Society & Culture

Pacifying the Moral Economies of Poverty in an Era of Mass Supervision: An Interview with Brendan McQuade

By Nick Walrath

Dr. Brendan McQuade is an Assistant Professor of Criminology at the University of Southern Maine. His work centers on the study of police power, abolitionist politics, pacification, and the critique of security. McQuade's first book Pacifying the Homeland - Intelligence and Mass Supervision, released through UC Press, provides an in-depth look into the secretive, often poorly-understood world of intelligence fusion via a radical critique of the discourse that informs and guides the culture and ideology of security-what he terms the "prose of pacification." McQuade's overarching point is that pacification as both process and theory involves not only instances of brute force including tear gas and the bludgeon of the police baton on the one hand and softer tactics such as "negotiated management" of protest on the other, but also draws upon a specialized discourse of depoliticizing language. This terminology -including security advice such as "If you see something, say something," "Report suspicious activity," "We are all on duty," and "Be vigilant"- seeks the consent and participation of the pacified in the own subjugation as well as in the hunting of the enemies of capital. I thank Dr. McQuade for his thorough responses to my questions regarding the contemporary landscape of political policing, mass incarceration, the politics and ideology of security, and the logic that guides and informs its never-ending police-wars of accumulation.


What is the critique of security and what are the key concepts of this discourse?

The critique of security is an effort to understand and write about security without being subsumed by security. We often talk about security as if it was an unassailable good. Who doesn't want to be secure? How could anyone possible have a problem with security? But the problem isn't so much what "security" promises but how it packages that problem. If we buy into the premise of "security," then we accept the idea that the world is dangerous … that crime and terrorism are real threats. It's then a logical step to say we need some entity-the state-to protect us by providing this magical entity called "security."

When we talk about security, we often to forget to ask why people are driven to the violence we call crime or terrorism. Rather than accepting these assumptions, my goal was to examine how a particular security practices emerged and with what effects. Rather than assuming that security is good and asking how it can be more effective or more sensitive to the limits of law, I sought to examine what "threats" are being targeted and whose "security" they preserve. While security discourses rest on assumption of risk and mutual hostility (a war of one against all, waged among both individuals and nations), the critique of security invites to us consider what relations produce these conflicts and how they have been managed.

Here, I build on the work a group of scholars, the anti-security collective organized by Mark Neocleous and George Rigakos. One the key concepts we use is pacification. The basic idea here is that capitalism is an order of insecurity-"all that is solid melts to air"-that demands a politics of security. Instead of talking about security as transcendental good, we view it as an ideological claim articulated within particular types of societies, capitalist societies. To avoid the trap of security, we talk about pacification. The turbulence and conflict created by capitalism must be pacified. This isn't just the work of repressing rebellions and resistance of those on the losing end of capitalist society polarizations of wealth and power. It's more subtle work of continually reproducing capitalist social relations. In other words, the work pacification entails consent and participation as much as it connotes coercion and repression.

One the key mechanisms of pacification is policing. We usually think of policing as the police, the uniformed men that enforce law and order. However, the actual history of the police idea is something different. Policing was a pre-disciplinary discourse that united English liberals and Continental philosophers in a shared discussion about how to build strong states and wealthy societies. It was one of the most important concerns of political theory and philosophy in the early modern period, the time between the Renaissance and the French Revolution. At this time, policing meant a comprehensive science of social order that tried to cover all of life, from the minutiae of personal behavior to the loftiest affairs of state. By end of the 19th century, however, the meaning of "police" contracted to the police, the uniformed officers "enforcing the law." This narrowed meaning reflected the growing influence of liberalism, in which the individual and the market supplanted the sovereign and the state as the theoretical wellspring of social order. These philosophical shifts masked capital's reliance on the state to fabricate social relations, but it did not end the structural necessity of such work. In this context, police science gave way to criminology, public health, urban planning, and various other administrative discourses, which sought to regulate different domains of life in a manner consonant with the class biases of the old "police science." In this sense, the different genres of social policy are also and always police discourses.

Many Marxists have made similar points, though they have not connected it all back to to the deeper history of policing. Samuel Bowles and Herbert Gintis in Schooling in Capitalist America, for example, detail what they call the "correspondence principle" where the nature of social interaction and individual rewards in public schools mirror the workplace. Frances Fox Piven and Richard Cloward, in Regulating the Poor likewise, conclude that social welfare policy regulates the labor market. Public benefits expand during economic crisis to dampen working class militancy and contract during times of economic expansion to cheapen the cost of labor. Howard Waitzkin in The Second Sickness analyzes healthcare from the same perspective. He shows access to healthcare expands and contracts with the ebb and flow of popular unrest, creates capitalist markets through public subsidies, and depoliticizes politics of health with an individual approach to health and reductionist biomedical paradigm. In other words, your teacher is cop. Your social worker is a cop. Your doctor is a cop.

For this reason, I use the term the prose of pacification. As I mentioned earlier, pacification isn't just about physical violence. It's also about popular participation in the politics of security. This is what the prose of pacification is all about. We're constantly told every day to participate in the politics of security. It's not just ham-fisted campaigns like "if you see something, say something." It's also the buying into that idea of security. It's the culture and ideology of security: the belief that the world is dangerous and the state is here to protect us from ourselves and others. This idea totally pervades popular culture and political discourse so that it can be hard to even acknowledge it, let alone think past it. The prose of pacification is my attempt to name this aspect of the problem. There's a huge body of ideas that constitute security cultures. It's the rituals of bureaucratic compliance: the documents created to administer us from cradle to grave. It's the lyrical exaltation of security in popular culture and political discourse. It's the internalization of the politics of fear that cause many of us to greet each other with fear and distrust or lend our energies to the police wars against our official enemies: so-called criminals, terrorists, illegals, delinquent youth, and whatever else.


You studied two fusion centers for this book -New Jersey's Regional Operations Intelligence Center (ROIC) and the New York State Intelligence Center (NYSIC). How has the prose of pacification been essential in guiding their mission, but first, what exactly are fusion centers? What work do they -or do they not- perform and how have they shaped the criminal legal system including policing?

As a general concept, fusion centers are interagency intelligence hubs. Intelligence analysts at fusion centers "fuse" together disparate pieces of information in order to provide useful analysis for state managers. Much of the data comes from government records, chiefly data from the criminal legal system but also from other entities like the DMV or social service agencies. This information will be supplemented by the records of private data brokers, social media, and other forms of "open source intelligence." New technologies like automated license plate readers, and facial recognition also create new forms of data that are often accessible to or managed by fusion center staff.

Fusion center analysts will analyze and combine this data in all sorts of ways. Often times, it can be simple case support, analysts will perform basic searches for police investigators who call into the fusion center to get more information about suspect: address, criminal histories, known family members and friends. This is fusion centers as Google for cops. Sometimes, case support is more technical. With specialized software, analysts can take wiretap data-unintelligible and interminably long lists of phone calls-and turn it into a pattern of use, and, from there, a social network analysis. They can transform cumbersome masses of data, such as geospatial data drawn from police files, the census, and other public records, into useful information like "predictive" heat maps to anticipate where the next shooting is likely to occur. Sometimes analysts will work with police teams for weeks and months as part of longer term investigation. For these projects, fusion center analysts will complete multiple rounds of data analysis and may even get deeply involved in intelligence collection. I'm not just talking about trolling social media platforms or working on wiretaps either. Some fusion center personnel are involved the collection of what's called "human intelligence" or the information that's obtained by working with informants or interrogating persons of interest. This is fusion centers as an outsourced intelligence division, a little CIA or NSA on call for the cops.

At the same time, it's important not to overhype fusion centers. They bring together all this data but how it is all used? No doubt, all of it isn't used. Fusion center analysts complained to me that their police supervisors didn't make full use of their capabilities. A lot people on receiving end of fusion center products claim that a lot the intelligence produced isn't that useful. "Intelligence spam" is term that I heard from quite a few interviewees. There's also a lot of liberal hand wringing about data retention, concerns that fusion centers are holding on too much information for too long.

At the end of the day, understanding what a given fusion center is an empirical question that requires investigation. Each fusion center has their own mission, which orients their work. The term "fusion center" is associated with what's called "the National Network of Fusion Centers" recognized by DHS. There are 79 of these fusion centers. The first were set up for counterterrorism, although their mission quickly broadened out to an "all crimes, all threats, all hazards orientation." These fusion centers will do counterterrorism analysis and all hazards preparedness in addition to criminal intelligence work. There's another set of fusion centers created in the 1990s for the drug war-the 32 investigative support centers set up under the High Intensity Drug Trafficking Program. There's even older interagency intelligence centers like the DEA's El Paso Intelligence Center and the six multistate Regional Intelligence Sharing Centers administered by the Bureau of Justice Statistics, which date back to the 1970s. All of these fusion centers sit in their own little political space of interagency coordination and conflict. There's a phrase in the fusion center community: "if you've seen a fusion center, you've seen a fusion center." Each one has their own dynamics. Some might be doing very aggressive criminal intelligence work, supercharging the drug war with high tech surveillance and intelligence analysis. Others might be spamming state and local officials with counterterrorism intelligence of limited value.

