighboring township of Boardman, was part of the largest unincorporated area in the state. [1] The township's population peaked in 1980 at 33,000. Today, however, it's a very different place. Job losses in the local manufacturing sector and the graying of the population led Forbes to label Austintown as the "fifth-fastest dying town" in the country in the midst of the Great Recession. The township's poverty rate had already reached nearly 14 percent in the year before the meltdown of Wall Street.[2]

The 2016 Ohio Republican primary in Mahoning County witnessed the largest shift of Democratic voters to the Republican Party in decades. "Most of them crossed over to vote for Donald Trump," remarked David Betras, Mahoning County Democratic Party Chairman.[3]

This used to be Democrat country. But like so many other places in America, the brash billionaire's message is remaking the local political landscape. Trump narrowly lost the Ohio primary to incumbent Governor John Kasich. However, he won the majority of Republican primary voters in Mahoning County and in neighboring Trumbull County, home to the city of Warren - one of the most embattled municipalities in the state. Winning his home state should have been a given for Kasich; instead, Trump pushed the twice-elected governor to the brink.

Ohio is not the only place in the heartland the Trump tornado is sweeping through. Scores of America's most insecure communities are joining the once prosperous Buckeye State in flirting with or joining the mogul's camp. Yet, for as much attention as has been paid to Trump and the often controversial movement behind him, far less has been said about the cracking core of a country that is currently looking for a savior, any savior, in such enormously troubled times.

Years before America's most famous real estate and reality television personality descended a gold escalator at Trump Tower to announce his candidacy for president, long-time journalists Dale Maharidge and Michael Williamson began a cross-country journey to document America in the wake of the 911 attacks.

"On one trip," Maharidge writes, "I drove from Chicago to Johnstown, Pennsylvania. In places like this, the abandoned shells of factories, all broken windows and rust, make this country look like it was bombed in a war. In other places it's as if an economic neutron bomb hit-with trees and houses intact but lives decimated, gone with good jobs."[4]

Traditionally, this part of the heartland represented the economic engine of industrial America, filled with good-paying jobs in manufacturing. However, the great economic dislocations of the past forty-odd years have rendered much of this landscape a void, one more akin to the developing world than that of the United States. Even for the more outwardly normal communities, as Maharidge mentions, looks can be deceiving. Heroin is hitting the inner core of the country with a hammer force, destroying young lives already beset by economic insecurity and the end of upward mobility.

Perhaps even more disturbing is the declining life expectancy for a large swath of working-class whites, one of Trump's key constituencies. For the past sixteen years, death rates have risen for Caucasians between the ages of 45 and 54 and also for those between the ages of 25 to 34. [5] These are notable exceptions to the overall increase in life expectancy for all groups, regardless of race or ethnicity. While working class whites in Europe continue to experience increases in life expectancy, their counterparts in America are dying from drugs, suicide, and despair.[6]

The relationship between growing white death rates and support for Trump appears in the voting data. "Trump seems to represent a shrinking, in part dying segment of America," writes Jeff Guo in a detailed analysis of election results for the state of Iowa.[7] This holds true for other states as well. Guo goes on to demonstrate that, with the exception of Massachusetts, "the counties with high rates of white mortality were the same counties that turned out to vote for Trump." Many of these same voters are located in former industrial centers which themselves, in many ways, are also dying.

The deindustrialization of America first appeared in the Northeast and then in the former "Industrial Belt" (now dubbed the "Rust Belt" for the region's numerous decaying factories), stretching from Central New York to Illinois and Wisconsin. However, offshoring and free trade agreements have also severely damaged manufacturing centers in the "Right to Work" states of the South. Anger over free trade deals is driving much of Trump's populist economic rhetoric; a similar, though smaller effect, is being felt with Bernie Sanders's campaign on the Democratic side.

Despite regional changes, overall employment in manufacturing remained at a steady level until the end of the 1990s. Free trade agreements like NAFTA and the granting of "most favored nation" status to China (along with China's entry in the WTO in 2001) greatly undermined American manufacturing employment, which has almost continually declined over the past two decades. Aside for the traditional Rust Belt states, Alabama, Arkansas, Kansas, Kentucky, and Mississippi are among the top ten states in terms of loss of total share of manufacturing jobs.[8] Trump won all but Kansas during the Republican primaries. His campaign also looks to be pursuing a "Rust Belt strategy" for the general election, which could see the wooing of disaffected former Reagan Democrats and independents who will never embrace the Clinton candidacy. So, if Trump were to falter in states with large Latino populations, he could (in theory) potentially take economically troubled swing states like Ohio (no Republican has won a general election without it) and Michigan. Trump's appeal with working class voters could put traditionally Democratic states such as Wisconsin and Pennsylvania in play as well in November.

Much is being made (rightfully) of the violent clashes at Trump rallies-often connected to the nativist and authoritarian overtones of the campaign itself. Yet far less attention is paid to the outlet Trump is providing by borrowing populist strains from the political left and right. With the exception of Bernie Sanders, who is facing increasing hostility from the party elite, the Democrats appear unwilling to tap into the mounting frustration over inequality, free trade deals, deindustrialization, and stagnant wages.

After their apocalyptic defeat in the 1972 presidential election, the Democratic elite began to push for the transition from a labor-oriented party to one rooted in the professional (upper) middle class. The process greatly accelerated under the auspices of the Democratic Leadership Council and Bill Clinton in the 1990s. It brought the party electoral success, but as the upper 10 percent of the country prospered-including the new elite professional class loyal to the Democrats-economic conditions deteriorated for the party's old base and for the majority of the country at large.

In Thomas Frank's latest book, Listen, Liberal: Or, Whatever Happened to the Party of the People, the acerbic author takes a painful look at the effect of the unmooring of the Democratic Party from its roots in the working class: "Since 1992, Democrats have won the plurality of votes in every single election except one. For six of those years, they controlled Congress outright. But on matters of inequality they have done vanishingly little: They have stubbornly refused to change course when every signal said stop."[9]

It is indisputable that Republican policies during the same period also greatly increased inequality; however, the old liberal class of Franklin Roosevelt's party should have been the antidote to supply-side poison. They failed. And while the Republicans are paying the price for offering disaffected white workers the wages of identity politics (while advancing policies that destroy their livelihoods) the Democrats are likely next in line for the blowback.

"If you read mainstream coverage of Donald Trump, it's all focused on the bigotry and intolerance," Thomas Franks writes, "but there is another element, which is [he] talks about trade and he talks about it all the time."[10] Where is the Democratic Party on trade? It took the Democrats and Bill Clinton to succeed where George H.W. Bush failed and get NAFTA passed, which devastated whole regions and cost the country 700,000 jobs.[11] President Obama and Hillary Clinton both championed the Trans-Pacific Partnership-which will also cost working class jobs-over the objections of labor. (Clinton has since tried to walk back her initial support.) According to analysis by The Atlantic, "The trade pact will increase the importation of competing goods, which will drive down the cost of U.S.-made goods, putting downward pressure on wages." Even Breitbart News, a stalwart conservative publication, condemns the TPP for its likely effect on the working class, while the Obama Administration relentlessly pushes for its passage:

The question that conservatives must answer in the on-going debate over President Barack Obama's proposal to rewrite the rules for the world's economy through the Trans-Pacific Partnership is whether following General Electric's agenda to flatten the world's regulatory regimes to produce efficiencies in manufacturing and labor is in the interests of the United States? [12]

It is difficult to imagine President Obama ever uttering such words about a free trade deal.

Only Senator Sanders has rallied to the defense of labor and the sections of the country hard-hit by trade; Clinton by contrast is seemingly ready to turn her back on the traditional manufacturing heartland in the Midwest and parts of the South. In reality, the Democratic Party's record over the pasty twenty-five years on everything from trade to protections for labor is a fantastically dismal one.

The best strategy to counter Trump's rise would be to focus on the legitimate grievances of much of his constituency while countering his appeal to identity politics. Democratic elites who view the white working class as hopelessly racist are playing into Trump's hands (while also discounting the racism of the professional class). But while they dither, the thunder of a movement inspired by the storm that is Donald Trump continues to coalesce. And even if Trump disappears from the political radar tomorrow, the backlash he has inspired will live on.

From the crumbling factory walls of the Rust Belt to the shuttered main streets of the Deep South, a revolt is underway. The long forgotten "flyover country" is erupting in a paroxysm of anger and despair over the generations of decline that have battered once solid bastions of white working and lower-middle class America. With progressive voices replaced by neoliberal orthodoxy, no constructive outlets remain to channel the cacophony emerging from the heartland. With a fading Bernie Sanders and a rising Trump, the outcome might already be decided. If both parties fail to come up with economic solutions for decaying sections of the country's interior (and if no radical movements emerge from the grass roots), the potential for the worst possible right-wing backlash will remain. It is certain that America will never right itself until it deals with this crisis; if it does not, the forces of nativism and demagoguery will win the day. And from there, we will all reap the whirlwind.


Notes

[1] Charles Etlinger, "Mahoning Valley Faces 70s Crisis," Youngstown Vindicator, September 27, 1970.

[2] "Austintown 5th-Fastest Dying Town in U.S. Says Forbes," Vindicator, December 20, 2008.

[3] Peter H. Milliken, "The Elephant in the Room," Vindicator, March 20, 2016.

[4] Dale Maharidge and Michael Williamson, Homeland (New York: Seven Stories Press, 2004), xlii.

[5] Wonkblog, Jeff Guo, "The Places That Support Trump and Cruz are Suffering. But That's Not True of Rubio," Washington Post, February 8, 2016.

[6] Olga Khazan, "Middle-Aged White Americans are Dying of Despair," The Atlantic, November 4, 2015.

[7] Wonkblog, Jeff Guo, "Death Predicts Whether People Vote for Donald Trump," Washington Post, March 4, 2016.

[8] Economic Policy Institute, "The Manufacturing Footprint and the Importance of U.S. Manufacturing Jobs," January 22, 2015.

[9] Thomas Frank, Listen, Liberal: Or, Whatever Happened to the Party of the People? (New York: Metropolitan Books, 2016),9.

[10] CBC Radio, "It's not Bigotry but Bad Trade Deals Driving Trump Voters, Says Author Thomas Frank," CBC online site. http://www.cbc.ca/radio/thecurrent/the-current-for-march-16-2016-1.3493397/it-s-not-bigotry-but-bad-trade-deals-driving-trump-voters-says-author-thomas-frank-1.3493433 (accessed March 22, 2016).

[11] Economic Policy Institute, "NAFTA's Impact on U.S. Workers," December 9, 2013.

[12] Rick Manning, "A Rebuttal to National Review's Claim that White Working Class Communities Deserve to Die," Bretibart News, March 17, 2016.

The Value of Utopia: The American Tradition of Radical Utopianism

By Nick Partyka

For many centuries persons, peoples, and civilizations, have dreamed about what an ideal society (utopia) would look like, and worried about ways in which society could be much worse (dystopia). Utopian dreams and dystopian worries are powerful tools for thinking about what sorts of changes a society should pursue or avoid, and what underlying dynamics these proposed changes expose. This series examines the tradition of utopian and dystopian thought in western culture, beginning with the ancient Greeks, but continuing on into the modern period. Our focus in this series will be on the important social, political, and economic ideas and issues raised in different utopian stories. When we look into utopian stories, and their historical times, what we'll see reflected in the stories of utopia are the social, political, and economic concerns of the authors, their societies, and or their particular social class.

The meaning of the word 'utopia' comes to us from ancient Greece. In our modern world the word takes its current form because of Thomas More's 1516 book of the same name. Indeed, it is this book from which most of the modern western European utopian tradition takes its origin; or at least, this work inaugurates its most common trope. Where we have in our lexicon one 'utopia', the Greeks had two. The difference, even confusion, between them marks an essential cleavage. For the Greeks, there was both Eu- topia, and Ou-topia. Both are derived in part from the Greek word topos, which means "place", and the suffix 'ia' meaning land. Translated into English, 'Ou-topia' means something like, " No-place land", whereas 'Eu-topia' translates as "good-place land". More succinctly, the difference is between the idea of the best place, and an impossible place. It is the difference between a place which does not exist, because it has not yet been realized, and a place which cannot, and could not, ever exist.

Our modern word is pronounced as the Greeks pronounced 'Eutopia'. However, the meanings of these Greek words were confused by modern writers, who ended up with the spelling 'utopia', from the old English 'Utopie' as opposed to "Eutopia", as meaning "good place". This basic confusion about utopias, between "good place" and "no place", inserts an important ambiguity directly in the center of thinking about utopias. This ambiguity forces one to wonder of utopian writers, Are their visions supposed to be dreams of possible futures meant to incite us to action, or are they impossible dreams meant as reminders that the world is not easily re-shaped by human effort? Is a utopia supposed to be a good place or a no-place? Is the author supporting or condemning the practices of the fictional societies they describe?