How have fusion centers changed the criminal legal system? The first important point to know is that fusion centers aren't just a story about DHS and the war on terror. What we can retroactively call the institutionalization of intelligence fusion is part of much longer larger story of change in policing, the criminal legal system, and political economy. Fusion centers are part of the same general punitive turn in the criminal legal system that we associate with the war on drugs and mass incarceration. Scholars like Reuben Miller have started to talk about "mass supervision," as a complementary set of legal, policing, and administrative arrangements that developed alongside mass incarceration and manages "problem populations"-the poor, racial, religious, and sexual minorities, formerly incarcerated and otherwise criminalized people-outside of the prison. I argue that intelligence fusion is now the center of gravity of mass supervision. The varied fusion centers pull policing, community supervision, and the courts together in shared project to pacify criminalized surplus populations. Mass supervision has become more important in the recent period bookended by the Dot Com Crash of 2001 and the Great Recession of 2008. Meanwhile, mass incarceration is now viewed as too expensive. Prison populations are contracting, but we're not getting a return to any rehabilitative ethos of punishment. Instead, we get more massive supervision, a police - and surveillance - intensive form of control turns disinvested communities into open air prisons. The change is not just limited to how the state manages surplus populations.

The rise of intelligence fusion is also part of new pattern of administration. Intelligence fusion subjects police agencies to a new form of workplace discipline, the same systems of statistical management and algorithmic decision making that increasingly manage labor across sectors. Rank and file cops are now chasing numbers and trying to meet quotas. Investigators are increasingly the human link in automated networks of surveillance and data analysis. It's the era of "big data policing." Things have changed in some real and significant ways. Still, these changes are institutionally and politically mediated. We're not living in 1984 ¸ even though we now have the technical capacities to make Big Brother look quaint. To understand exactly how these changes institutionally and politically mediated, I consider the institutionalization of intelligence fusion in relation on-going processes of state formation and related shifts in political economy.

I see fusion centers as part of what the Greek Marxist Nicos Poulantzas called authoritarian statism. By this he means new type of state and practice of administration that curtails formal liberties, expands the executive, and creates special bodies that make the decisions outside of democratic channels. Fusion centers are part of this trend in the general sense that they're a product of this post-9/11 security surge that restricts the freedoms that ostensibly provide liberal democracies their legitimacy. In so doing, they also expand the powers of executive bodies like the police departments. Fusion centers are also an example of authoritarian statism in the sense that they take political power away from popular control. Fusion centers are a product of a distinct era of public policy formation, where efficiency is considered to be more important than the standardization. The key policies that shape fusion centers are not binding regulations written by legislators or agency heads. They were drafted as "recommendations" and "baseline capabilities" in large working groups of "stakeholders," including the police professional associations.

These changes in the state are, of course, grounded in wider shifts in political economy. Here, the basic argument is that globalization and financialization have decisively shifted power to global capital at the expense not just of the working class, but also at the expense of the state itself and other segments of capital. In this hyper competitive economy, where money moves quickly and everyone competes in a global economy, it's hard to have a welfare state, the type of strong state that can both protect less competitive sectors of capital and provide a good bargain with workers. Instead, the hegemonic compact shifts toward coercion and more disciplinary aspects of security take over. Under authoritarian statism, we get more prisons and cops and less "social security" measures like investments in welfare, public health, and education. Pacifying the Homeland situates the institutionalization of intelligence fusion in relation to these trends. From the 1970s to the 2000s, authoritarian statism consolidated, in large part, through the punitive turn in criminal justice that produced what we now call mass incarceration. One of my claims -the balance of police strategies to administer population has shifted away from incarceration and more toward surveillance and intelligence-led policing- I'd like to think this passing development, a morbid stage as authoritarian statism withers and dies and we build a new type of economy and society. Whether it's the beginning of the end or the end of the beginning, however, is a matter of politics.


The recourse to privacy is a common argument and familiar appeal within liberal discourse to not only ostensibly combat the ramifications of surveillance technologies' tendency to mission creep beyond their stated intent and purpose, but to reign in the way these objects and practices strengthen the edifice of authoritarian statism. However, the parameters of the private sphere have always been shifted and made malleable to the requirements of capital [as well as police]. In your book, Pacifying the Homeland, you make very clear the point that, as part of liberal ideology, privacy functions as pacification. Would you elaborate upon this critique?

Privacy is an insufficient response to concerns about surveillance and police power. Scholars of surveillance often focus narrowly on the implementation of privacy policies and their inadequacy. Civil libertarians assert privacy as a universal right that can be defend against the encroachment of outside parties. They position "the right to privacy" or "the state" as independent entities that stand apart from the social relations and political processes that, historically, created them and still imbue them with meaning.

This way of thinking turns historically specific social relations and the ideas that animate them into abstract "things." "Privacy" is not a natural condition that is always and already in opposition to "the public." Instead, "privacy" is a particular claim made within a particular context: 16th century liberal theory. A concession that the consolidating administrative state made to "the public," privacy has no essential essence. Instead, its boundaries set and reset by the state.

Rather than a basis of resistance, privacy is a tool of regulation: privacy as pacification. In a social world already governed by the commodity form and wage relation, privacy reinforces the very divisions between people that make capital accumulation and its security regimes possible. Privacy promises a life of individuals who live apart and choose to do so. Since we lack access to the means to any autonomous means of subsistence, we're coerced into selling our labor and buying our lives back at price that we don't set. Ideas of like privacy are part of a liberal ideology that tell us this is a natural and desirable state of affairs.

For this reason, privacy, as sole or even primary means of defense against surveillance and police power, is a politically counterproductive. Consider the stance of the premier civil liberties organization, the ACLU, toward fusion centers. In 2008, they identified a series of problems with fusion centers-ambiguous lines of authority, private sector and military participation, and wholesale datamining and excessive secrecy. They recommended that US Congress and state legislatures work to increase oversight of fusion centers, regulate the flow of information between fusion centers and the private sector, clarify "how and when" military personnel can collect intelligence for law enforcement purposes, and strengthen open records laws. The ACLU did not demand an end to these problematic practices. Instead, they sought to regulate and, thus, codify them. Challenging intelligence fusion on these terms will, at best, produce limited public oversight (an ACLU representative on the fusion center's executive board) and some modest restrictions on intelligence gathering (three month retention periods for certain kinds of data), which would only be contravened in exceptional circumstances (an emergency warrant or administrative subpoena).


Getting back to intelligence fusion. In what manner has it shaped a key ritual of the police power, the power of the manhunt in capturing, documenting, and dominating the enemies of capital? Who are these enemies, or "terror identities," that garner the most attention from intelligence analysts?

The order of capital is predicated on the imposition of the necessity of a particular kind of work, work for the wage. In a capitalist economy, you're not offered a great job. Instead, you're denied access to the means of subsistence and forced to find some way to survive. The first proletarians resisted the imposition of work. They clung to the last vestiges of the feudal economy or tried to find some way to survive beyond submitting to new regime of labor. For their refusal to work, they were criminalized as vagabonds and forced to labor through by a series of state interventions that Marx famously described as "grotesquely terroristic laws" that imposed "the discipline necessary for the system of wage-labour."

In other words, capital was formed through a manhunt for pliant laborers and it was the police powers of the state that organized this hunt. It's not just manhunts against vagabonds in this early moment. It's the witch hunts in both Europe and Americas that Silva Federici wrote about, the slave trade (and the attempts to re-capture runaways and destroy maroon societies) and the lynch mobs and pogroms that historically have kept marginalized groups at the bottom of different societies. It's the perpetual police-war against "the criminal element." Today, the newest enemies are so-called terrorist, migrants, and refugees.

In many ways, intelligence fusion just puts a high-tech gloss over this old conflict. The main target of fusion centers are poor people, just like the main target of policing remains poor people. Plain and simple. Intelligence fusion is not about fighting terrorism, whatever that even means, and it's only about combating drugs insofar as the so-called "war on drugs" is just the contemporary manifestation of capital's police-war against labor. As a project of police power, intelligence fusion is about terrorizing the population into accepting the conditions of wage labor. This is the main claim of Pacifying the Homeland. The book details the particulars of today's intelligence-led manhunts: compliance checks, warrants weeps, chronic offender initiatives, and saturation patrols. All of these are police operations that begin with intelligence analysis and end with teams of police hunting the population that lives of the borders of the formal and informal economies and bounces back and forth between sites of imprisonment and disinvested, hyper-policed communities.

The poor may be the main subject of intelligence fusion but they're not the only ones. Fusion centers are mixed up in political policing but not in the way that many people imagine. Fusion centers aren't the center of a new COINTELPRO, an aggressive and centrally coordinated crackdown on dissent. The attack on dissent in the US today is no were near what happened in the 1960s and 1970s and it's not possible for someone to step in and play the role of a 21st century J. Edgar Hoover.

Of course, there is political policing happening the US today. The book traces the evolution of political policing. It starts with this new concern with "terrorism" that first became salient not after 9/11 but in the 1980s. The opening act was the FBI's creation of the Joint Terrorist Task Forces to go after the ultra-left splinters of the mass movements of the long 1960s, the urban guerilla movements like May 19th communist organization. Also immediately, the JTTFs targeted non-violent movements like the Committee in Solidarity with the People of El Salvador, Witness for Peace, and AIDs Coalition to Unleash Power. In the 1990s, the big concern was eco-terrorists. In the last two decades, more "terror identities" have proliferated: anarchist extremists, black identity extremists and the like.

Most of what's happening is surveillance and reporting. There haven't been too many examples of active counter-subversion, where infiltrators sow discord and do everything they can to destroy movements and organizations. There have dramatic confrontations like the crackdown on Occupy and the showdown at Standing Rock, but even these are organized through different means. Rather than J. Edgar Hoover's centrally directed countersubversion campaign, we have a complicated patchwork. Political policing operates through overlapping interagency intelligence networks, including the DHS-recognized National Network of Fusion Centers. This decentralized model is more permeable to local political pressures. Indeed, private interests-not politicians or government officials-appear to have been the leading actors during the crackdown on Occupy and the showdown over the Dakota Access Pipeline. In many other cases, secrecy and organizational complexity complicate a clear parsing of events and actors. This decentralized system produces diverse outcomes. It is also harder to expose and redress than the highly centralized COINTELPRO program and, as a more supple system, may be a more effective means to pacify class struggle.

In any case, what we often talk about as "political policing" only targets the self-conscious mobilization of a class-for-itself, the efforts of organized movements. Intelligence fusion-and police power in general-also attends to less explicit manifestations of class struggle: the ill-understood and often illegible survival strategies of disarticulated segments of the working class. These practices are usually dismissed as the moral failings of the "criminal element." The varied genres of the prose of pacification code it as "crime" or "the street economy." Sometimes, it explodes as a "riot." Here, we find the surplus populations who are not (fully) incorporated within capitalist social relations, the structurally excluded people whose needs and desires cannot be (fully) satisfied within the constraints of capitalist social relations. This social space is privileged domain of police power, where the state's role in producing and maintaining the most basic social relations that define capitalism are laid bare. I think this is one of central contradiction of capitalist civilization and I try to discuss and develop in terms a dialectic between police power and moral economies of poverty.


Would you elaborate upon this central contradiction of capital that exists between the police power and the moral economies of poverty it targets under the aegis of the war on drugs? What is the moral economy of poverty and what does this tension illustrate about not only state formation, but the state's active engagement in the (re)production of the working class?

I use the concept of moral economy to try to understand "crime" without reproducing the class biases of security. I ended up here to make sense of the war on drugs. From the outside and from a certain class position, the drug trade might looks like pathological violence that is so harmful to poor communities. Today, the illegal trade in drugs is huge business that provides real incomes for a lot people. This means there are entire communities where the drug trade is tacitly accommodated because it's understood as some of the best work available. The book opens with the example of Camden, NJ, a city where a third of population lives below the poverty line and, at one point, there was one open air drug market for every 440 residents. The violence of drug trade, paradoxically, produces a particular kind of social order, it's a moral economy of poverty. A lot of Camden residents don't like but many still recognize that the drug trade helps keep the city afloat.

The moral economies are dialectically related to police power. The prose of pacification codes the unauthorized violence of moral economies as pathological violence-"bad neighborhoods filled with bad people"-and invites a security response. As always, the politics of security erases the history that produced problem. Scholars have long established that segregation and discrimination first and later the uneven impacts of deindustrialization and welfare state retrenchment produced the de-facto apartheid boundaries of American city but we ignore all that and reduce it down to a simple problem for the cops and courts to manage. The police can't resolve these social problems but that's not the point. Instead, the current police-war against them provides legitimacy to police-"they're protecting us from violent drug traffickers"-and organizes how the state administers the working class.

The war on drugs is a mechanism to regulate and tax criminalized labor in an era where inequality is increasing and huge swaths of population participate in informal economies. Asset forfeiture laws allow police to tax these illicit economies. Money and property seized in criminal investigations can be expropriated by police agencies. For example, police in New York State, from 1990 to 2010, seized nearly $244 million in cash alone and distributed over $88 million of these assets to police agencies. In some jurisdictions, the conflict of interest generated by this for-profit policing is blatant. In New York's Nassau County, the intelligence center, the Lead Development Center (LDC), sits under the Asset Forfeiture and Intelligence Unit of the Nassau County Police. The LDC operates at no budgetary cost for the department. It is funded exclusively through asset seizures and grants. This is an extreme example but it underscores the role drug operations play in regulating a criminalized market that cannot be suppressed.

The deeper issue here, however, is a structural one: the administration of particular form of the working class. The war on drugs isn't about stopping drugs. It's about regulating criminalized labor. We have all these people who are involved in the accumulation of capital and circulation of goods but it's happening outside of legal channels. When the police arrest people for drugs they impose legal forms of subjectivity on surplus populations that are weakly connected to formal labor markets. Historically, the recognition of organized labor pacified the working class by incorporating them within capitalist states. This administrative subsumption of labor is one the primary ways state administration continually (re)produces capitalist social relations. Policing accomplishes this same process for the criminalized workers of the drug economy. Instead of subsuming legal labor within the confines of "labor law," it envelopes criminalized labor within the "drug war." Police surveillance and intelligence gathering track the drug trade and identify its key players. Arrest and prosecution imposes legal subjectivities on both individual and collective actors: people involved in the drug economy and the "criminal conspiracies" they create. The prohibition of drugs creates a caste of criminalized labor that policing regulates and taxes. Cumulatively, these efforts pacify class struggle by dividing the working class into a profaned "criminal element" and "decent" people.


Returning to your comments on the extent of contemporary political policing -or lack thereof- through intelligence fusion, can you speak to any scenarios where fusion center staff took a noninterventionist, hands-off approach toward a political movement and/or protest in conflict with local law enforcement?

During Occupy, some fusion centers did want anything to do with monitoring the protest. They viewed it as political speech and steered clear. During fight over Dakota Access Pipeline, some local law enforcement agencies wouldn't arrest people for trespassing, which bothered the private sector company that had been hired to crush the protests. The reasons for these incidents, and several others which the book also details, is a shift in the nature of political policing.

After the exposure of COINTELPRO and Watergate, there were investigations and some reforms. The investigations paradoxically re-legitimized security agencies by demonstrating their apparent accountability, while simultaneously allowing controversial practices to continue by covering them with a patina of legality. The result was a seemingly limited version of human rights compliant political policing, a strategy that endeavors to protect political rights and facilitate peaceful protest, while still combating "extremism."

As I mentioned earlier, we don't see the aggressive infiltration and active countersubversion that characterized COINTELPRO. However, we do see wholesale surveillance and intelligence gathering, including the use of informants (who often work to entrap people in manufactured terrorism plots). I fear all of this may be more subtle and effective mode of political policing. Instead heavy headed repression-the whip of the counterrevolution that polarizes and escalates the struggle-we have a more subtle repression-accommodation dialectic. A certain amount of protest is allowed and even encouraged. The police are here to help you exercise your rights and weed out the troublemakers who may be planning more militant action that can be criminalized as terrorism or violence.


Just by way of an anecdote: In 2017, Los Angeles Police Department was revealed to have spied on the anti-Trump group Refuse Fascism with an informant attending meetings ostensibly to gather intelligence that would tip authorities off to any upcoming freeway shutdowns. No violent, far-right groups were spied on by LAPD during this time. Granted, we know little to the extent of fusion center involvement in this particular instance, but it wouldn't surprise me given the numerous cases of law enforcement collaborating with neo-Nazis and white nationalist types.

Have fusion centers taken the threat of far-right violence seriously (given that the FBI seems more predisposed to spy on Black Lives Matter, "Black Identity Extremists," anarchists and other leftist persuasions than neo-Nazis)? How aware and/or vigilant are they of this threat in the age of Trump and a resurgent white nationalism?