One qualification must be made right away. A utopia is not a paradise. There is a colloquial usage of 'utopia' and 'utopian' that seem to suggest that it is a paradise. And compared to the societies in which actual humans lives, many of the fictional utopias would have indeed been seen as paradises, relatively speaking. However, we must draw a technical distinction between a paradise or a golden-age, and a utopia. In a paradise or golden-age no work and no effort are required by humans to obtain the things they want and need. Perhaps the most famous golden-age many are familiar with would be the Biblical Garden of Eden. Another well-known paradise is described in the mid-14th century poem The Land of Cockaigne, where fully cooked turkey legs literally fly through the air and into one's mouth. In this place the only effort one need put in is to chew.

The whole idea of a Cockaigne, or a paradise, is that everything one would ever need is abundantly supplied without any effort. The natural world is just so constructed - either at random or by design - that there springs forth automatically an abundance of everything necessary for everyone, all the time, always. In this kind of society, or world, there never arises anything resembling what we - or most societies in the history of our world - call a political problem. Everyone has enough of everything. So there is no cause for argument. There is no inequality, because everyone has everything everyone else has. Or at least, everyone has access to just as much of what others have whenever they would like it. In this kind of world what causes could there be for strife, or for civil war? A paradise, or a golden-age, is thus totally non-political, and not terribly interesting.

What this means is that utopias are enough like our own condition, our own world, that we can take inspiration from them. They are enough like the social conditions we know that we can learn lessons for and about ourselves and our societies by examining at them. This is exactly what makes utopias so interesting. As we will see, utopian literature has a long, very long, history with human beings. The enduring appeal of and, interest in utopias testifies to their relevance. This is the reason that we too are looking at utopias. We are all concerned with, or at least we are all effected by, the way our society is organized. By looking at how other ideal societies might be organized we can explore the merits, and demerits of various kinds of social institutions, and of the various ways of structuring those institutions. We are concerned to change our own society, and utopias allow us to think about the direction of that change.

We have a colloquial usage of the word 'utopia' and 'utopian' in contemporary society that works to prohibit much creative thought, and dismisses utopian thought as feckless, and as such, worthless. Part of the aims of this series is to demonstrate the value of this "worthless" endeavor. Dreaming, far from idle, far from impotent, is essential. Without wonder, without questions, the human imagination will atrophy. The value of utopia is that thinking about utopias allows us to both critique present societies, and also to articulate a vision of how we'd like our societies to be different. The deeper value of utopian thinking is that it sets us free, free to speculate and more importantly to give expression to our striving, to our desire for a better world. Everything human beings can be must first be dreamed by human beings. This is the value of utopia and dystopia. Thus, the first pre-requisite for this series is the rejection of this colloquial notion of utopia and the utopian. Dismissed from the start, it will not be a surprise if we fail to learn anything from our utopian traditions.


Introduction

Brief, but spectacular. That is how I think of the Occupy movement. An article I read recently lamented that the anniversaries of this movement seem to come and go now with but a murmur, a faint echo of the voice that all too briefly seemed capable of shaking American society out of complacency, of opening up new possibilities. There have by now been enough autopsies of this movement, and its failures, that there is no need for another. One thing that stands out is of course the fact that the movement never coalesced around a set of demands, never formulated a coherent political programme. Whether or not the Occupy movement did a good job distilling its critique, and its vision, neither were sufficiently theoretically developed or promulgated. Occupy in many senses seem to try to be a leaderless and theory-less movement. Of course, the main reason for the end of the Occupy movement was the physical clearance of the encampments by the thugs of the ruling class, that is, the police.

Much more fruitfully, when we look to the practice of Occupy, and the many encampments around the country, and indeed around the world, we can see that there is certainly a clear political, and moral ethos animating the activity and structure of the movement. What emerged from the Occupy encampments was an ethos of self-organization, free association, of de-centralized participatory democracy, and non-market modes of distribution. In Occupy encampments around the country people organized themselves to provide many kinds of basic, and some more advanced, services and community infrastructure, e.g. free meals, free educational opportunities, free healthcare, and much more. The diversity of services offered by different Occupy encampments was truly an amazing display of cooperation, solidarity, and self-organization. And indeed, this is what was really threatening about the occupy movement, it offered a robust vision of a more participatory, more solidaristic form of community, and worked diligently to create this, first within the bounds of its camps, and then the communities around the camps. Building up a vision of a new society, and a physical representation of that vision, became a major challenge to the ruling class because of the speed with which this movement grew and gathered strength.

Occupy was not the first time "utopian" ideas of more democratic, more participatory, more egalitarian, forms of community captured the imagination of Americans, and threatened the ruling class by becoming a movement. This has happened several times in our history, but, as one might expect, these lie outside the mainstream narrative of U.S. history. Thankfully, in the wake of Howard Zinn, much work has been done to recover and disseminate the knowledge and memory of the existence of radicals and revolutionaries, not to mention their important role, in American history. Utopian ideas, and vision of better societies have captured the imagination of Americans, and become large movements more than once. These largely forgotten episodes include the Bellamyite movement in the 1890s, and the Fourierist movement of the 1840s. These latter two represent the more secular and political end of the spectrum of utopian experiments in American history.


Looking Backwards, on Bellamyism

While it is almost totally forgotten now, at the end of the 19th century, the only American works of fiction to sell more copies than Edward Bellamy's Looking Backwards were Uncle Tom's Cabin, and Ben-Hur. His book, and the ideas and vision contained in it, was so wildly popular that is spawned an intense, but short-lived political movement in the form of Bellamyite "Nationalist Clubs"; indeed they were often called "Bellamy Clubs". These clubs arose quickly following the release of Bellamy's novel, and while the first club originated in Boston, chapters soon popped up in cities across the nation. These clubs, via coordinated activity, became a political force as a movement in the first half of the last decade of the nineteenth century, before disappearing after merging with the Populist movement. They turned Bellamy himself into a politician, although he was perhaps not well suited to the role of leader of a socialist political movement.

When Looking Backward was published in 1888 its popularity owed much to its readability, engaging narrative, but especially to its grand vision of a utopian future. Another big part of its popularity was conditioned by the times in which its author lived. Over the course of Edward Bellamy's forty-eight years he saw a great deal of turmoil, indeed, he would have been around fifteen the year the Civil war ended, and not quite twenty five when the Long Depression began in 1873. After the war American society experienced the rise of giant integrated capitalist firms - the infamous trusts - to positions of monopoly power; it had experienced a series of sometimes devastating economic recessions and depressions; it was experiencing increasing labor militance and strikes, for example the Great Strike of 1887; in conjunction with the latter, there was much radical socialist political agitation, see for example the 1886 Haymarket Affair and its highly controversial aftermath. Over this time the social effects of capitalism and industrialization became more pronounced. As is the still the case, it was workers, and the poor who bore the costs of material "progress". From the end of the Civil war to the turn of the century was when American capitalism really came into its own, when it rose to social and political dominance. As material prosperity of society increased, it looked to increasingly many Americans that, economically and politically, the decked was stacked against them, and that the lion's share of these gains were being accumulated by the wealthy.

Bellamy adopts the Rip Van Winkle trope and has his protagonist fall asleep in then present-day 1887, and wake up over a century later in the year 2000. Bellamy's hero, Julian West, finds himself in a utopian future society in which the evils of the world of 1887 have been rectified through application of reason, science, and technology. The book takes the form of a kind of guided tour of the future given to Julian by his host, a Dr. Leete, who is caring for Julian after he wakes up. Dr. Leete and his family take turns escorting Julian around, showing him different aspects of the future, and answering his many questions about how the world of the future works, and how things came to be that way. Long story short, the Unites States of the future has been transformed by a rational and irresistible bloodless revolution into a socialist utopia, as one giant national trust, operated for the public benefit. All industries have been nationalized, and are democratically controlled by their workers; there is centralized distribution of important goods; there is gender equality; the economy has been reorganized as a rational and egalitarian "Industrial Army". As Bellamy describes this future, there are no wars, no government, no bankers, no corruption, no jails, and no more "buying" and "selling".

The social revolution that brings about the society of the future, as Bellamy presents it, occurs much like Marx describes. The revolution is a natural occurrence, and as such irresistible, that happened once society developed to a certain level of rationality. Once people become sufficiently rational they simply perceive the need to radically transform society, and then do so in the form of a revolutionary mass social movement that peacefully takes power and then restructures society. Bellamy, like many of his age, was not keen to abandon the benefits of industrialization, and mass production, but wanted to change the composition and distribution of what is produced. Thus, his vision of the future economy is one where society takes the form of one large trust, but because it will be run democratically by worker-citizens, it will pursue their interests. Bellamy's vision is a kind of syndicalism, in which a congress of industrial unions forms the core of the national government. Moreover, because the people of the future are so rational they organize their society along the most rational, and thus egalitarian, lines. This is why, for example, in Bellamy's utopia social classes are not abolished but re-organized on rational lines, which for him means according to age. This there is a course of age-based classes, or stages, all persons pass through. All the stages are designed to maximize the development of citizens' personal talents and capacities, to effectively train people to be competent workers fit for important jobs, as well as to be active and engaged citizens.

The application of reason to social problems results, in Bellamy's utopia, in progressive policies like equal educational and occupational opportunities for women; everyone must work between 21 and 45; universal basic education for all until 21; occupations decided, as much as possible, by aptitude; remuneration based on effort; college open to all, with admissions based on social need and individual merit; free universal healthcare. In keeping with his syndicalist vision, Bellamy's utopia has a political structure framed around industrial unions. Bellamy's novel envisions the future President of the United States as the general of the Industrial Army, and serving a five year term. This person is to be elected by a vote of all those worker-citizens who have retired, i.e. those over forty five years of age. In this utopia there would be ten industrial departments, or unions, each with its own head, or chief, elected by the retied members of the individual departments; the group of these chiefs serves as a kind of cabinet to the President. There is a national congress, which meets every five years to pass or revise laws. He proposes a separate entity he calls, the Inspectorate, to pursue consumer complaints, fraud, abuse, misconduct, et cetera. The job this agency is to seek out graft, inefficiency, or waste, as well as health, safety, or environmental hazards.

The central metaphor of Bellamy's novel is presented in his analogy of the General and the Balloon. Dr. Leete in trying to explain the reasoning behind the organization of the society and economy of the future tells Julian, "It is easier for a general up in a balloon with perfect survey of the field, to manoeuvre a million men to victory then for a sergeant to mange a platoon in a thicket". [1] It is most rational to organize society into one big corporation because this will facilitate macro-level social and economic planning in the public interest. The idea is to harness the power of the large trusts, because their centralization afforded them a larger view of the economic landscape, and allows them to plan accordingly. Under capitalism this planning took the form of the great trusts trying to manage competition between oligopolists to keep prices and profits high. When all the nation's industries were organized under centralized control, like in a trust, and all these trusts nationalized, society would be able to engage in the kind of economic planning that can create the utopian society Julian West encounters.

The idea for the Bellamy clubs emerged very soon after the novel debuted. A reporter in Boston, Cyrus Field Willard, is credited with coming up with idea, as there is a surviving letter in which he ask Bellamy for permission to found a club to promote Bellamy's ideas. Bellamy assented, and the ball began rolling. In the fall of 1888 Willard's "Nationalist Circle", merged with the independently organized "Boston Bellamy Club" of Charles E. Bower & Arthur F. Deveraux to found the first permanent Bellamyite group. The Bellamyite movement was at this point more a moral association than a political party. In 1889 they began publishing a magazine, The Nationalist. Groups were very quickly founded in large Eastern cities like New York, Chicago, and Washington D.C.. The movement was particularly strong in California. That state had sixty five local clubs, whereas, even a large and populous state like New York had only sixteen local Bellamyite groups.

The early Bellamyite movement eschewed political action, that is, participation in a 'democratic' political process they felt was rigged. They focused instead on propaganda, e.g. organizing public lectures, printing and distributing pamphlets and periodicals. As the fever pitch of labor and socialist militance and agitation, combined with events like the Great Strike of 1887 and the Homestead Strike of 1892, the Bellamyite movement reversed course and engaged furiously in political activity focused on more immediate gains, with a particular emphasis on the elections of 1892. The economic and political climate of the age created other reform minded groups in addition to Bellamyites, groups which would cooperate and compete with each other as they often had large segments of over-lapping memberships. Economic depression, political corruption, financial speculation and market manipulation, all fueled the rise of the Populist movement, and of the People's Party. Bellamy, and many other members of the Nationalist clubs were so supportive of the People's Party that eventually the Bellamyite movement merged into the Populist movement. The failure of Bellamy as a political candidate did not help the situation, as the alliance of the People's Party and the Bellamyites rendered most of the latter's organizational functions redundant. In the wake of the 1892 elections the Bellamyite movement began to dissipate as it was largely subsumed by the Populist movement.

In early 1894 Bellamy's own journal, The New Nation, was forced to close due to financial difficulties. Later in this same year Bellamy ceased his political activity on behalf of the movement that bore his name. Other Bellamyite periodicals continued to be published over the next couple years, but in dwindling numbers. By 1896 there were only a handful of Bellamyite groups still active, for example those in Wisconsin which were organized enough to run candidates for state offices that year. After this, the Bellamyite movement basically vanishes as a movement, save for a scattering of die-hards. Bellamy himself would die only two years later, on May 22nd 1898. Though he claimed that he did not write his novel with the aim of providing an explicit plan of economic and political reform, his utopian vision of a more democratic, more equal future resonated deeply with a nation weary of the effects of capitalism.