This is a difficult question to answer because events are still unfolding and information is spotty. I think there is an important political struggle happening within the security apparatus over the status of white supremacists and other extreme right formations. My sense is that the liberal reformers-the professionalizers, people who want "better" policing-are losing power to fascists or proto-fascists-the people who to hunt for enemies.

Before we get into the specifics of any example, however, it should go without saying that the police are the police. They're the physical embodiment of the state's monopoly on violence. As an institution, there's a baseline conservativism that's ingrained in the police. In more conventional sociological terms, they're a hierarchy-reinforcing institution. We should never expect the police to be anything but enemies of the project revolutionary social transformation. It should never surprise us when the individual police officers or whole departments become surveillance and disrupt social movements. It should never surprise us when individual officers or departments conspire with individuals or groups on the extreme right. These are expected.

At the same time, the specificities of how these dynamics occur matter tremendously. We can't just string together the crimes of the state and assume that it all means that it's a seamless machinery of oppression and that is ready to squelch all political challenges. We're talking about many headed administrative apparatus that's often beset by organizational pathologies and riven by internal conflicts. How the state really operates and this more specific question about the position of the security apparatus toward the extreme right is tremendously very important because it gets at two important points: a theoretical one about the nature of state apparatus and political one about the strategic alignment of power. What's at stake is our understanding of social power and change and how assess the political opportunities of the moment. That said, there are two dynamics that explain much of what we're seeing: the constraints of human rights compliant political policing, and the internal struggle within state around the far right and their efforts to infiltrate the security apparatus.

First, human right's compliant political policing. This what liberals and politics of privacy and legality gets you. If we look at policing in relation to the rest of security apparatus and not just prisons, then, we see that the period of mass incarceration is also this post-Watergate, post-Vietnam period, where liberal professionalizes sought to legitimate the security apparatus through reform. This reform current extended into policing with measures like the Handschu guidelines, which constrained political policing in New York City. Later, it became generalized as response to police brutality in the 1990s, when the DOJ began taking over police departments and overseeing reforms to eliminate racial profiling and police brutality. It continues with calls for procedural reforms and technocratic solutions like body cameras. A lot of the people involved may be earnest and some of these policy changes may blunt some of the sharper edges of oppression but they're structural effect is to reaffirm the legitimacy of the state security and preserve its power and discretion.

So let's get into specifics, human rights compliant political policing, as a general rule, treats all political activity the same, regardless of its content. White supremacists advocating genocide and an ethnostate have the same rights to freedom of speech and assembly as leftist calling for a borderless world and a transition to socialism. This ethos is entrenched in police agencies. It was even put forward as official policy, when I observed a Fusion Liaison Officer training conducted by one of the senior managers at New Jersey's fusion center. The section of the training on civil liberties demonstrated showed a high degree of self-awareness. The officer explained many of the concerns with fusion centers, citing the 2007 ACLU report on the subject. He then discussed how the fusion center dealt with large protest actions. He referenced their monitoring of Occupy to show how limited reporting for situational awareness and officer safety was appropriate but anything more would have violated constitutional rights and ROIC's privacy policy. He also brought up a 2011 Neo-Nazi rally in Trenton as an example. While the trooper presented Occupy in a neutral tone, he described Neo-Nazis as "scum" and "the worst people you can possibly imagine." However, he noted that their protest was permitted and, even though the rally was advocating odious positions, the fusion center could only take the same limited measures they took toward Occupy. With both examples, the intended point was that investigation required a "nexus" to crime or terrorism.

This dynamic provides perspective on recent clashes between Antifascists and far right groups. When left counter-protesters disrupt a white supremacist rally, this registers as an attack on white supremacists right of assembly. After all, the title of the controversial intelligence report on "anarchist extremists" released days before the infamous Unite the Right Rally in Charlottesville was "Domestic Terrorist Violence at Lawfully Permitted White Supremacists Rallies Likely to Continue." In short, humans compliant political policing is real. It's a different form of CONTELPRO-era countersubversion and it can help explain why police tolerated both Occupy encampments and Neo-Nazi rallies.

At the same time, there is also a political struggle within the state around the far-right. Throughout the Obama Administration, the status of far-right movements as domestic terrorists was point of bitter controversy. In April 2009, DHS predicted an increase in far-right violence and identified four causes: prolonged economic downturn, the election of a Black president, renewed debates over gun control and the return of military veterans to civilian life. The report was leaked to the press and right-wing media had a field day. Eventually, then-DHS secretary Janet Napolitano shut down the unit that produced the report, leaving DHS with no analysts focusing on the far-right. Primary author of report eventually went public. Some Congressional Representatives pressured the Obama Administration to do more and they threw some money at counter-radicalization but did not re-commit DHS to reporting on the far right. As expected, the Trump Administration quickly rolled back this half measure.

That said, DHS-the federal agency-has no or at least very few analysts reporting on the far right but the fusion centers, which are run by state and local law enforcement, still are reporting on neo-Nazis, White Supremacists and other far right groups. The FBI is also still actively investigating the far right. There's lots of documents that journalist have obtained through FIOA that show this and the book gets into some of these examples and finer detail.

What these episodes underscore, however, is that there is a real battle happening within the state over the meaning of "domestic terrorism." There's plenty of people in law enforcement who want and are going after the far right but there's probably just as many or even more that sympathize with the far right. In 2006, the FBI produced an internal intelligence assessment document concerning the far-right's attempts to infiltrate police agencies and influence officers. While almost nothing is known about the FBI's efforts to address this issue, it is apparently a cause of some concern.

The limitations of human rights compliant political policing and efforts of the far-right to infiltrate law enforcement cast an ominous shadow over the violence in Charlottesville and similar clashes. Although there is no evidence that white supremacist infiltrated the Charlottesville Police or the Virginia State Police, the lead agency at the Virginia Fusion Center, an independent review of the response to the Unite the Right Rally by a former federal attorney shows that police downplayed the white supremacist threat. The report documents several intelligence analyses received by the Charlottesville Police that predicted violence from far-right militants. It also provides some anecdotes of individual law enforcement officers downplaying the threat from the far-right and positioning left counter-protestors as more problematic.

These battles are important because help us understand the political dynamics of our moment. To return to an earlier point, the implication for our understanding of the state is that the state is arena of this struggle but it's not the agent of the struggle in any direct and simple way. The institutional condensation of political power. It's continually reshaped by struggles within and outside the state apparatus to define policy and distribute resources. It's also shaped by larger forces, as I tried to explain in my comments on authoritarian statism and globalization. In short, the state is neither a thing to be seized nor smashed. It's an institutional condensation of power to approached, politically, at the level of strategy. This returns me to my other point about the strategic alignment of power. These battles of over status of white supremacists within the security apparatus and related questions of police collaboration with far-right groups speaks to wider political process. The balance of social forces since the 1970s-call it neoliberalism, the carceral state, whatever-is clearly unraveling. There's a three-way fight going on right now between the collapsing neoliberal center, the fascist right and the nascent left. We need to think about the security apparatus, we confront hard questions. The left position isn't to demand the police go after the fascists. Both the police and the fascists need to be defeated politically.


To conclude, one overarching imperative I noticed while reading your book -one the key struggles abolitionists must surmount- is to abolish not only the police, but the police power. How might we challenge a purposefully vague, capillary, patriarchal power that occupies nearly every nook and cranny of the state and that permeates the broader society down to the level of individual subjectivity?

To come up with solutions, it necessary to understand the specific nature of the problem and Pacifying the Homeland is my effort to name some the very particular problems of our times. You're right that one of the main problems the book names is police power. It's not just the police, the bodies of armed men in squad cars and frisking black and brown people on street corners. It's the way the police powers of the state administer our lives in ways to the benefit of capital. I think taking this expanded concept of police power expands the horizon of abolitionist politics.

Consider the divest-reinvest strategy toward abolition that came out The Vision for Black Lives policy report and was endorsed by the Democratic Socialist of America. Divesting from the police and the military and reinvesting in education and social services sounds great but I think it could be easily co-opted. Reinvest into what exactly? Social services as they currently exist? Shrink the armed uniformed police and expand soft social police? While such efforts certainly would make a meaningful difference in the lives of those most victimized by police, it would hardly challenge the rule of capital and the modern state. Instead, abolishing police power requires rethinking "social services" on terms that explicitly challenge the basic social relations that police power, in its myriad forms, maintains: private property, the commodity form, and the wage relation. In other words, the positive project of abolition would require a "reinvestment" in care and reconstruction the commons.

From this perspective, Medicare for All should be advanced as an abolitionist demand. By de-commodifying healthcare and transforming into a universal public good it could be part of reinvigorated social democratic commons Left organizations could organize political power to redirect resources from police, prisons, and the security apparatus and reinvestment in a series of socialist programs, a "common" decency that should afforded to all by virtue of their inalienable humanity: universal right to cradle-to-grave care (universal healthcare, free education, etc.), and basic right to life (housing, a job or basic income guarantee).

The horizons of what we could call "abolition socialism" could also help confront other difficult questions that historically have plagued socialist movements. The reconstitution of the commons would also require requires a reckoning with histories of colonial violence and dispossession. Capital emerged through the disproportionate destruction of particular cultures. It created hierarchy of peoples. The modern capitalist world-system created through various the projects of policing and pacification is also and always racial capitalism. In other words, a meaningfully abolishing police power and recreating the commons would also require addressing historic injustices that divided the global working class into mutually antagonistic nations and races. In this way, reparations for slavery, for colonial dispossession, and for unequal North-South relations can be thought of as necessary part of both the transition to socialism and abolition of police power.

India's Dowry System and Social Reproduction Theory

By Valerie Reynoso

The practice of paying dowries is rooted in ancient tradition. It began as a Hindu religious requirement in the Manusmriti, a text from around 1500 BC that dictated the way of life and laws for Hindus. Ancient Hindus would gift each other during a wedding as a cultural requirement. Fathers were obligated to gift expensive clothes and jewelry to their daughters and to gift a cow and a bull to the family of the bride. When a woman moved in with her husband, she was provided with money, jewelry and property to secure her financial independence after marriage.[1] Over time, the dowry system has developed into a fully-formed, patriarchal, capitalist mechanism in which Indian women are reduced to being socially-reproductive providers.

In modern-day India, dowry has shifted from financial independence for brides to a system of groom prices in which women have virtually no control over their finances within a marriage. Dowry prices are negotiated verbally between the families of the groom and the bride. The settled price is paid to the family of the groom once married; however, there is often further demand for more money once the bride moves in with the husband. When these new demands are not met, it can have fatal consequences for the bride. [2].

The social reproduction and commodification of women's bodies, as well as the enforcement of private property under capitalism, has resulted in women being rendered as tools for patriarchal exploitation. Social reproduction refers to the work that goes into producing workers who then have their labor exploited in the name of capitalism by the upper class. Social reproduction relates to feminism and gender power dynamics because women are socialized to carry the burden of housework, childcare, and socially reproducing their husbands who then go off to work. In the case of the dowry system and the Indian women subject to it, this dynamic is further intensified due to the demands for dowry and increased patriarchal violence when this demand is not met. Social reproduction theory is the understanding of the "production of goods and services and the production of life are part of one integrated process."[3] It is a historical-materialist analysis which builds on the premise that race, gender, and class oppressions are connected and occur simultaneously under capitalism. This theory explores the relationship between oppression and exploitation.

These oppressive systems have turned dowry culture from one rooted in ancestral tradition where women are socioeconomically uplifted to one where women are socioeconomically exploited, abused, and killed in the name of money and patriarchy. This deviation of the connotation dowry has also signifies how gender is informed by organizational violence, through which the submission of underclass women is maintained by means of financial, physical and psychological abuse. Indian women are seen as assets to elevate the hierarchical status of the men they marry through the forced provision of dowry.

The Dowry Prohibition Act of 1961 outlawed people from demanding or giving dowry as a pre-condition for marriage. Section 498a of the Indian Penal Code (IPC) states that any female death within the first seven years of a marriage will be automatically concluded to have been a result of dowry harassment. Section 304b IPC refers to cruelty against brides. These laws were designated preventative measures but they have evidently not been effective in implementation, as it is difficult for many dowry victims to make time to go to court in order to get help. [4]

According to the National Crime Records Bureau of India, 8,233 dowry deaths were reported in 2012, a rate that equals one victim every 60 minutes. This statistic does not include unreported dowry deaths, since women are discouraged from reporting abuses. Some ways women are abused in demands for dowry is by being blackmailed, beaten, burned alive, threats of having their children taken away, and murder. The National Crime Records Bureau also reported that police throughout India have charged around 93% of accused in dowry deaths and only 34% of them have resulted in convictions. In 2017 the Hindustan Times reported that there had been 15 dowry deaths in the capital of India alone between 2012-2017, but none of these cases resulted in conviction. There are approximately 27 million total pending cases in the Indian legal system, which delays the dowry cases of women even up to 20 years[5]

It is considered a stigma for women to return to their parents' home after marriage. Social norms enforce the "sanctity" of marriage along with a lack of financial independence, all of which prevent rural women from telling the truth about abuses over dowry. Many survivors of burnings are coerced to lie and say it was an accident or attempted suicide out of fear of further abuses by their husbands.[6]

Under the current Dowry system, women are seen as a burden to their families. It is common for families to save money for the future marriages of their daughters from birth, such as taking out loans, selling land, and going in debt in order to save for the daughter's dowry. Infanticides are rampant given that many girls are killed at birth because of the financial burden of dowry. Other families also perform sex-selective abortions if the baby is determined to be a girl. For girls who are not aborted or killed at birth, they typically live a life of poor nutrition, abuse, and illiteracy in rural areas of India particularly. Girls are starved in preference of their brothers and are also discouraged from pursuing an education because they are usually married off at a very young age in order for the family to collect, give, and solicit dowry. As a result, girls become financially dependent on their husbands at a young age. Even when doctors note that the burn patterns on women do not match their claims of self-infliction, they are not expected to report it and usually do not. In court, doctors are only asked to say whether or not the woman was fully conscious and able to make a statement to the police. Sometimes police harass women who report dowry abuse and discourage the women from reporting. [7]

The repression of women and girls under the current dowry system represents the relationship between the processes of producing human labor power and the processes of producing value, as indicated by the concepts defined by social reproduction theory.[8] Indian girls living a life of abuse and negligence, for the direct material benefit of their male counterparts, is similar to how capitalists need human labor power in order to extract profit from the value production they do not produce themselves .[9] Indian women are the bearers of the labor power it takes in order to socially reproduce financially dependent men, such that Indian girls are starved and denied education and job opportunities in the name of dowry, so that boys may take advantage of these instead. The dowry system provides Indian men with socioeconomic power that is derived from the physical exploitation of Indian women, who are controlled by financial subordination and sexist gender roles that limit them to the home. This cycle of social reproduction is continued when Indian girls are married off by their families to a husband to whom they will owe a life of servitude and financial dependence. Seeing that marrying off Indian girls at a young age is driven by the collection and solicitation of dowry, their bodies are being commodified as a vessel through which their families can accumulate capital. This happens until the woman is severely abused or murdered when demands for more dowry can no longer be satisfied.

Moreover, the price of dowry varies per one's socioeconomic status. Underclass grooms typically demand smaller dowries but it is still a financial burden for poor families who do not have the means of paying it. Parents will raise money for the dowry by selling land or going bankrupt after the marriage. Lower castes of India, such as the Dalit, obtain money for their daughters' weddings by leasing their sons into bonded labor. Many cotton farmers who have committed suicide in large numbers due to failing crops also did so due to the increased price of dowry, which also increased their debt to unmanageable levels. [10]

Solutions for the human rights epidemic surged by the current dowry system have been posed. In 2006, web entrepreneur Satya Naresh had created the first dowry-free matrimonial site in India and in 12 years only 5,399 men had registered. Naresh stated that not many people have registered for it due to greed - in many cases, even when a man does not want a dowry his parents will still want it and force him to undergo it. World Bank lead economist Dr. Vijayendra Rao stated that a substantial shift in gender norms is required in order to end dowry violence, such as reducing gender discrimination, and increasing female education and socioeconomic independence, in addition to further legal reforms[11].

Ultimately, dowry is a means of enacting socially reproduced violence against women in India through socioeconomic repression and misogyny. The elimination of socioeconomic disparities and gendered oppression, as well as a structural challenge to capitalist modes of production, are needed. This is the only path where Indian women may enjoy equal rights and protection.


Notes

[1] "A Broken Promise; Dowry Violence In India," Pulitzer Center, February 9th, 2019, https://pulitzercenter.org/reporting/broken-promise-dowry-violence-india

[2] Ibid.

[3] Tithi Bhattacharya, Social Reproduction Theory: Remapping Class, Recentering Oppression (London, UK: Pluto Press, 2017).

[4] Ibid.

[5] "'Death by dowry' claim by bereaved family in India, The Guardian, accessed February 9th, 2019, https://www.theguardian.com/global-development/2018/jul/18/death-by-dowry-claim-by-bereaved-family-in-india

[6] "A Broken Promise; Dowry Violence In India," Pulitzer Center, February 9th, 2019, https://pulitzercenter.org/reporting/broken-promise-dowry-violence-india

[7] Ibid.