Political Utopias in Antebellum America

The populist and reform movements of the 1880s and 1890s, as well as the socialist movement emerging in this era, had important precursors in American history. Indeed, the success of a radical utopian inspired movement like Bellamyism will not surprise one acquainted with the utopian movements of antebellum America. There was a very limited Owenite movement in America during the 1820s, the culmination of which was the experimental community at New Harmony, Indiana. Much more extensive and successful was the Fourierist movement that emerged in the 1840s. [2] This movement attracted a fairly large following, and was able to establish a number of experimental communities, called Phalanxes. In contrast to Bellamyism, which was an American movement, both Owenism and Fourierism are European movements which crossed the Atlantic. The success of Fourierism, and relative lack of success of Owenism, in transplanting to America is explained in part by the differences in the economic climates in which they came to America. Fourierism resonated more deeply with Americans than Owenism mostly because they were more open to radical utopian experiments in the wake of the economic crisis of 1837, and the depression that followed. If not for the economic crisis of 1873 and the ensuing depression, the 1886 Haymarket Affair, the Great Strike 1887, the crash of 1893 and the depression that followed, Bellamyism may not have emerged as a mass movement.

One major difference between Owenism and Fourierism, and a factor in their respective levels of success, is in the manner of their transplantation to America. While Owenism was brought to America by Owen and his sons, Fourierism was brought back to America by an American disciple of Fourier's, Albert Brisbane. Owen purchased the town of New Harmony in Indiana from its previous occupants with the intention of founding a utopian community there based on his philosophic principles and the lessons learned in operating his mills at New Lanark in Scotland. American Fourierists began with editing Fourier's ideas into a coherent form, and then propagandizing on behalf of these ideas. When these agitation efforts combined with economic depression in the wake of 1837, with the lingering effects of the second Great Awakening, the example of successful utopian communities in America, and the sympathetic affinities of various immigrant groups Fourierism became a rather large movement. At its high point the Fourierist movement could boast of dozens of Phalanxes across America.


Owenism

The Owenite movement in America was comprised almost entirely of the experimental utopian community the movements' founder Robert Owen established, and his efforts to acquire funding and attract personnel for this community. Though there were other Owenite communities in the U.S., the story of Owenism in America is largely the story of the New Harmony colony. Unfortunately, Owen found little success in America, less than some of the experiments within Great Britain, and his utopian experiment lasted only four years before the colonists abandoned the Owenite philosophy. The community at New Harmony persisted, but they were no longer an Owenite utopian project. Owen had originally purchased the land, and a few buildings, from the previous residents at New Harmony. These previous occupants were Rappites colonists, a mostly German Protestant religious sect, which had moved to Indiana from Pennsylvania to more freely practice their beliefs and communal way of life. After establishing the first group of settlers at his community, Owen left his son William in charge at New Harmony and returned east to find more funds and colonists for his project. When Owen returned in April of 1825 he found the community of several hundred residents in chaos. He did his best to put matters in order, and succeeded fairly well, he departed again in June 1825 in search of more funds and colonists. In all, Owen spent only a few months residing at New Harmony.

Within two years of its founding as an Owenite utopian experiment the New Harmony community was an economic failure, that is, it was not financially or materially self-supporting. There are a host of reasons that account for the failure of the Owenite experiment at New Harmony. The colony had trouble attracting residents, and those who did come were not always of the highest caliber. While New Harmony did bring in many ideologically committed Owenites, it also welcomed in many types of people. In a letter, Robert Dale Owen, one of Robert's sons, describes the population of New Harmony as, "a heterogeneous collection of radicals, enthusiastic devotees to principle, honest latitudinarians, and lazy theorists, with a sprinkling of unprincipled sharpers thrown in".[3] In another letter, William Owen, another of Robert's sons, says that besides committed Owenites, New Harmony had attracted, "crackpots, free-loaders, and adventurers whose presence in the town makes success unlikely". [4] There was a laundry list of complaints about why the New Harmony project failed; not enough skilled craftsmen; not enough unskilled laborers; insufficient and inexperienced management and supervision; not enough housing; not enough land; not enough privacy; too much freedom; not enough freedom.

Robert Owen was often away from the colony and, like him, many colonists only stayed a few months. This high turnover, as well as the problems listed above, seemed to doom this project from the outset. Between the motley collection of colonists, the factional infighting, and the lack of economic viability, the New Harmony settlement ended as a failure for Owen. The lack of economic success and factional squabbles over questions of theoretical principles and practical organization led to a large schism at New Harmony in 1826. A group carried on the Owenite project for another couple years, but finally gave up the ghost in 1829. In 1827, Owen severed ties with the community he founded, transferring ownership to his sons. After 1829 the town abandoned Owenism, and converted their community to a traditional capitalist private property system.

While the town was a failure as a utopian experiment, it did produce some very interesting and significant results and persons. Under Owenite leadership New Harmony could boast of the first free public library, and the first free public school. It also became a leading center of scientific discovery in the natural science, in particular in geology where Owen's third son David Dale achieved prominence. Robert Dale, the oldest son of Robert Owen, in addition to publishing many books and pamphlets, served in both the Indiana state legislature and the U.S. House of Representatives. He advocated for women's rights, for free public education, and opposed slavery. It was in fact Robert Dale Owen who introduced the bill which founded the now world famous Smithsonian Institution.


Fourierism

Like the Owenites, the practical activity of the Fourierist movement in America was directed towards the founding of utopian communities. In the minds of the Fourierists these communities, or rather the network of these communities, would form the basis of the new society, and the transformative effects would radiate out from these communities. Though the Fourierists did much to expound and promulgate their theories in writing, their main energy was directed at founding and linking Fourierist phalanxes. A working example of their vision of a utopian way of life would, in their estimation, be the best piece of propaganda they could have. An operational model Phalanx was more likely to attract actual converts than hundreds of pounds of printed literature. One quite decisive advantage of the Fourierists was that they, unlike Owen, were not intensely skeptical. Indeed, the embrace of religious arguments, appeals to religious morality, and the use of religious modes of presenting Fourierist ideas very much helped Fourierism gain a large following in America.

The Fourierist movement was more successful than the Owenite movement in America, and thus it was larger and more diverse. It was however, more distant in its ideology and practice from its founder than the Owenite movement was from Owen. The experience of the movement is not so directly tied to any one individual community. This movement was, like Owenism, short-lived, despite many Fourierists being intensely passionate. Albert Brisbane, an American traveling in Europe, became a votary of Charles Fourier and his utopian socialist philosophy. In the early 1830s Brisbane returned to America and eagerly set to work proselytizing for Fourier's ideas; edited and parsed by Brisbane for American audiences. By 1840 he was publishing The Phalanx, a Fourierist journal, but his big break came in 1842 when Horace Greeley allowed Brisbane to purchase a front-page column in his popular newspaper The New York Tribune. This platform allowed Brisbane to bring Fourier's ideas to the huge audience of the Tribune's readership. Running for about a year and a half, and reprinted in dozens of other newspapers, Brisbane's column, helped ignite the spark of the American Fourierist movement. We should note that Brisbane was not alone in working to advance Fourier's ideas in America, nor was his journal the only Fourierist publication, though it was among the earliest.

Over the next decade, Fourierist phalanxes sprung up across the country, perhaps the most famous of which was the Brook Farm community in Massachusetts. The organized Fourierist movement established at least thirty phalanxes, and at it height, the movement consisted of perhaps as many as fifty Fourierist communities. One must be cognizant that there were several strains of Fourierism in America, and so deciding which communities count as Fourierist can sometimes be a matter of debate. The "phalanx" was the name Fourier gave to his ideal utopian communities. They were largely agricultural, but did not reject machinery. They were designed to self-sustaining communities in which all participants would have a chance to prosper. Fourier's phalanxes were not communist, since they were supposed to contain inequalities, that is, individuals were to be rewarded both for their effort as well as their contribution of capital. By the mid-1850s however, all but a hardy few phalanxes remained. What few did survive the collapse of the movement, were wiped out by the Civil war. Most Fourierist phalanxes lasted, on average, only a couple years; indeed, critics labeled Fourierists, 'four-year-ites'. The longest lasting community was the North American Phalanx of Colts Neck, New Jersey, which was in continuous operation for twelve years.

There is one very important way that the experience of the Brook Farm community was characteristic of the larger Fourierist movement. The Brook Farm community was originally established as a utopian community by Transcendentalist-inspired reformers. In the spring of 1841 George Ripley, and a small coterie of fellows, decamped to Brook Farm and established an experimental utopian community. Their aims were to counter the effects of a depersonalized and unequal society by removing themselves from that society, and forming a more ideal communal way of life. The Brook Farmers rejected Emerson's more individualistic, more isolationist, vision of Transcendentalist "self-culture". After four years of disorganization, factional quibbles, and lack of a cohesive vision, inhibiting the communities' prosperity, the Brook Farmers decided to adopt Fourierism in1844 because it offered a more concrete plan and structure. This is what attracted many, beyond Transcendentalists, to Fourier's system, and to Fourierist phalanxes, in this era. It was a detailed plan of action for forming communities in an age when so many utopian schemes were vague and ill-defined.

The Fourierist movement, brief as its life may have been, as well as the legacy of its example, made important contributions to later American political movements. Several important legacies of the Fourierist movement stand out. First, in the 1840s the Fourierists were among the earliest and strongest critics of the nascent industrial capitalist order. The Fourierists criticized capitalism as an anti-democratic system of "industrial feudalism" which subordinated workers to employers. Fourierism, and indeed the whole communitarian movement, achieved its prominence at a kind of tipping point in American history, and its failure to stop the advance of the burgeoning industrial capitalism set American society on different path than had this movement had more success. On a longer view, the legacy of the Fourierist movement continued to be seen in the communitarian aspects of the American socialist movement, as well as in the American labor movement, especially in its advocacy of producers' and consumers' cooperatives. The Fourierist movement has an additional interesting legacy in the way that it influenced the thinking of Edward Bellamy. Indeed, several important elements of Fourierist philosophy appear in Bellamy's utopia.


Conclusion

The utopian alternative was very much alive in 19th-century America. The threat various utopian movements constituted can be seen in the sheer numbers of people who flocked to religious or secular utopian communities all over the country. From the 1820s through the 1850s thousands and thousands of Americans experimented with utopianism, joining one or another experimental community. Over these decades nearly one hundred different utopian communities and projects were launched in America. Some lasted just a few months, others only a few years. Others, however, enjoyed some longevity. In general, the utopian communities that tended to last longer were the religiously inspired ones, which also very often had the advantage of being ethno-religious groupings. Many utopian groups like the Rappites or Harmonists, the Amish, and the Hutterites, were largely German Protestant sects. Though there were religious groups, e.g. the Shakers, who were successful at converting many different kinds of people to their way of life. Other utopian groups attempted to create new religions, e.g. the Mormons, and the Oneida community.

In a fairly common pattern, people turned to utopian communities when economic hardship became most acute, and then left when conditions improved. The very existence of alternative, non-for-profit, ways of living posed a threat to the nascent capitalist order in America. It was only in the decades after the Civil war that most kinds of utopian communities became economically unviable as corporate consolidation, mechanization of production, and economies of scale replaced durable hand-made goods with cheaper but less durable factory-made goods. Utopian communities, as small-scale industrial producers of craft goods could simply not compete. Though many of these communities continued to be self-sufficient and survived as communities, their prosperity at first slowly, and then rather quickly, diminished, making attracting new followers and maintaining their communities difficult.

What the experience of utopian communities, both religious and secular, testifies to is the ability of possibility to capture the imagination, and to inspire action. Their many different aims and principles notwithstanding, these utopian movements all sought to transform the lives of human beings through radically transforming social relations. Beyond utopian experiments in communal living, utopian thinking provided some inspiration for more practical movements like the early women's suffrage movement, the abolitionist movement, and the prohibitionist movement. The Occupy movement, brief but spectacular, is part of this utopian tradition in American history. Its memory is worth preserving, its anniversaries worth noting, because of the utopian aspect of its existence. Even for a brief time, just as with our 19th century forebears, a utopian political movement allowed a great many people the freedom to participate in the dream that a better world is possible, to experience the thrill of feeling that such a possible better world could be realized.


Notes

Bellamy, Edward. Looking Backward: 2000-1887. 1888. Quote from Claeys, Gregory & Lyman T. Sargent. The Utopia Reader. New York University Press, 1999.

For an excellent history of the American Fourierist movement see; Guarneri, Carl J.. The Utopian Alternative: Fourierism in 19th Century America. Cornell University Press, 1991.

Quoted from; Clayton, Joseph. Robert Owen: Pioneer of Social Reforms. A.C. Fifield, 1908.

Quoted in; Wilson, William. The Angel and the Serpent: The Story of New Harmony. 2nd Ed. Indiana University Press, 1967.

Fascist Performance Art: Looking Further at Augustus Sol Invictus and Trends in the Far-Right

By Shane Burley

Normally I would not be inspired to write something in response to someone else, which is why this is intended to stand on its own. On January 11th, an article was published by me called Imperium and the Sun, which outlined the fascist motifs in the Senate run of Florida Libertarian Party candidate, Augustus Sol Invictus. Scarcely a couple of days after its publishing Augustus sent us a letter and issued a statement about the article, mainly thanking us for doing a critical look at his campaign in a substantial way. This is largely because the coverage on him has focused primarily on sensational parts of his life, mainly his use of animal sacrifice as an unusual manifestation of his pagan faith. That aspect was not incredibly concerning to me when writing the article, nor was his paganism, which is not something to really turn into an oddity. It should also be noted that in his public statement he was both fair and gracious, which did not seem insincere or meant to provoke malice. Instead, it may actually drive at some of his motivating reasons for running in the first place, where he would prefer a well-grounded critique as much as any form of commentary.

In an effort to essentially continue the discussion that happened in the previous article, I am going to use this opportunity to ask questions that can go deeper than the previous article did. I am also going use a couple of comments that were made mainly because it provides an additional avenue to discuss the issues with more guarded parts of the New Right.

In Invictus' public statement, he mentioned that he actually did name his law practice after the book Imperium by Francis Parker Yockey. This was actually a bit surprising as I would have assumed that it was more the broad concept of Imperium rather than the book itself, though there are obviously reasons to think it was simply out of admiration for the book. The book by Yockey is sort of a popularization of the ideas of Oswald Spengler and his book The Decline of the West, which came out of the sense of "national humiliation" that came over German nationalists during the Treaty of Versailles in 1919. Imperium itself is less of a philosophical tome and more of an extended rant that discusses the decline of America as a decadent failed-state because of democracy, capitalism, egalitarianism, and Jews. This book was foundational to the later work of people like the Liberty Lobby's Willis Carto and is still sold as a primary text on many nationalist and traditionalist websites like Arktos, who generally deride more openly "white power" authors. Imperium is one of the most virulently anti-Semitic books in modern writing, blaming the perceived destruction of "Western man" on Jewish subversion, which happened through destroying "national consciousness" so as to achieve dominance. The book itself is largely incoherent and bizarrely structured, almost feeling as though it is the "off the cuff" belligerence of an angry madman protesting the failure of his own life.

Largely, when reading the book, I was reminded strangely of Juche. For people that look at North Korea and its development of its own nationalism based both on Korean national myths and Japanese Imperial Fascism, Juche is the state philosophy of "self reliance." The books, written by Kim Il-Sung, are in multiple volumes and in most Korean homes. When you read them, as very few in Korea have, they are largely filled with unreadable drivel lacking in depth. Brian Reynolds Myers, who wrote the analysis of North Korea's development of a paranoid, race-based nationalism in The Cleanest Race, often described it as the kind of work a professor receives from an undergraduate who wrote their term paper the night before and needed to fill up the page requirements. The books are instead meant to appear on the wall and to fill up libraries, owing to the perceived intellectual prowess of both Kim Il-Sung and the "ongoing" Korean revolution. Kim Il-Sung himself wanted to appear as a philosopher as Mao Zedong had, and so he filled up books with words just as he had. The difference was that it was largely vapid, plagiarized, and up to revision on the whims of the state. Myers maintains the Juche is not ideological in any real way since it does not contain enough substance to coordinate consciousness leading to actions. Instead, it inspires servility and elevates the leadership of the country. Imperium feels largely like Yockey's attempt to use pseudo-intellectual language in an effort to create a large volume and to create the sense that the far-Right had intellectual foundations just as the Left did.

One thing that did stick from Yockey, and we are seeing today in many sides of the New Right, is a call for unity between the Right and Left. Yockey called for a "red-brown alliance," which would be the association between fascists and anti-Zionist communists (since he saw the Jews as essentially the primary problem), and this has been much of the discussion of a Third Positionism that sees both capitalism and communism as problematic. Today, we see this incredibly present in National Anarchism, National Revolution, and National Bolshevism, as well as various strains of racialist Asatru/Odinism and parts of the Alt Right. It should be noted that they do not borrow from the Left in terms of underlining ideas, but just in tactical notions like opposition to capitalism and support of deep environmentalism.

The fact that Sol Invictus sees Imperium as such a central text is telling, primarily from a racial direction as he often eschews racial language in his speeches and interviews (though not entirely).

One criticism Augustus provides, which is much less of 'Imperium and the Sun' and more of some of the reporters who I use as sources, is using a former relationship of his who would like to remain anonymous. In this she said that Augustus had a "dim view of women," which he takes exception with because, as he says, "he worships a goddess." He notes several times is that he worships the "feminine," a point which he believes absolves him of sexism. This is one of the more transparent parts of his claims since this is essentially the religious version of "I have a female friend."

The distinction needs to be made between "worshipping the feminine" and being progressive towards, and affirmative of, women. Augustus' worship of the "feminine" is primarily a notion built on the idea that women are essentially feminine. This provides a narrative for women based on his perception of their natural essence, a notion that is both stifling and erroneous. To have relationships with women that reflect respect and equality, which is what is needed to not have the "dim" view, he would have to negate this idea that women are "essentially" feminine or any other quality. It would also require one to be critical of toxic masculinity and the oppressive nature of historic patriarchy, and this is certainly not a direction Augustus seems to go with his narrative. Some people are feminine, others are not, but this is a shifting personality characteristic that is not adequately rooted in biology or spiritual essences. This, I think, is largely something that Augustus is aware of, and something he would be unwilling to do as his conception of the "modern world" he opposes is one that believes gender is performative rather than natural. This is really the distinction between the "feminine" and "feminism," which is to say that a feminist interpretation of gender and support for female autonomy is not something Invictus sees as central to his worldview. If his perception of women as having a distinct nature that they must fulfill then this is a radically dim view of women, and one that is certainly not negated by providing a laundry list of women he respects.

Augustus took clear issue with my reference to his intended destruction of the public education system. He has said on more than one occasion that he would "gut the Department of Education," which is not unusual for a libertarian candidate; and most people, even on the moderate Left, would see as destructive for lower-income communities. The first objection he makes to this assessment is simply that he does not oppose "equal access to education," which I assumed would be the real victim of his plan. This could be an ideological assessment of this, but when looking at the proliferation of charter schools in privatized educational enclaves it is pretty clear what the results would be of demolishing the public education system in the current state of capitalism. He then mentioned that what he wanted to do was get rid of the "Marxism" that has infected our schools. He then said that I am a Marxist, which I am not, and so that this is likely not a point we could find common ground.

The problem with this line is that is lacks even a cursory understanding of Marxism as it has ever been understood, both by Marxists and by critical eyes. A term that floats around the far Right, which is not used by literally anyone outside of it, is Cultural Marxism. The term is used to designate the Frankfurt School Marxists who developed areas of critical theory and used revamped understandings of Marxism to discuss social systems. They often note that this Cultural Marxism is either created as a pseudoscience by Jews to destabilize Western man so as to support their own ethnic interests, or that Jews simply think in rash relativisms that lead the smarter ones to overly complex nonsense. This, on its face, is ridiculous anti-Semitic conspiracy theory, but it also reveals a real problem in the way that the Right (including even moderate Republicans) thinks about Marxism.

Marxism itself really did not branch extensively into social issues, and instead the ideas that they lend to "Marxist infiltration" have much different origins. In general, this broad social left sphere actually comes from the interactions of feminism, queer liberation, the civil rights movement, radical environmentalism, and other intellectual and social struggles with anarchism, which is the ideological center of this discourse, sometimes explicitly, but more often implicitly. The fundamental core of the anarchist project is an opposition to social hierarchy. This has its core in capitalism in the contemporary world, but it also intersects and has individualized hierarchies through oppressed identities and social experiences. This is a constantly evolving sphere of understanding and struggle, one that certainly owes some criticisms of capitalism from Marx, but really little else. Marx himself drew together a system of "base and superstructure." This meant that the foundations were economic, and culture and social systems derived from the relationships to material production. The Frankfurt School certainly tried to evolve it, but it did not actually catch on because of its alienating academic nature. I am often surprised that the far-right does not attack Autonomism or Situationism as they successfully evolved some of Marx's ideas for social revolution, and in fact the far-right often cites both of these threads in Marxism to support certain positions and to discuss the alienating condition of the "modern world."

Today, much of the far-right derives its discussions about Cultural Marxism in a much more specific form from former UC Long Beach professor Kevin McDonald's work. His book series, called the Culture of Critique, is supposed to be an "evolutionary psychological" look at Judaism as a "group evolutionary strategy" that is a result of Jewish ethnocentrism and high "verbal intelligence." He goes through different movements that he claims were dominated by "strongly identified Jews" and then essentially tries to prove that they were pseudoscience used to confuse and destroy the Gentiles. Cultural Marxism is one of these, where he sees it as an attempt by Jews to destroy white identity and racial consciousness as a way of protecting them from anti-Semitism. It should be said openly that he has almost no support for the radical wing of his claims, though the level of anti-Semitism increased as the volumes were released. Today, his ideas have been almost roundly rejected, where he is often accused of being misinformed about genetics, industrial history, and even what the realities of group evolution. Likewise, most of his theories involve basically counting people who may or may not be Jews, then assuming they have some coordinated conspiracy or subconscious drive to destroy white people, and then deciding that certain academic of political fields were more influential than they were. This is especially true of Frankfurt School Marxism, which he blames for just about every aspect of the progressive culture.

So then, really, why is Marxism still accused of having this effect? The reason seems to be that Marxism has historically been the dominant left revolutionary force when fascism was first developed, and a narrative about Jewish involvement in Bolshevism was so heavily relied upon during its interwar resurgence that it would be hard to create a continuity between the past and the present by rejecting Marxism as the dominant force of degeneration. Almost all levels of Marxism, from its Leninist interpretations to Trotskyist middle-road attempts to Maoist insurrectionaries and Situationist counter-cultures, are difficult to interpret for those looking to find a direct center of what they see as a force to destroy "nation and identity." This is especially difficult given the role that Marxism has played in third-world nationalism, much of which I would assume Augustus would favor. Likewise, Trotskyism seems to be an incredibly easy subsection for the far-right to highlight, often saying that it is synonymous with the Cultural Marxism that the Frankfurt School represents. This is embarrassingly misguided as there is almost no theoretical connection between the party-oriented political work of modern Trotskyist groups and the Negative Dialectics of Adorno. It is not just that they have different subsets; they are of a completely different world. Today, much of Frankfurt School Marxism has actually founded the basis for Primitivist thought, people like David Watson and John Zerzan, who are often derided for having parts of their analysis shared with those on the more esoteric "green fascist" Right. They certainly lack the "mass cultural orientation," as Zerzan calls it, that Augustus would find problematic in the global contemporary Left.

The key point here is that the effect that Augustus rails about in schools, which would be egalitarianism and general left-liberalism, has no direct correlation to Marx. I assume that I am going to receive emails in the next couple days with long citations that "prove" the correlation between transgender identity and 19th century Marxism, then to the Jewish Talmud, but beyond their racism, almost no evidence, scholarship, or political action supports this thesis.

Invictus makes an interesting note about the back and forth assertions regarding his own fascist politics and his family make-up. Without going into it too deeply, his partner is Latino/a, as are his children. This has led many to counter that he simply could not be racist, which is clearly not true, but also it drives at something more difficult about the correlation between white supremacy and fascism. Augustus himself wants to note that having Latino/a children does not mean he is not a fascist. This shows a couple of things. First, that he likes to take the label of fascist. For most looking at the far-right, this is both surprising and not surprising. While most on the Alt Right (Neoreaction, contemporary White nationalism, and other sub-divisions) think of themselves as ideologically different than fascism, which they believe is a specific politic lost in interwar Europe, they do not necessarily deride it either. Likewise, they often use the term as a semi-joke, calling each other "fashy." This is actually why I referred to Augustus' hair as "fashy," which he took exception to, which actually comes from the way that people like The Daily Shoah often call that hair style, now popular with the Alt Right after Richard Spencer chose it.