[8] Tithi Bhattacharya, Social Reproduction Theory: Remapping Class, Recentering Oppression (London, UK: Pluto Press, 2017).

[9] Ibid.

[10] Ibid.

[11] "'Death by dowry' claim by bereaved family in India, The Guardian, accessed February 9th, 2019, https://www.theguardian.com/global-development/2018/jul/18/death-by-dowry-claim-by-bereaved-family-in-india

Guns Don’t Kill People, Settlers Do: The Second Amendment and the Myth of Defense

By Oliver Baker

"Our nation was built and civilized by men and women who used guns in self-defense and in pursuit of peace." - Ronald Reagan


"If you are coming to the idea of resistance as a resolute no to the Empire, then armed self-defense is as much a yes to liberated life as the yes of community gardens." - Ashanti Alson



Many of the households where I grew up in rural Missouri have at least one good hunting rifle in their collections of firearms. Every November, most families here-usually the father and son, but sometimes the father and daughter-will go deer hunting, not only for sport but also for the meat it provides households. They will often say hunting is the reason they own firearms.

Several years ago, I was invited to go target shooting at the property of a long-time acquaintance. He was proud of his expansive and comfortable set-up: he owned several dozen acres of land in the country with a nice three-bed, two-bath home and a stable income to support it all. His property, in other words, allowed him to be a gracious host for friends, neighbors, and acquaintances looking to shoot guns, improve their marksmanship, and build community and comradery.

When I arrived, there were 15-20 men armed to the teeth, strutting around with ARs slung tightly around their chests and handguns of various calibers holstered on their belts. Their wives were inside preparing food and tending the kids. As the men-some dressed in army surplus gear, others still wearing their work clothes-blasted away at various targets, the property owner began talking to me about why he loved his home(stead) so much. It was, in his words, "out in the sticks, good and far away from all of that inner-city mayhem." After showing me a sample of his extensive gun collection, spread out before everyone on the tailgate of his truck, he continued his white-to-white conservation with me:

"Yeah, I have all this firepower because I gotta protect my property and family when, you know, shit hits the fan, and all them inner-city people dependent on government hand-outs are left high and dry and start coming out here where the pavement meets gravel looking to loot food and other things."

It was clear he wanted me to understand that he had guns to defend against, in his eyes, Black people coming to loot his home in the event of a "societal collapse," and that he'd be ready with an arsenal of firepower to repel them. That is, gun ownership for him was about using violence to defend his property-as-whiteness from racialized populations whom he recognized were deliberately excluded from the formal economy and corralled in inner-city ghettos. His guns were the lynchpin for maintaining this line between the "good guys" like himself-the productive worker, the property holder, the respectable law-abiding citizen-and a zombified surplus population marked for death. This metaphor is telling: of all the firearms he showed me that day, he was most proud of some recently purchased specialty ammunition with the tagline: "Supply yourself for the Zombie Apocalypse." Guns and zombie rounds animated the fantasy of defending whiteness by mowing down a racialized surplus humanity on the gravel roads of rural Missouri.

I heard this fantasy many times growing up in such hyper-masculine spaces, in which it is taught that the man of the house has to be prepared to defend his home(stead) from perceived criminal (racial) threats and maintain order in his home . True men are providers and protectors; anything less, and you're an emasculated loser. In this way, the property holder was simply being a good patriot and male leader by preparing for the moment when, in his eyes, he would use guns in self-defense against the racialized poor. From this perspective, all the patriots out there that day sharpening their firearm skills claimed to be doing so for reasons of self-defense. Each saw himself as a Josey Wales , John Wayne, or Dirty Harry, or (more recently) anAmerican Sniper or Rick Grimes, neutralizing racialized criminal threats encountered on the Indian frontier or spilling out from the Black ghetto.

People will often say hunting is the reason they own firearms, but the underlying structural reason, whether acknowledged or not, has more to do with white settler fears of racial rebellion. Indeed, the NRA-the most politically influential gun organization-isn't powerful because it has a lot money to spend, but rather because it markets gun ownership as a means of reinforcing white settler sovereignty. Gun ownership is about staving off the loss of the white settler's power, honor, and privilege, which the global economy no longer respects and the state, it is believed, tramples in its accommodating of the marginalized. Despite the rhetoric, gun ownership has never been about hunting or defending democracy against authoritarianism, which white settlers are ready to embrace if it maintains their power.

In other words, the fear of the dispossessed challenging their subjugation drives gun ownership and gun culture among white settlers in the United States-not hunting, a tyrannical government, or, as I argue, reasons of self-defense. American gun ownership has its structural roots in the desire to uphold and reproduce colonial and racial hierarchies and to maintain the power and benefits received from such hierarchies, putting guns in the hands of white settlers with fantasies of nostalgic redemption through violence. Make America Great Again, indeed.

At its core, then, gun ownership for white settlers is about using tools of violence to defend the political category of white settler sovereignty, which is to say, using guns to harm, kill, or terrorize colonized and racialized people in order to keep them unfree-as their freedom means the dissolution of these categories of power and honor. Historian Roxanne Dunbar-Ortiz's recent book Loaded (2018) argues that the history of the Second Amendment and the right to bear arms was fundamentally the state-granted right of settlers to arm their households and form voluntary militias in order to seize Native land and/or police enslaved Black people. Gun ownership today maintains what Dunbar-Ortiz contends was the founding vision of the settler state to distribute its monopoly of violence to its settler-citizens in order to carry out campaigns of dispossession and secure white property against threats of rebellion:

"Settler-militias and armed households were institutionalized for the destruction and control of Native peoples, communities, and nations. With the expansion of plantation agriculture, by the late 1600s they were also used as 'slave patrols,' forming the basis of the U.S. police culture after enslaving people was illegalized."

In fact, joining a militia was less of a right than a requirement of settlers; in some cases, particularly at the state level in the South preceding the Constitution, service in the militia or arming one's household was required by law. Dunbar-Ortiz explains this history:

"European settlers were required by law to own and carry firearms, and all adult male settlers were required to serve in the militia. Militias were also used to prevent indentured European servants from fleeing before their contracts expired, in which case they were designated 'debtors.' [. . .]. In 1727, the Virginia colony enacted a law requiring militias to create slave patrols, imposing stiff fines on white people who refused to serve."

These state laws fed into the Second Amendment to enshrine the imperative of gun ownership at the federal level. Requiring participation in counterrevolutionary violence was thus written into the law directly. Today this duty to defend settler dominance continues not through state laws requiring militia membership but through informal gun ownership. The Second Amendment deputized settlers to use violence to steal land and people-in short, to expand empire.

Building on Dunbar-Ortiz's analysis of the Second Amendment, I want to suggest that we understand gun ownership as a material practice through which white settlers engage directly in the work of counterrevolutionary violence that consolidates and maintains U.S. liberal democracy. It is a way of strengthening settler democracy that promises empowerment and redemption. Firearms are the tools and symbols of a larger counterrevolutionary policing that binds settlers together despite contradictions of class in their mutual support of upholding colonial and racial hierarchies. Through gun ownership of today-what was, earlier, participation in militias-the white settler defends the state that in turn ensures his sovereignty and superiority.

In this way, the settler state depends on deputizing its settler-citizens to be the police of dispossessed populations, just as the settler relies on the state upholding his rights of property, or his "pursuit of life, liberty, and happiness." This is why gun ownership is seen as fundamental to liberal freedoms. The Second Amendment is upstream from the other amendments precisely because counterrevolutionary policing maintains the public order of civil society in which liberal freedoms can flourish.

There are three conclusions, then, I would like to discuss that follow from the claim that Second Amendment-sponsored gun ownership in the United States is counterrevolutionary violence harmonizing intra-settler relations. The first is that self-defense belongs to the oppressed and never to the oppressor. From a structural prespective, there is no such thing as white settler self-defense. The second is that gun culture from the 1960s onward serves as an important site at which settlers organize politically across class and gender lines to protect whiteness in response to marginalized peoples' demand for freedom and neoliberalism's attack on labor. The third is that the practice of community self-defense among those targeted by colonial violence radically undermines the ideology of white victimization through which counterrevolutionary violence is legitimated.