Second, he seems to be aligning himself with a sort of fascism that is primarily one of power and hierarchy rather than having its roots in race. This may seem confusing, and it is, but there have been fascist movements whose nationalism and ideals were less oriented on race (like that rising in Brazil). Augustus has made his image a very thought-out and well-crafted piece of performance art. He chooses aesthetics that would make people immediately step back in horror because of their perceived "fascist" roots. He uses a straight face, an almost ironic appearing pose, for making videos where he looks into the camera with a 10,000-yard stare. When speaking, he does the modern equivalent of screaming in front of an iron eagle, where he often uses contradictory language about "the system" while hailing from both the Left and the Right. As mentioned in the last article, he hams up his accent so much that you almost expect him to say, "I've always depended on the kindness of strangers." This is the ideological hallmark of Third Positionist fascism, while also being innately rhetorical. Over and over again he calls for revolution, then he even specifies that he does not mean to vote or volunteer for his campaign. He means revolution, and believes that he was born to lead a civil war. This is followed up by literally calling for people to support him as a candidate for office with relatively conventional political stances. It may seem like an act meant to make people feel as though they are doing more than voting; think of the 2007 Ron Paul campaign. This is likely true, but it is also driving at a fascist rhetorical strategy of fomenting revolution in spirit while not going as far as to stage actual insurrection. Instead, he wants to inject the political sphere with the feeling of revolutionary struggle with the hope that this will lead to a culture of "will to power." Augustus seems to want to recreate the feeling of fascism, the powerful speeches, the calls for unity and strength, the resurrection of the heroic motifs. He purposely references Rome in the same way that Mussolini did, which both has the same effect of dog whistling to his nationalist base while having plausible deniability when it comes to WWII tyrannies. In this way, his politics are clearly built more on the image of strength, which is backed up by his calls for natural hierarchy and eugenics, and it may or may not include race.

Augustus sent over a speech he gave at the University of Florida looking at fascism, before which he did a reading of three Cantos of Ezra Pound on usury at the Jack Kerouac house. Usury itself, the unethical lending of money, is often used as an anti-Semitic caricature of Jewish lending practices. Much of this comes from periods in European history where Jews were restricted from owning property and most professions and had lending sometimes as the only source of income, which led the anti-Semites to find another way to denigrate the Jewish community. The use of the term usury could, theoretically, mean lending with huge interest rates, but the term itself is chosen very carefully so as to bring up the Jewish caricature. Ezra Pound, who he is referencing in both speeches, was an undisputable fascist and virulent anti-Semite, and one of the few far-right intellectuals that they still have to draw on.

The racial issues are confusing in that he really does seem to shift with the environment. In a recent December 8th presentation at a small bar in Jacksonville, Florida, he stood in front of a Rock Against Communism flag as he derided the Federal Government. ROC is a punk movement that was the neo-Nazi equivalent of the growing non-racist Oi! scene, and created the foundation of the "white noise" music culture and racist skinhead gang community. One of the people helping him set up had, on his shaved head, the Heathen Mjonir and another runic symbol often associated with neo-Nazis. It could be argued, as I'm sure it will be, that these could theoretically be non-racist as well (I even own a Mjonir necklace myself), but in this particular situation it certainly would be a remarkable coincidence. Augustus then gave a speech with showed clear support for "nationalists and white racialists" and calls to "name our enemies." All of this was started with a story about a farmer being removed from his land by the federal government and another unnamed enemy. This draws heavily on the Posse Comitatus militia narrative that tries to inter-mix class struggle by re-orienting the enemy as various covert agents inside of the government, namely the Jews. He continues, throughout the speech, to accuse Marxism as seeping into the culture, which again re-orients the struggle as between near eternal enemies coming from deep in the past. He even mentioned Robert Matthews, a deceased member of the white racialist insurrectionary group The Order, who is radical even for Invictus to mention. When on shows like The Daily Shoah, he certainly seems to stand in support of their white nationalism, but he does avoid taking a clear stance on this.

I mentioned in the original article that he is a "left-hand path (LHP)" follower of Crowley's Thelema. He noted my mention, going on to let me know that he will be speaking at the Left Hand Path Consortium in Atlanta on April 10th with a lecture titled "The Nature of Power." I want to say clearly that I am far from an academic versed in esoteric traditions, but I do know my way around this discussion. The term, which is actually usually avoided in the academy, refers to two ways to possibly interpret esoteric and religious traditions. Most religions are Right-Hand Path, which sees things like universal ethical codes that are generally utilitarian. LHP rejects morality as a key dividing line, which is why it is often associated with black magick and relativism or nihilism. Iconoclastic in its roots, the most prominent forms of LHP magick is associated with Satanism, both of the metaphorical LaVeyan sensibility and the more theological type associated with organizations like the The Order of Nine Angels. The Temple of Set, Ordo Templi Orientis, some types of Hinduism and Sufi Islam, and some smaller tribal religions, could also be described as such. Much of the discourse inside of the LHP is about the attraction to power, and much of it is often associated with the desire to dominate over others and to instill hierarchies. Esoteric, elitist, and often focused on personal gain, LHP really does separate its traditions from most values associated with religion.

Many people on the Left love to joke around the Church of Satan because of its anti-Christian roots and its advocacy of sexual freedom. They often do not go deep enough to see its more ingrained right-wing ideas, where private property, personal power, and, as Crowley said, letting one's "will" be the whole of the law, are what they are founded on. This tradition plays almost perfectly into both Invictus' politics and public image, as well as the idea of Imperium that drives his life and program.

Augustus clearly liked the article about him, primarily because very few people got beyond gawking at his peculiarities so as to look at his politics. It is because of this that I think he would be willing to answer some open questions, which I am sure he would answer honestly and sincerely given his composure and penchant for honorable behavior. I put together a short list of questions, all of which are intended to be tough and revealing. A first glance, it may seem as though they are just sensationalistic, and, in a sense, they are. But they are also getting at something real, and I sincerely do not know the answers to them. The politics that Augustus is accused of, as well as those he happily embodies, have, for various reasons, not been incredibly clear to the general public. Therefore, I want to avoid any double-speak, "politician talk," or dodging that is so common even in smaller political races. Augustus has said many times that he wants a political discussion that is not simplified or dumbed down, so I think that he will appreciate being challenged in this way.


Questions for Augustus Sol Invictus:


1. Are you a racial or ethnic nationalist?

2. Do you share the view with many of the outlets in which you have spoke, that there are IQ differences that are biologically different between racial groups?

3. Do you share the idea in Imperium that the Jews are innately enemies of Western society?

4. Do you think that the Holocaust did not occur in the numbers and specifics of the standard narrative?

5. What kind of eugenics program would you want to see implemented in the U.S. if you were to have complete control over it?

6. Do you see men and women as having innately different natures?

7. In what way does Thelema influence your political ideas?

8. In this natural hierarchy that you spoke of, what types of people end up near the top, and what types of people end up towards the bottom?

9. Can you explain, in detail, what you think Marxism to be and how it has been a dominant force in Western society?

10. How would you rid society of the subversive elements, be them Marxist or Jewish or whatever you believe them to be?

11. Do you generally oppose mass democracy as a concept?

12. Do you think that people are generally equal, despite their own particular differences?

"Spider Webs for the Rich and Mighty": A Libertarian-Socialist Critique of Criminal Law

By Colin Jenkins

As human societies have developed over the course of history, so too have corollary systems of order. In the most basic sense, the often informal development of customs, norms and ethics become inevitable in spaces where groups of human beings come together to interact with another. However, as the scales of human interaction have grown - from tribes to communities to nation-states - these informal codes of conduct have become formal systems of rule and order which have taken on physical identities in the form of states and governments.

In his influential essay, Politics as Vocation, Max Weber provided one of the most important analyses regarding the sociological development of the state. Weber introduced the concept of rational-legal authority in his attempt to explain the rise and justification of the modern bureaucratic nation-state. As a self-described "bourgeois theorist," Weber provided a strong breakdown of the modern state, tended towards justifying its purpose, and recognized the inherently forceful nature of its existence:

"'Every state is founded on force,' said Trotsky at Brest-Litovsk. That is indeed right. If no social institutions existed which knew the use of violence, then the concept of 'state' would be eliminated, and a condition would emerge that could be designated as 'anarchy,' in the specific sense of this word."[1]

Perhaps most crucial was Weber's notion of a "monopoly of violence" for which he viewed as a legitimate power of the state:

"Today, however, we have to say that a state is a human community that (successfully) claims the monopoly of the legitimate use of physical force within a given territory. Note that 'territory' is one of the characteristics of the state. Specifically, at the present time, the right to use physical force is ascribed to other institutions or to individuals only to the extent to which the state permits it. The state is considered the sole source of the 'right' to use violence."[2]

Weber's justification is predicated upon two important assumptions: (1) that a distinction between authority and coercion exists, and that authority becomes legitimate when "individuals accept and act upon orders that are given to them because they believe that to do so is right;" [3] and (2) that rational-legal authority itself is legitimized, via the political process, by the people under its rule. Despite the questionable nature of these assumptions, Weber's hierarchical structure has come to dominate our world. The formation of criminal law, while not just a modern phenomenon, has provided further justification for rational-legal authority. And the formidable development of modern criminal justice systems equipped with the means to carry out this "monopoly of violence" on a daily basis has assured the maintenance of Weber's state.

These legitimized systems of violence, authority and coercion have reached a point where they are accepted by most without hesitation: a common acceptance that begs to be questioned.


Law as Morality

"Nobody in the world, nobody in history, has ever gotten their freedom by appealing to the moral sense of the people who were oppressing them."

- Assata Shakur


There has been an ongoing, centuries-long societal experiment to equate written laws with morality. The historical development of human societies have made laws necessary for reasons that will be discussed below, and the need to house these laws in justifications centered within authority and domination (also discussed below) have relied on an institutional "rebranding" of these hierarchical relations. One of the main tools in this rebranding process has been the inclusion of morality-based conditioning, which exists everywhere from parenting to public education. This is not a new phenomenon, but yet persists as a main tool in shaping customs and norms which are amenable with living under systems of domination. In his 1886 classic, Law and Authority, Peter Kropotkin touches on this deep conditioning process used to create an obedient population:

"We are so perverted by an education which from infancy seeks to kill in us the spirit of revolt, and to develop that of submission to authority; we are so perverted by this existence under the ferule of a law, which regulates every event in life - our birth, our education, our development, our love, our friendship - that, if this state of things continues, we shall lose all initiative, all habit of thinking for ourselves.

Indeed, for some thousands of years, those who govern us have done nothing but ring the changes upon "Respect for law, obedience to authority." This is the moral atmosphere in which parents bring up their children, and school only serves to confirm the impression. Cleverly assorted scraps of spurious science are inculcated upon the children to prove necessity of law; obedience to the law is made a religion; moral goodness and the law of the masters are fused into one and the same divinity. The historical hero of the schoolroom is the man who obeys the law, and defends it against rebels." [4]

This cultural conditioning seeks to establish widespread consent, or at least the appearance of such, through the construction of an artificial system of morality. As opposed to ethics and morals which are innate attributes of the human race - live and let live, treat others as you would expect to be treated, cooperate and co-exist, etc - these artificial systems of morality have been designed to make "rights" synonymous with things like authority, order and obedience, and "wrongs" as being synonymous with any and all dissent from this established order.

Governments play a major role in this cultural process, and modern systems of liberal democracy aid in this construction. In The Individual, Society, and the State, Emma Goldman sheds light on this phenomenon:

"Political government and the State were a much later development, growing out of the desire of the stronger to take advantage of the weaker, of the few against the many. The State, ecclesiastical and secular, served to give an appearance of legality and right to the wrong done by the few to the many. That appearance of right was necessary the easier to rule the people, because no government can exist without the consent of the people, consent open, tacit or assumed. Constitutionalism and democracy are the modern forms of that alleged consent; the consent being inoculated and indoctrinated by what is called "education," at home, in the church, and in every other phase of life.

That consent is the belief in authority, in the necessity for it. At its base is the doctrine that man is evil, vicious, and too incompetent to know what is good for him. On this all government and oppression is built. God and the State exist and are supported by this dogma." [5]

This artificial notion of morality, and the modern creation of "manufactured consent" via systems of "constitutionalism and democracy," is what Howard Zinn aptly referred to as The Conspiracy of Law. In transitioning the deliverance of authority from the "rule of men" to the "rule of law," according to Zinn, the power brokers have not only created their own sets of "Natural law," but have also made such laws nearly impossible to question:

"The modern era, presumably replacing the arbitrary rule of men with the objective, impartial rule of law, has not brought any fundamental change in the facts of unequal wealth and unequal power. What was done before - exploiting men and women, sending the young to war, putting troublesome people into dungeons - is still done, except that this no longer appears as the arbitrary action of the feudal lord or the king; it is now invested with the authority of neutral, impersonal law. Indeed, because of this impersonality, it becomes possible to do far more injustice to people, with a stronger sanction of legitimacy. The rule of law can be more onerous than the divine right of the king, because it was known that the king was really a man, and even in the Middle Ages it was accepted that the king could not violate natural law. (See Otto Gierke, Political Theories of the Middle Age, Notes 127-134.) A code of law is more easily defied than a flesh and blood monarchy; in the modern era, the positive law takes on the character of natural law."[6]

The repackaging of authority into morality (written law as natural law), and the arbitrary nature of this new authority, also make it nearly impossible to target:

"Under the rule of men, the enemy was identifiable, and so peasant rebellions hunted out the lords, slaves killed plantation owners, and radicals assassinated monarchs. In the era of the corporation and the representative assembly, the enemy is elusive and unidentifiable; even to radicals the attempted assassination of the industrialist Frick by the anarchist Berkman seemed an aberration. In The Grapes of Wrath, the dispossessed farmer aims his gun confusedly at the tractor driver who is knocking down his house, learns that behind him is the banker in Oklahoma City and behind him a banker in New York, and cries out, 'Then who can I shoot?'" [7]


Law as Authority

"As long as some specialized class is in a position of authority, it is going to set policy in the special interests that it serves."

- Noam Chomsky


The need for written laws is something that is rarely, if ever, questioned. It is a common belief that such laws are necessary, and that "the need for law lies in the history of the human race."[8] In popular college textbooks like Essentials of Criminal Law, this common acceptance is housed in a rationality that can be summarized by the following: 1) People are individuals, and their desires, needs, and wants differ from those of others; 2) These differences cause conflict; 3) When people began to live in groups, communities, and societies, laws became necessary; and 4) Law became necessary as a means of social control, either to alleviate conflicts or to settle them in a manner most advantageous to the group.[9]

When viewed in this manner, laws are presented as a mechanism designed to serve the community for which they are applied. The assumptions for applying them under this rationale are numerous: for example, we must assume that all individuals within a given community/society are allowed equal access to basic necessities; we must assume that all individuals are treated equally under the law; and we must assume that material conditions (or the base economic system for which society rests) allow for free association among all members. Without this foundation, as summarized by these basic assumptions, the justification widely used in support of written laws becomes null and void.

Therefore, when applied to societies that are shaped by flawed economic systems - systems that disenfranchise members and fail to allow many to fulfill basic needs - laws no longer serve the community, but rather serve the most powerful members of that community. In this instance, laws are transformed from statutes designed to enhance the common good to statutes designed to control the disenfranchised members. When this transformation occurs, laws become weapons of authority, essentially losing their legitimacy within a given community or society. Kropotkin describes this transformation which is based in the need to establish the domination of the minority over the majority:

"The desire to dominate others and impose one's own will upon them; the desire to seize upon the products of the labour of a neighbouring tribe; the desire to surround oneself with comforts without producing anything, whilst slaves provide their master with the means of procuring every sort of pleasure and luxury - these selfish, personal desires give rise to another current of habits and customs. The priest and the warrior, the charlatan who makes a profit out of superstition, and after freeing himself from the fear of the devil, cultivates it in others; and the bully, who procures the invasion and pillage of his neighbours, that he may return laden with booty, and followed by slaves; these two, hand in hand, have succeeded in imposing upon primitive society customs advantageous to both of them, but tending to perpetuate their domination of the masses. Profiting by the indolence, the fears, the inertia of the crowd, and thanks to the continual repetition of the same acts, they have permanently established customs which have become a solid basis for their own domination." [10]

The establishment of authority and domination becomes necessary when a minority section of society decides that it is deserving of owning wealth and land far beyond the purpose of its own use. This development naturally leads to the disenfranchisement of a multitude of members whose size grows in a perpetual manner alongside the constant pursuit of more wealth and land by the elite. As this development continues, laws are reduced to serving this dominant minority. Kropotkin explains:

"But as society became more and more divided into two hostile classes, one seeking to establish its domination, the other struggling to escape, the strife began. Now the conqueror was in a hurry to secure the results of his actions in a permanent form, he tried to place them beyond question, to make them holy and venerable by every means in his power. Law made its appearance under the sanction of the priest, and the warrior's club was placed at its service. Its office was to render immutable such customs as were to the advantage of the dominant minority." [11]

As time goes on, these laws become customs that are widely accepted even by the majority-population for which they are designed to control, and to prevent from accessing basic human needs, through violence and coercion. This gradual process has led to the modern justifications given above, all of which ignore the historical process of minority rule via the disenfranchisement of the majority, to the point where the legitimacy of such laws are no longer questioned. As Kropotkin concludes:

"Such was law; and it has maintained its two-fold character to this day. Its origin is the desire of the ruling class to give permanence to customs imposed by themselves for their own advantage. Its character is the skilful commingling of customs useful to society, customs which have no need of law to insure respect, with other customs useful only to rulers, injurious to the mass of the people, and maintained only by the fear of punishment.

Like individual capital, which was born of fraud and violence, and developed under the auspices of authority, law has no title to the respect of men. Born of violence and superstition, and established in the interests of consumer, priest and rich exploiter, it must be utterly destroyed on the day when the people desire to break their chains."[12]


Criminal Law in a Capitalist System

"Ask for work. If they don't give you work, ask for bread. If they do not give you work or bread, then take bread."

- Emma Goldman


As with all societies, written laws become the primary mean of maintaining the status quo. The most fundamental purpose of such laws is to create and maintain a minimal degree of stability or at the very least a semblance of stability within certain areas of society. In the modern United States, the status quo has been shaped by a base economic system of capitalism that is characterized by multi-generational poverty, extreme inequality, and high concentrations of wealth and power. Therefore, when applied to this base, criminal laws are essentially statutes that are developed by legislators who either come from or are tied to those concentrations of wealth and power, and are placed upon the at-large population which has already been disenfranchised by the economic system. Because of this, a critical theory of criminal law becomes vital in deconstructing the nature and purpose of such laws.

In his essay Crime Control in Capitalist Society, Richard Quinney provides us with important assertions that must be understood before moving forward with this breakdown:


· American society is based on an advanced capitalist economy.

· The State is organized to serve the interests of the dominant economic class, the capitalist ruling class.

· Criminal law is an instrument of the State and ruling class to maintain and perpetuate the existing social and economic order.

· Crime control in capitalist society is accomplished through a variety of institutions and agencies established and administered by a government elite, representing ruling-class interests, for the purpose of establishing domestic order.

· The contradictions of advanced capitalism - the disjunction between existence and essence require that the subordinate classes remain oppressed by whatever means necessary, especially through the coercion and violence of the legal system.

· Only with the collapse of capitalist society and the creation of a new society, based on socialist principles, will there be a solution of the crime problem.[13]


The process of transforming laws into weapons of authority to be wielded by the wealth and land-owning minority over the disenfranchised majority, as touched on by Kropotkin, has reached its current stage via the promulgation of this "advanced capitalist economy" in the United States. This system, as an economic base, has allowed for the historical continuation of separating the masses from access to basic needs, while also fusing the law-making apparatus (the government) nearly completely with the wealth-owning elite (the former private sector).

When examining criminal justice systems found under capitalism, Marxist gatekeeper theory is invaluable. The most basic application of this Marxian analysis proves helpful in illustrating the positions of those who commit crimes versus those who create and enforce laws. Basic tenets of this theory include:


· Deviance (as determined by the artificial morality described above) is partly the product of unequal power relations and inequality in general.

· Crime, as established by the ruling class (with their own interests in mind) is an understandable response to the situation of poverty and mass disenfranchisement.

· Crime is often the result of offering society demeaning work with little sense of creativity.

· The base (economic system) disenfranchises the working-class majority; the superstructure (government and law creation) serves the ruling-class minority.

· The capitalist class (minority) co-opts the capitalist government to create laws that seek to maintain its power through coercing and controlling the working-class majority.

· "The heart of the capitalist system is the protection of private property, which is, by definition, the cornerstone upon which capitalistic economies function." Thus, written law reflects this fundamental value of property and profit over people. [14]


In the United States, the dominant ideology that espouses "individualism" and "exceptionalism" has been successful in merging manufactured morality and consent to the economic "virtues" of capitalism and patriotism, which are also manufactured in the same ways. Goldman explains the cultural effects of this process:

"This 'rugged individualism' has inevitably resulted in the greatest modern slavery, the crassest class distinctions, driving millions to the breadline. 'Rugged individualism' has meant all the 'individualism' for the masters, while the people are regimented into a slave caste to serve a handful of self-seeking 'supermen.' America is perhaps the best representative of this kind of individualism, in whose name political tyranny and social oppression are defended and held up as virtues; while every aspiration and attempt of man to gain freedom and social opportunity to live is denounced as 'unAmerican' and evil in the name of that same individualism."[15]

This merger serves to not only fortify the justification for written laws as tools of authority and domination over the majority, but also the unquestioned consent of those (in this case, the alienated working-class majority) being controlled and oppressed by such laws.

In direct contrast to a common belief in the need for law to address "natural" conflict in human societies, it is crucial to recognize the manufactured conflicts created by capitalism. The justification presented in the dominant paradigm possesses two fundamental flaws in this regard: the first of which lies in the view that conflict is in fact "natural" within all human societies; and the second being in the exclusion of material conditions as a factor in creating conflict. In order to be legitimized, this justification must rely on basic assumptions related to material conditions, most specifically the presence of an economic system which allows for equal and broad access to basic necessities such as food, clothing, shelter, healthcare, etc. Much like the false assumptions in Weber's analysis of the modern state, any premise that fails to consider the manufactured conflict stemming from the material conditions of a society's mode of production finds itself lacking legitimacy and justification.

In reality, capitalism creates widespread conflict by alienating the majority. Therefore, in such a system, "crime" (especially regarding that which is routinely enforced) represents the actions of people who have become dehumanized, dispossessed, stripped of human creativity, and left without the means to fulfill basic human needs.


Conclusion

"The master's tools will never dismantle the master's house."

- Audre Lorde


If human beings are in fact individuals with "different desires, needs, and wants," as described even by the dominant criminological paradigm, then we must question the existence of hierarchical societies based in authority and domination. Such societal arrangements persist and have been accepted as "common sense" despite the inherent contradictions they impose. Within these arrangements, written laws have been identified as "social controls" needed to "alleviate natural conflict" and settle such conflict "in a manner most advantageous to the group (society/community)." However, when applied to societies that have been shaped by flawed economic systems (like capitalism) and historical processes that have led to wealth and land-owning minorities "governing" disenfranchised majorities, laws have taken on a different identity, mainly one that serves as a weapon of unquestioned authority.

Authority, in itself, is not a wholly illegitimate concept. Authority as a measure of competence or expertise may be extremely useful when serving society. However, when it becomes a means of social control, of domination by one over another, its legitimacy should come into question. Mikhail Bakunin perhaps explained this best in his treatise, What is Authority:

"Does it follow that I reject all authority? Far from me such a thought. In the matter of boots, I refer to the authority of the boot-maker; concerning houses, canals, or railroads, I consult that of the architect or the engineer. For such or such special knowledge I apply to such or such a savant. But I allow neither the boot-maker nor the architect nor savant to impose his authority upon me. I listen to them freely and with all the respect merited by their intelligence, their character, their knowledge, reserving always my incontestable right of criticism and censure. I do not content myself with consulting a single authority in any special branch; I consult several; I compare their opinions, and choose that which seems to me the soundest. But I recognize no infallible authority, even in special questions; consequently, whatever respect I may have for the honesty and the sincerity of such or such individual, I have no absolute faith in any person. Such a faith would be fatal to my reason, to my liberty, and even to the success of my undertakings; it would immediately transform me into a stupid slave, an instrument of the will and interests of others." [16]

Because they are constructed for the purpose of controlling the disenfranchised masses of people, modern laws represent authority of the illegitimate kind. Speaking of such laws, the anarchist Pierre-Joseph Proudhon famously proclaimed:

"I recognize none of them: I protest against every order which it may please some power, from pretended necessity, to impose upon my free will. Laws! We know what they are, and what they are worth! Spider webs for the rich and mighty, steel chains for the weak and poor, fishing nets in the hands of the government."[17]

In the modern United States, Proudhon's vision plays out every day. Under capitalism, laws are created by millionaire legislators who are financially supported by billionaire interests, enforced by hired guns of the working class (police), and ruled on by wealthy elites in black robes who are largely detached from their subjects. As capitalism naturally leads to greater concentrations of wealth and power, along with greater numbers of dispossessed citizens, crime and punishment becomes solely directed at the most marginalized of these masses. In the US, this includes the poor, the working poor, and people of color.

This correlation has never been more evident than in the neoliberal era (roughly 1980 until now), which is widely recognized as an intensification of the capitalist system. Since 1980, the total adult correctional population (those in prison/jail and on probation/parole) has increased from two million to seven million.[18] During this time, the prison population itself has increased 470 percent (from 320,000 in 1980) to 1.5 million in 2013.[19] Those scooped up by ruling class "fishing nets" and placed in "steel chains" are disproportionately poor and black.[20]

This scenario that has developed over the course of centuries has delegitimized any attempt to establish state authority, coercion, and its "monopoly of violence" via the criminal justice system. As long as capitalism is used to shape the social relations that are to be monitored and controlled, the state remains as nothing more than a tool to be wielded by the wealth and land-owning minority. And as long as the state remains a coercive extension of these social relations, the notion of criminal law will remain nothing more than a camouflaged totalitarianism designed to keep its boot on the neck of the disenfranchised majority.