Guns and White Victimization

Perhaps the best example of how counterrevolutionary violence is coded as white settler self-defense is the now iconic Gadsden Flag. From its inception during the American Revolutionary War to its revival and proliferation in right-wing gun culture in the years following 9/11, the Gadsden Flag, with its image of a rattlesnake and phrase "Don't Tread on Me," illustrates how the effort to maintain white settler power in the face of marginalized peoples' demand for freedom is branded as self-defense. The coiled rattler signifies a defensive and victimized position, but one that is deadly if provoked. The Gadsden Flag serves as an important symbol for those identifying as patriots, law-abiding gun-owners, and defenders of the Constitution because it supports a larger ideology that holds that white America is under attack by minorities (and the federal government taken over by minorities in the post-Civil Rights era) whose commitments to equality have turned into the discrimination against, exclusion of, and attacks on whiteness.

Some of the earliest versions of the Gadsden flag, as many patriots will mention, is Benjamin Franklin's drawing of the colonies as a snake divided into sections underwritten by the ultimatum of "join, or die." Yet the tyranny the colonies were fighting against wasn't simply taxation without representation, but more broadly the right to expand its own empire rather than remain merely another exploited colony-to form a state strong enough to defend the colonists' pursuit of wealth from Native and Black rebellion. Indeed, Jefferson makes this clear in the Declaration of Independence when he argues that the Crown had prevented the colonies from clearing the lands west of the Appalachian Mountains of "merciless Indian savages" and encouraged slave insurrection in the colonies.

The rattlesnake represents a white settler body politic that feels continuously threatened and anxious about defending its power over conquered and subjugated populations. It claims to take up a position of self-defense when this position is actually one of stopping the efforts of marginalized people to free themselves from structures of violence. The fetish of Franklin's coiled rattler as the iconography of settlers coming together through counterrevolution suggests there is unity and strength precisely through this position of shared white victimization. If disjointed by cleavages such as class or gender, they will be overrun by the dispossessed, but if unified in their mutual opposition to the dispossessed, white settlers will flourish despite such intra-settler contradictions.

This fear of insurgency-from-below justifying the use of counterrevolutionary violence helps explain the emergence and proliferation of right-wing gun culture in the years following the 1960s to the present. As theorist Sylvia Wynter has argued, the global anti-colonial rebellions of the mid-20th century that empowered and inspired national liberation struggles in the United States sent shocks throughout the white-settler body politic. These rebellions ended in the settler state granting concessions to colonized and racialized groups in the form of civil rights legislation, the dismantling of legal forms of racial apartheid, and the overall turn away from overt, codified forms of white supremacy to new forms of colorblind racism. Black, Brown, and Native militancy terrified settlers, compelling concessions as a means to pacify their militant struggle.

It was these attempts of federal government to conditionally include marginalized groups that led white America, using a zero-sum logic, to feel betrayed and abandoned. As a result, white middle- and working-class settlers gave up defending the welfare state as long as it was also going to include nonwhites. In this moment when the state seems to accommodate nonwhites-an act that failed to respect, in the eyes of white America, the colonial and racial divisions binding together settlers-gun ownership became much more meaningful for white settlers looking to hold the line of these divisions where the state had, it was believed, given up doing so.

During Obama's presidency, this fear that the state had abandoned white settlers by catering to marginalized people had a resurgence. Gun purchases were at an all-time high and patriot community-building became widespread, which is to say, gun ownership and patriot communities were seen as necessary measures for saving the original and founding vision of a white settler republic from a federal government that was believed to have sided with the very people whose demands for equality would unravel the sovereignty and power of white settlers.

Militias such as the Oathkeepers and Three Percenters emerged during these years and embodied the view that it is the job of "true patriots" (white male settlers) to save white America from a state that has gone rogue in its perceived embrace of "open-borders" multiculturalism. The Constitution and the Second Amendment are sacred for such groups because they authorize freedom-loving citizens to form militias to restore the founding colonialist vision of the United States.

For all the wrong reasons of preserving their power, such groups actually have a perceptive understanding of the Second Amendment as a law authorizing counterrevolutionary violence. For them, guns are not about hunting or even self-defense, but about the right to ensure colonial and racial rebellion is controlled and that state power is recaptured in ways that it abandons neoliberal multiculturalism for more direct forms of settler-colonial white-nationalist capitalism. Indeed, it is not surprising that Oathkeepers and Three Percenters show up to police Black rebellions or put down antifascist counterdemonstrations. They see themselves as an extension of the police, the National Guard, and border patrol. Like the KKK of yore, these militias, filled with current and former police and military, believe they fulfill the original function of the state-under the Obama years seen as liberal and weak-in putting down racial rebellions. Gun culture, then, serves as a symbolic yet very material compensation for the state's support of neoliberal multiculturalism and the dismantling of welfare capitalism. Just as credit is offered in place of decreased wages, gun culture supplies compensatory ammunition to bolster the value of whiteness in the face of deindustrialization, increased intra-settler inequality, and globalization's attack on U.S. nationalism.


Arming the Police, Arming White Supremacy

It is important not to forget that support for counterrevolutionary violence extends far beyond patriots and right-wing gun culture. Liberals who call for gun regulation but fully support the police and military and their work of upholding mass incarceration at home and imperial violence abroad support the same structures of violence celebrated by the gun-nuts such liberals love to disparage and against whom they define their commitments to nonviolence. The difference is a choice between a monopoly of state violence in repressive state apparatuses or the distribution of state violence among individual settlers and citizen militias. In other words, patriots believe the violence should be democratized and liberals believe it should be concentrated in the hands of state institutions. While one wants to stand alongside the police and military, the other wants the bloody work to be accomplished without getting their hands dirty. Avowed and disavowed to varying degrees, both support counterrevolutionary violence to protect settler democracy. In this way, liberals, despite their pacifist posturing, are not any less supportive of colonial violence than their gun-nut counterparts because they call for a strengthening of the settler state and a disarming of the populace, which will only make marginalized people more vulnerable to killings and incarceration.

This is a view that has the audacity and class privilege of asking marginalized people targeted by state violence, and its extended forms of vigilante violence, to appeal to the same state for protection. While patriots take up actual weapons to target marginalized people, liberals weaponize gun control policy to the same ends of putting people of color in body bags or cages. The only gun control that would reduce gun violence would be disarming the police, the military, domestic abusers, and anyone with ties to white nationalist and misogynist political groups, along with demilitarizing schools and campuses. Whether they are appealing to the Second Amendment or asking people to trust the authority of the police and military, white settlers on the Left or Right demonstrate that the violence they commit, fantasize about committing, or have no problem with the police and military committing for their protection is necessary for their redemptive vision of liberal democracy. It matters not if this vision is a return to when liberal democracy more forcefully upheld colonial and racial hierarchies, or some future point at which this violence and policing ensures genuine equality of opportunity for people believed to be formerly colonized and enslaved.


Community Self-Defense

While it may be easy to oppose right-wing white victimization and liberal support for state violence, it's still very hard for many to accept the premise that marginalized peoples, those targeted by such violence, have the right to use any means necessary to defend themselves and their communities. Yet we have to see, as Malcolm X made very clear, that the only people who have the moral authority to lay claim to the use of force as a means of self-defense are the people targeted by colonial violence in first place. The struggle to get free, gain control over one's life, and have a say in the governing of one's community is always a struggle of self-defense rather than aggression or provocation. The meanings of self-defense in settler society are purposely inverted to legitimate counterrevolutionary violence and to discredit the self-defense actions of communities struggling to get free.

Robert Williams emphasized this point over and over again while organizing armed community self-defense to protect the Black community against KKK violence in Monroe, South Carolina in the 1960s. In Negroes with Guns , Williams explains:

"The Afro-American militant is a 'militant' because he defends himself, his family, his home and his dignity. He does not introduce violence into a racist social system-the violence is already there and has always been there. It is precisely this unchallenged violence that allows a racist social system to perpetuate itself. When people say that they are opposed to Negroes 'resorting to violence' what they really mean is that they are opposed to Negroes defending themselves and challenging the exclusive monopoly of violence practiced by white racists."

When a relationship between people is asymmetrical, meaning it is structurally impossible to rectify or reconcile, the violence that defends this power imbalance appears legitimate while anything that would take power away from the oppressor or build power for the oppressed registers as illegitimate and irrational violence.

With the same force, then, that we can acknowledge the illegitimacy of the notion of white settler self-defense, we should recognize the legitimacy of marginalized peoples' right to self-defense. As theorist Chad Kautzer argues, "our understanding of self-defense must, therefore, account for the transformative power of self-defense for oppressed groups as well as the stabilizing effect of self-defense for oppressor groups." What this looks like is, on the one hand, disempowering, delegitimizing, and disarming institutions of white settler violence such as the police, patriot, and other white-nationalist gun culture groups, and on the other, using a diversity of tactics to create and maintain community self-defense networks among marginalized communities. Community self-defense, as a theory and praxis, can help produce identities, relationships, and habits necessary not only to deter and prevent violence and build/protect power, but also to delegitimize the ideology of white victimization so crucial to white settlers' use of violence to defend their power. This framework reveals who is fighting a war of counterrevolution and who is fighting a war of liberation, whose fight is legitimate and whose is illegitimate.