References

[1] Weber, Max (1919), "Politics as a Vocation." Accessed online at http://anthropos-lab.net/wp/wp-content/uploads/2011/12/Weber-Politics-as-a-Vocation.pdf

[2] Ibid

[3] Best, Shaun (2002), Introduction to Politics and Society (Sage Publications) Accessed online at https://www.sagepub.com/sites/default/files/upm-binaries/9547_017533ch2.pdf

[4] Kropotkin, Peter (1886), Law and Authority. Accessed online at the Anarchist Library on November 12, 2015 @ http://theanarchistlibrary.org/library/petr-kropotkin-law-and-authority

[5] Goldman, Emma (1940), The Individual, Society and the State. Accessed online at the Anarchist Library on November 12, 2015 @ http://theanarchistlibrary.org/library/emma-goldman-the-individual-society-and-the-state

[6] Zinn, Howard (1971), "The Conspiracy of Law." Appeared in The Rule of Law, edited by Robert Paul Wolff (New York: Simon and Schuster)

[7] Ibid

[8] Chamelin, N. & Thomas, A. (2009) Essentials of Criminal Law, 11th edition (Prentice Hall)

[9] Ibid

[10] Kropotkin (1886)

[11] Ibid

[12] Ibid

[13] Quinney, Richard (1975), "Crime Control in Capitalist Society: A Critical Philosophy of Legal Order." Appeared in Critical Criminology, edited by Ian Taylor (Routledge)

[14] Covington, Jeanette (2000), Marxist Perspective on Crime. Accessed on November 29, 2015 at http://www.sociology.org.uk/

[15] Goldman (1940)

[16] Bakunin, Mikhail (1871), What is Authority? Accessed online at the Anarchist Library on November 12, 2015 @ http://theanarchistlibrary.org/library/michail-bakunin-what-is-authority

[17] Proudhon, Pierre-Joseph (1851), General Idea of the Revolution in the Nineteenth Century. Republished by Courier (2013)

[18] Bureau of Justice Statistics (BJS), US Office of Justice Programs (2014). Accessed online at http://www.bjs.gov/content/pub/pdf/p13.pdf

[19] The Sentencing Project: Research for Advocacy and Reform (2014). Accessed online at http://www.sentencingproject.org/template/page.cfm?id=107

[20] BJS (2014)

American Violence in Chicago and Beyond: The Morbid Symptoms of Our Interregnum

By Jim Burns

On November 24th, Chicago police officer Jason van Dyke was indicted on first-degree murder charges for the public execution of 17 year-old Laquan McDonald in October 2014. The same week, the Chicago Police moved to fire police detective Dante Servin for murdering 22 year-old Rekia Boyd in 2012, and on December 1st, Mayor Rahm Emanuel fired Chicago Police Commissioner Garry McCarthy. Those events have shed even greater light on the systematic racist violence woven through the history of the Chicago Police Department and the city government more broadly. That brutal history includes the Department's complicity in the assassination of Chicago Black Panther Party Chairman Fred Hampton and fellow Black Panther Party leader Mark Clark in December 1969.

The most recent stories about police violence in Chicago are occurring at the same time as allegations have surfaced about the Dothan, Alabama Police Department. According to documents leaked by department whistleblowers, a group of narcotics officers planted drugs and weapons on African American men "for years," and the District Attorney covered-up an ensuing internal affairs investigation to protect the officers' careers (see Carroll, 2015). The unit's supervisor, current Police Chief Steve Parrish, Sgt. Andy Hughes, now Alabama's Director of Homeland Security, and other officers involved were reportedly also active in a Neo-Confederate organization, which advocates the return of Blacks to Africa and has called the Civil Rights Movement a "Jewish conspiracy." The actions of those officers could impact hundreds of criminal cases in which African American men were prosecuted and many sent to prison. Those White police officers viewed Black men as nothing more than commodities on which to build their careers, and many have reportedly received promotions and now occupy leadership positions in law enforcement.

Back in Chicago, Emanuel's firing of Police Commissioner McCarthy cannot obfuscate the culpability of Emanuel himself, Cook County Prosecutor Anita Alvarez, and perhaps others in what Columbia Law Professor Bernard Harcourt characterized in the New York Times as a cover-up of Mr. McDonald's murder during Emanuel's re-election campaign. Considering the city government's extensive history of numerous forms of violence against Persons of Color and its willful negligence, abuse of power, and betrayal of the public trust, Harcourt and others are calling for the resignations of Emanuel and Alvarez as well. Further, cover-up allegations must be investigated, and if warranted Emanuel, Alvarez, McCarthy, and any others involved should face criminal prosecution.

In addition to the police murders of Mr. McDonald and Ms. Boyd, the Guardian (see Ackerman, 2015) earlier this year filed a transparency lawsuit and reported an "off-the-books interrogation warehouse" at Homan Square where between August 2004 and June 2015 the Chicago Police "disappeared" more than 7,000 people, nearly 6,000 of whom were Black. The Guardian report indicates that police allowed lawyers to access Homan Square, for only 0.94% of the 7,185 arrests logged during that 11-year period, and reportedly held those arrested for hours or days, denied them phone calls to their families or attorneys, and pressured many to become informants.

Another example of the City of Chicago's institutional violence against communities of Color includes Emanuel's 2013 closure of 49 public schools that served primarily African American and Latino communities, the largest mass closure of public schools in a single city ever, despite massive protests by teachers, led by Chicago Teachers Union President Karen Lewis, parents, students, and community members. Speaking on Democracy Now! in 2013, education historian Diane Ravich characterized Emanuel's school closures, also a contentious issue in his re-election bid, as an economic development plan predicated on gentrification and the privatization of public education in the form of charter schools, which will transfer public funds to private edupreneurs. That same racist neoliberal formula has eviscerated public education for poor communities of Color in places like New Orleans and Philadelphia as well.

The contemporary violence perpetrated by the criminal injustice system against communities of Color, exemplified by the murder of Trayvon Martin and the acquittal of his murderer, and the police murders of Eric Garner, Michael Brown, Tamir Rice, Freddie Gray, Walter Scott, and too many others also brings into sharper focus the long and complex history of multiple forms of institutional violence targeted at African Americans and many Others at the behest of corporate power. In Chicago alone, examples of police violence against African Americans and organized labor include the Haymarket Labor Uprising of 1886, the Pullman Strike of 1894, the 1919 Race Riots, the 1931 Chicago Eviction Riot, and the 1968 police violence directed at anti-war protestors during the Democratic National Convention.


Racist Violence and the History of Public Policing

The recent visibility of violence against African Americans makes clear the long history of institutional racism in policing and the criminal justice system more broadly. Marlese Durr's research traces contemporary police violence against African Americans to the beginning of colonial policing, which in the American South centered on slave patrols, the first publically-funded police departments. As Black Americans migrated to Northern cities from the South due to vicious political, social, and economic repression and violence during early Reconstruction by the military, state militias, and the KKK, which took the place of disbanded slave patrols, Northern police adopted violent tactics similar to Southern slave patrols to control and segregate African Americans from Whites (Durr, 2015). Current aggressive police practices such as racial profiling, stop-and-frisk, and driving while Black, as well as the unjustified use of deadly force continue the slave patrol ethos in modern policing and other judicial and political institutions (Durr, 2015).

Durr's work and scholarship by Michelle Alexander and Bryan Stevenson on the Post-Jim Crow racism underlying our criminal injustice system, the neoliberal prison-industrial complex, and school-to-prison pipeline further illuminate the complexity of institutional and individual racialized, classed, gendered violence ubiquitous in U.S. history.


Individual and Institutional Violence in Broader Historical Context

The history of the U.S. is the history of militarism and violence. In American Violence: A Documentary History, Richard Hofstadter and Michael Wallace (1970) documented American political, economic, racial, religious, police, and personal violence as well as domestic terrorism, from the violence between Puritans and Pilgrims to the assassinations of Medgar Evers, Malcolm X, and Robert F. Kennedy. Hofstadter and Wallace noted that American violence is widely regarded as representative of a history, but not a tradition for two reasons:

"First, our violence lacks both an ideological and geographical center; it lacks cohesion; it has been too various, diffuse, and spontaneous to be forged into a single, sustained, inveterate hatred shared by entire social classes. Second, we have a remarkable lack of memory where violence is concerned and have left most of our excesses a part of our buried history." (p. 3)

While I agree that Americans, particularly White Americans, suffer, as Hofstadter and Wallace put it, a pervasive "historical amnesia" about domestic violence, I disagree somewhat with the contention that American violence lacks cohesion, particularly in the current historical moment. Perhaps this is because Hofstadter and Wallace defined violence purely in terms of physical violence rather than interrogating American violence in both its physical and institutional forms. Their organization of American violence in terms of religious, racial, class, and political violence suggests a cohesive ideological nexus through which acts of individual violence have occurred in the context of institutional support of the corporate state. Over the last five decades particularly, many assumptions that have historically driven classism, racism, gender discrimination, religious intolerance, nativism, militarization, and a hyper-masculine ethos of violence as restorative have coalesced through the enthrallment with neoliberalism into an ideology that rationalizes, celebrates, and markets violence.

Thus, during the same week that Jason van Dyke was indicted for Laquan McDonald's murder, Robert Lewis Dear allegedly murdered three people and wounded nine others at a Planned Parenthood clinic in Colorado Springs. While Dear, a White 57 year-old male, was being taken into custody-a radically different fate than that which befell Mr. McDonald and Ms. Boyd-he reportedly repeated the words "no more baby parts," a reference to an incendiary undercover, heavily edited video created by an anti-abortion group that purports to show Planned Parenthood employees discussing the sale of fetal tissue (see Holpuch, 2015). Evangelical Republican presidential hopeful and former Arkansas Governor Mike Huckabee, who has long articulated staunch anti-abortion and homophobic rhetoric, called the Colorado Springs attack "domestic terrorism, especially for those of us in the pro-life movement" (see Bobic, 2015). Yet considering the history of outrageously violent rhetoric and actions among many in the "pro-life" movement, Huckabee's condemnation seems more a disingenuous attempt to distance himself from his own violent rhetoric to bolster his failing presidential campaign.

Reflecting further on Huckabee's statement equating the Colorado Springs massacre with domestic terrorism reminds me of a 2013 National Public Radio interview with John Lewis on the 50th anniversary of George Wallace's 1963 inaugural address after being elected Governor of Alabama in which he vowed "segregation now, segregation tomorrow, segregation forever" (see NPR, 2013). Lewis reflected on the power of words to create a climate in which some rationalize an entitlement to violence:

"My governor, this elected official, was saying in effect, you are not welcome, you are not welcome. Words can be very powerful. Words can be dangerous. Governor Wallace never pulled a trigger. He never fired a gun. But in his speech he created the environment for others to pull the trigger in the days, the weeks, and months to come."

Considering the deep and complex history of multiple, intersected forms of violence in the U.S., is it any wonder that America has descended into a de-socialized milieu marked by fear and the militarization of our social and political institutions? The twisted neoliberal ethos of markets above all else, bereft of any ethic of social responsibility and imbued with voracious selfishness and greed thrives on the manufacture and manipulation of crises through which all forms of wealth are redistributed upward to an oligarchic elite. That elite, who consider democracy itself a disposable excess and an impediment to capitalism, has largely succeeded in reconfiguring the state to serve the interests of corporate power. Corporate power has thus become overwhelming, ubiquitous, invisible, and unaccountable, professes no loyalty to any nation-state, has rendered establishment political parties a joke, and elections a high-priced reality show-like farce. The corporate state has facilitated the concentration of wealth and power into so few hands that the state wields what Max Weber called the monopoly of the use of force solely in service of a corporate oligarchy against a sea of dispensable people.

The lexicon of neoliberalism has functioned similarly to George Wallace's hateful words by dispossessing burgeoning groups of people of any opportunity for a decent life. As Michael Kimmel demonstrated in Angry White Men, the violence and rage we see engulfing America and the world is gendered, raced, and classed. Despite maintaining control of every social, political, and economic institution, White men portray themselves as victims of discrimination because they interpret those social, economic, and political positions of power as their birthright. As women, racial and ethnic minorities, LGBTQ people, immigrants, and many Others have demanded equality and the breakdown of White, straight, patriarchy, some White men, particularly working-class Whites who have suffered economic dispossession, have turned their simmering rage into what Kimmel calls an aggrieved entitlement to the use violence to restore their thwarted sense of masculinity. Most outrageous, neoliberal elites and political demagogues have carefully cultivated that sense of aggrieved entitlement, and, like George Wallace more than 50 years ago, created a fertile ground for the mindless violence now consuming us.


Safe Spaces, Discomfort, and Transformation in a Death-Saturated Age

Violence against African Americans, Women, Queer Communities, Native Peoples, Immigrants, Organized Labor, and many Others has a long history and has taken many forms in the nexus of corporate-state power: slavery; the violent suppression of civil and political rights; genocide against Native Americans; the proliferation of the militarized carceral state; the poverty created by what Chris Hedges calls capitalist "sacrifice zones" filled with destroyed environmental landscapes and disposable people; massive educational inequities; and union busting to name a few. The concomitant upward redistribution of wealth and power has reached the point at which we find ourselves in what Henry Giroux (2014), quoting Robert Lifton, calls a "death-saturated age" in which "Political authority and power have been transformed into a sovereignty of corporate governance and rule" (p. 183). Giroux (2014) further warns:

"The United States has moved from a market economy to a market society in which all vestiges of the social contract are under attack, and politics is ruled by the irrational notion that casino capitalism should govern not simply the economy but the entirety of social life. Since the new Gilded Age began, not only are democratic values and social protections at risk, but the civic and formative cultures that make such values and protections central to democratic life are in danger or disappearing altogether." (p. 184)

Educator and education researcher Lisa Delpit (2012) has written that "true culture supports its people; it doesn't destroy them" (p. 7). The market society of which Giroux (2014) writes has only hardened ethics of cruelty and violence such as racism, gender discrimination, homophobia, religious intolerance, hyper-nationalism, anti-immigrant sentiment, etc., which have always existed in the U.S., but have increasingly been mobilized to the extent that they have come to define America. That viciousness and the anti-politics associated with the creation of a market society has spawned a destructive, survival of the fittest anti-culture expressed in Margaret Thatcher's cruel maxim that "there is no such thing as society, only individuals and families" (Giroux, 2014, p. 187). Sadly, Tocqueville saw the darker side of Thatcher's de-socializing hyper-individualism in his 19th Century study of American democracy:

"Individualism is a recent expression arising out of a new idea. Our fathers knew only the word egoism….Individualism is a reflective and tranquil sentiment that disposes each citizen to cut himself off from the mass of his fellow men and withdraw into the circle of family and friends, so that, having created a little society for his own use, he gladly leaves the larger society to take care of itself." (2004, p. 585)

Considering the pervasiveness of the neoliberal marketizing ethos as it seeps into every social and political sphere, is it any wonder that everyone and everything has become commodified with a "market value?" Our environment is valued only to the extent that the "surplus value" can be extracted from its resources. Human value lies in the ability to serve the market society through consumption, debt, and adherence to a cruel ethos of self-interest driven, as Toni Morrison (2015) writes, by a perverse sense of individualism as a taxpayer with no sense of obligation to serve others as a citizen.

My greatest concern as a teacher lies in the cooptation of education, both in formal and informal educational spaces, by neoliberal edupreneurs. Marketized education reframes schools, colleges, universities, and public educational spaces as profit centers for all sorts of "educational" products and envisages education as a reductive, instrumental system of technical training and disciplinary control by which to churn out compliant worker/consumers bereft of the critical conscience to question institutional power or imagine any other future than the present that has been engineered for them. As Giroux (2014) explains:

"Public education has become a site of pedagogical repression, robbing students of the ability to think critically as a result of the two political business parties' emphasis on education as mindless testing, standardization, and the deskilling of teachers….low-income and poor minority students increasingly find themselves in schools in which the line between prison culture and school culture is blurred." (p. 184)

Just as outrageous in the context of a history of institutional violence against Persons of Color are the rants by privileged White anti-public anti-intellectuals like Kathleen Parker, who excoriated "thin-skinned" students and "safe spaces" in a November 24th Washington Post op-ed. Considering the proximity Parker's own "hissy fit" to anti-racism actions at numerous colleges and universities and public mass actions against police violence, Parker's commentary is uninformed, flawed, and racist as well. What Parker and those of her privileged ilk prove incapable of even attempting to understand is that their entire lives, as has mine as a White, straight, cisgender, middle-class American man, have been lived in one continuous safe space in which their Whiteness, class, and culture have been unreflectively affirmed in every textbook they have ever read, every relationship they have been privileged to have chosen, every form of media they have seen, and the very society they have, as Tocqueville wrote, created for themselves. They have never had the courage to confront their partial experiences and flawed assumptions about themselves, their culture, history, and Others, and they have worn their culture and Whiteness as a "neutral norm" against which all else is Other. They have been privileged to live in a safe space described by the late Ronald Takaki as the Master Narrative of American History:

"According to this powerful and popular but inaccurate story, our country was settled by European immigrants, and Americans are white. 'Race,' observed Toni Morrison, has functioned as a 'metaphor' necessary to the 'construction of Americanness': in the creation of our national identity, 'American' has been defined as 'white.' Not to be 'white' is to be designated as 'Other'-different, inferior, and unassimilable." (Takaki, 2008, p. 4)

The Master Narrative derives its power of marginalization through expunging the histories of Others. It is a selective history in which stories that support the Master Narrative are included, while the stories of Others that might trouble the false narrative of a righteous, "exceptional" White Christian nation are selected out. One recent example includes the McGraw-Hill Company's catering to the Texas State Board of Education's historically nativist anti-intellectualism by creating a World Geography textbook that discusses Slavery as part of a pattern of immigration that brought "millions of workers from Africa to the Southern United States to work on agricultural plantations" (see Fernandez & Hauser, 2015). Another is the effort by then Republican Governor Mitch Daniels, who embodies the trend of non-academics running colleges and universities as the current president of Purdue, to ban the use of Howard Zinn's A People's History of the United States in public universities in Indiana (see Jaschik, 2013a, b). In response to Daniels' anti-intellectual attack on Zinn, John Tirman of MIT noted:

"As to the anti-American canard, I see this as the last refuge of a politician who is quite ignorant of the discourses in many quarters of American intellectual and activist life….Daniels does not understand that a vibrant civil society has many voices, many perspectives. To be contrary to the old mainstream construction of history is not equivalent to being anti-American. That should be obvious, but to a politician who still seems to be campaigning for something, it never will be. His unsuitability to be Purdue's president is glaring." (See Jaschik, 2013b)


The Morbid Symptoms of the Interregnum

The fundamental aims and philosophy of mass education, curriculum, and pedagogy have always been highly contested, and the pendulum has historically swung back and forth between capitalism and democracy, between justice and injustice. Today, however, the anti-politics of the market society created through contemporary neoliberalism have become so de-socialized and democracy itself so eviscerated that formal political mechanisms no longer seem capable of controlling the obscene excesses and multiple forms of violence inherent in unfettered capitalism. As our public institutions, particularly schools, universities and other public educational spaces, succumb to the logic of the market society, they increasingly become complicit in what Paulo Freire in Pedagogy of the Oppressed called the banking concept of education. Banking education suffers a "narration sickness" in which teachers-and I argue anyone in a pedagogical role in formal or informal educational spaces-talk about "reality as if it were motionless, static, compartmentalized, and predictable" and expound "on a topic completely alien to the existential experience of the students" (Freire, 2009, p. 71). Banking pedagogy views human beings as empty vessels to be filled with the knowledge and dispositions to benefit the oppressor, an utterly de-humanizing process.

John Ralston Saul, in The Collapse of Globalism and the Reinvention of the World, quotes Antonio Gramsci, who wrote: "The old is dying, the new struggles to be born, and in the interregnum there are many morbid symptoms" (p. 215). People all over the world are seeing neoliberalism and all its pathologies, which extend far further into history than the neoliberal era itself, for what they are: broken promises that have broken societies, souls, and threaten to break the world. It is, as Saul writes, a dangerous time in which those who cling to power and its accouterments do so with such violence that they are blinded to the inevitable collapse of their system and the beliefs and assumptions on which the system rests. Yet Saul also asserts that we have choices:

"The belief that we do not have choices is a fantasy, an unfortunate indulgence in abdication. And so the curious thing about inevitability is that it tends not to last very long. The more the true believers in a reigning theory of truth insist that its growth is inevitable and therefore eternal, the faster the rest of us, who have a bit of distance, tend to decide that we do have the power of choice. And all things considered, we would rather choose some other approach" (p. 13)

In contrast to the banking concept of education, and our passive acceptance of the inevitable, Freire (2009) proposes a libertarian education as a process of reconciliation. Although Freire's writing in Pedagogy of the Oppressed was contextualized in adult literacy education, his conceptualization of liberating education has implications for all aspects of education, society, the economy, and governance. The key to liberation lies, as Freire wrote decades ago, not in integrating Others into the existing system-the inevitable-but in transforming institutions and structures as radically democratic so that everyone, can become "beings for themselves." Importantly, that transformation requires coalition building among and between some seemingly unlikely partners, who as yet fail to recognize their common interests in transforming the world through breaking hegemonic power and reframing power relations as more just.

In the epilogue of American Violence, Richard Hofstadter referred to the fatalism expressed by Lincoln, who saw the Civil War as divinely ordained as a "terrible but just way" of ridding America of slavery (p. 478). Yet Hofstadter, like Saul, condemns such fatalism as "hardly suitable to those who sense a potential catastrophe that they can still hope to avert," further noting: "The metapolitics of divine judgment are the last resort of those who have failed; the appeal to human judgment must be the first resort of those who expect to succeed" (p. 478). In the last analysis, we are in Gramsci's interregnum filled with morbid symptoms. Proceeding with educated hope and the expectation to succeed requires not a return to some romanticized notion of citizenship, but a fundamental rethinking of what radical democratic citizenship might mean. And this will require all of us to, as the late Dennis Carlson urged, sail from our safe harbors and rethink the world in new ways.



References

Ackerman, S. (2015, October 19). Homan Square revealed: How Chicago police 'disappeared' 7,000 people. The Guardian. Retrieved from http://www.theguardian.com/us-news/2015/oct/19/homan-square-chicago-police-disappeared-thousands

Bobic, I. (2015, November 29). Mike Huckabee calls Planned Parenthood shooting 'domestic terrorism.' The Huffington Post. Retrieved from http://www.huffingtonpost.com/entry/mike-huckabee-planned-parenthood-shooting-terrorism_565b1c50e4b08e945feb73cc?ncid=fcbklnkushpmg00000013&section=politics

Carlson, D. (2002). Leaving safe harbors: Toward a new progressivism in American education and public life. New York, NY: RoutledgeFalmer.

Carroll, J. (2015, December 1). Leaked documents reveal Dothan Police Department planted drugs on young Black Men for years. The Henry County Report. Retrieved from http://henrycountyreport.com/blog/2015/12/01/leaked-documents-reveal-dothan-police-department-planted-drugs-on-young-black-men-for-years-district-attorney-doug-valeska-complicit/

Delpit, L. (2012). "Multiplication is for white people:" Raising expectations for other people's children. New York, NY: The New Press.

Democracy Now! (2013, May 28). Chicago to shutter 50 public schools: Is historic mass closure an experiment with privatization? Retrieved from http://www.democracynow.org/2013/5/28/chicago_to_shutter_50_public_schools

Durr, M. (2015). What is the difference between slave patrols and modern day policing? Institutional violence in a community of color. Critical Sociology, 41(6), 873-879.

Fernandez, M., & Hauser, C. (2015, October 5). Texas mother teacher textbook company a lesson on accuracy. The New York Times. Retrieved from http://www.nytimes.com/2015/10/06/us/publisher-promises-revisions-after-textbook-refers-to-african-slaves-as-workers.html

Freire, P. (2009). Pedagogy of the oppressed (30th Anniversary Ed.). New York, NY: Continuum.

Giroux, H. (2014). Zombie politics and culture in the age of casino capitalism (2nd ed.). New York, NY: Peter Lang.

Harcourt, B. (2015, November 30). Cover-up in Chicago. The New York Times. Retrieved from http://www.nytimes.com/2015/11/30/opinion/cover-up-in-chicago.html?smid=fb-nytimes&smtyp=cur&_r=0

Hofstadter, R., & Wallace, M. (1970). American violence: A documentary history. New York, NY: Alfred A. Knopf.

Holpuch, A. (2015, November 28). Planned Parenthood shooting: Suspect was recluse who lived in remote trailer. The Guardian. Retrieved from http://www.theguardian.com/us-news/2015/nov/28/colorado-springs-shooting-suspect-planned-parenthood-robert-lewis-dear

Jaschik, S. (2013a). The governor's bad list. Inside Higher Ed. Retrieved from https://www.insidehighered.com/news/2013/07/17/e-mails-reveal-mitch-daniels-governor-tried-ban-howard-zinn-book

Jaschik, S. (2013b). Daniels vs. Zinn: Round II. Inside Higher Ed. Retrieved from https://www.insidehighered.com/news/2013/07/18/mitch-daniels-renews-criticism-howard-zinn

Kimmel, M. (2013). Angry white men: American masculinity at the end of an era. New York, NY: Nation Books.

Morrison, T. (2015, May 12). The new progressive agenda: A return to citizenship. Huffington Post. Retrieved from http://www.huffingtonpost.com/toni-morrison/the-new-progressive-agenda-a-return-to-citizenship_b_7265416.html

NPR. (2013, January 14). 'Segregation forever': A fiery pledge forgiven, but not forgotten. Retrieved from http://www.npr.org/2013/01/14/169080969/segregation-forever-a-fiery-pledge-forgiven-but-not-forgotten

Parker, K. (2015, November 24). For thin-skinned students, we have nobody to blame but ourselves. The Washington Post. Retrieved from https://www.washingtonpost.com/opinions/for-thin-skinned-students-we-have-nobody-to-blame-but-ourselves/2015/11/24/613a815c-92e9-11e5-a2d6-f57908580b1f_story.html

Saul. J. (2005). The collapse of globalism and the reinvention of the world. New York, NY: The Overlook Press.

Takaki, R. (2008). A different mirror: A history of multicultural America (Revised Ed.). New York, NY: Back Bay Books.

Tocqueville, A. (2004). Democracy in America (A. Goldhammer, Trans.). New York, NY: The Library of America.