In this way, community self-defense helps clears the way for matters of seeing where allegiances lie in a war that has been ongoing for over 500 years. For those picking up a gun to defend property that sits on stolen land and that has value through an economy built by and through stolen people, it becomes clear they are arming themselves to kill and die for colonialism and anti-Blackness. For those calling for peace between the oppressor and oppressed, community self-defense forces their hand, exposing where their allegiances actually lie: in support of colonial and racial violence. For those told that their struggle to exist, to be free, to control their own lands and bodies is irrational and illegitimate, they prove through community self-defense that it is irrational, let alone careless, to think that the structures of violence holding them captive or targeting them for elimination will be destroyed through peaceful negotiation and compromise.


This was originally published at Pyriscence .


Oliver Baker is an Assistant Professor at Penn State University.

Orientalism and the Cultural Constructions of Modern-Day Mass Tourism

By John Nightengale

Orientalism is the most extreme form of cultural imperialism as it completely restructures the colony culture. Orientalism is arguably one of the most important theories in post-colonial study. This essay will unpack and explain the nuances of the theory first developed by Said in his famous work "Orientalism," published in 1978, then later expanded upon in "Culture and Imperialism," published in 1993. In short, Said sought to explain how, through the relationship between knowledge and power, cultural representation was used to create the discursive binary between the "east" and "west" which placed the west as superior (Gilbert-Moore, 1997). The construction of knowledge was a form of cultural hegemony which facilitated the colonising of the mind, which is argued to be a prerequisite for colonial control (Burney, 2012). While formal colonisation has ended, it is argued that Orientalism is still widely seen in modern time. The second part of the essay will explore how the tourism industry has been plagued with culturally constructed narratives that seek to homogenise host countries through repetitive reduction (Bruner, 2005; Anderson, 2005; Shivani, 2006). By exploring discourses, the binary and otherness present in tourism is akin to that of colonial times (Carrigan, 2011; Bruner, 2005).

Said follows a post-structuralist model in an attempt to dismantle the binary established by imperial discourse; he tries to highlight the power structure that establishes the Occident as superior to the Orient. Said drew upon theorists of his time to construct his theory. One key theorist he drew inspiration from was Foucault; in particular his study of power (Gilbert-Moore, 1997; Lester, 2003). Foucault said that power and knowledge are intrinsically linked in that the creation of knowledge was an exertion of power (Foucault, 1991; Lester, 2003). The "Orient" was constructed through the systematic learning, discovery and practice from the west (Said 2003; Burney, 2012). Here it is seen through an imagined geography, the east was produced through travel writing, novels and poetry, which sought to bring the east into a realm of understanding (Abdul Janmohamed, 1985; Mostafanezhad, 2013). What is important to remember is that only the west was producing knowledge, the east was not able to produce literature and art about the west. This illustrates Foucault's idea that knowledge is power, in which the west has more power and therefore is producing more knowledge, thus directly demonstrating the dominance of the west over the east. The example Said (2003) gives is, Cromer referring to the Orient as "lethargic and suspicious", and "devoid of energy and initiative". This was the only representation that the people in England received of the Orient at this time (Said, 2003). This creation of "false knowledge" along with other examples of literature and art contributes to the social construct of the "east", in which meaning is ascribed onto people and place (Crang, 1998, Ashcroft, 2008). It is seen that the "real east" is reformed into the "discursive east", meaning that the east is now conformed into the imagination of west, in which the "discursive east" will always be the submissive (Moore-Gilbert, 1997).

The second key concept that Said draws from is Foucault's theory of discourse. In discourse, power is both constituted and exercised through the flow of knowledge and representation to produce objects of truth (Moore-Gilbert, 1997; Lester, 2003). Here it is seen that what is the truth, or rather the constructed knowledge, can be linked to who has power, in that, power controls what narratives are formed or blocked (Young, 1995; Bruner, 2005). Rather than the discourse forming and reforming knowledge through passive powers, it is seen that knowledge was first constructed by specialists, often bourgeoisie men, then the knowledge becomes fact and is later reinforced by society (Said, 2016; Lester, 2003). This explains how the view of the Orient as timeless and unchanging was upheld; the idea was produced and reproduced within the Western mind (Crang 1998; Burney, 2012). Western discourse representations of the Orient have been homogenised and totalized reducing the Orient to tropes and stereotypical tropes being produced as "western knowledge" (Moore-Gilbert, 1997). This in term reinforces the binary between the Orient and Occident (Said, 2003).

Orientalism through the construct of knowledge and Orientalist discourse has resulted in the binary between Orient/Occident; creating the contrast of developing/developed, promiscuous/noble (Ashcroft, 2008). Kissinger wrote of binary opposition which viewed the Orient as "lagging" behind due to the Orient retaining a pre-Newtonian view of the world as " internal" whilst the superior Occident views the word as "external" (Kissinger, 1966; Crang 1998; Erikson and Murphy, 2017). Through the production of knowledge through literature, the Occident was placed as dominant over the east, placing the western world at the centre and the Orient in the periphery (Maddox, 2014). Cromer said that Orients "acts, speaks, and thinks in a manner exactly opposite to the European"; this illustrates how the binary was represented at the time (Said, 2003). The process of ordering is said to control all aspects of the discourse (Wodak, 2005). Gramsci adds to this, with the theory of cultural hegemony, which explains how dominant ideologies are controlled by the hierarchal class to maintain control (Lears, 1985, Crang, 2013). This is done by assigning the subordinate the role of subject which in turn creates "docile bodies" which conform to normalisation (Foucault 1998; said, 2003; Woodak, 2005). The creation of the subordinate also removes their ability to speak. This silencing effect is seen by the spread of popular writing of the era which "writes out" the Orient (Aitchison, 2001). In doing so, this reinforces the Orientalist discourse as the "true east" narrative is blocked and western knowledge prevails (Young, 1995).

This cultural hegemony is an extreme case of imperialism which colonised the mind of the Orient. Creating the viewpoint of the west as superior compared to the subordinate and silenced east led to the creation of thought, in both the Orient and Occident, that the east needs to be colonised and controlled (Lears, 1985). It is widely accepted that the process of Orientalism allowed the colonisation of the east. This is expressed by a quote from William Blake "Empire follows art and not vice versa as Englishmen suppose" (cited in Said 1993).

Orientalism is seen today in tourism, the power dynamics in the representation of the "east" mimic that seen in colonial times. Before delving into the theory, it is important to acknowledge that tourism in the modern day is laden with power inequalities from its first appearance. Mass tourism was spurred on by neoliberal organisations post-World War Two as a way for welfare states to develop (Higgins-Desbiolles, 2006; Carrigan, 2011). International financial institutes offered exploitative loans in exchange for adopting tourism development strategies (Higgins-Desbiolles, 2006). Britain helped establish the "Atlantic Charter" which sought to develop the Caribbean tourism industry, however with vested interest as the UK traded 50 destroyers for a 99 year lease on seven Commonwealth islands (Carrigan, 2011). The tourism industry is also plagued with a "leakage" in that money is commonly siphoned off from the host state following a similar pattern to colonial times (Carrigan, 2011).

It is seen that tourism seeks to commodify culture by packaging "the other" for consumption by the west (Behdad, 1994; Jamerson, 2017). This commodification of tourism is spurred on by western corporations by the production of knowledge about the host country (Mostafanezhad, 2013). What is important to understand here is that the tourist destinations are always written about, not written by; and in doing so the "native" population is silenced. Using the Caribbean as an example, their image is created through western lenses by western corporations and tourists who define the islands by comparing the differences between "east" and "west" (Shabanirad, 2015). This is done by the tourist's gaze which explains how images and stereotypes of the country are distorted and homogenised by tourists to bring the world of "other" into comprehendible reality, much like Cromer in colonial times (Katan, 2012, Urry and Larsen, 2011). This distorted reality is furthered when portrayed in the media due to repetitive reduction, seen in travel writing such as "Lonely Planet" and review sites such as "TripAdvisor" (Andreasson, 2005; Simpson, 2005). On a larger scale companies reproduce this "distorted reality" through brochure discourse by using the same rhetoric phrases and imagery to sell the destination (Carringan, 2011). Holiday destinations often evoke an image of idyllic landscapes, inscribed with emotions and feelings; this is a result of imagined geographies of the place caused by the culturally constructed narratives (Hottola, 2014). This is a result of advertisements summarising an entire nation's culture into a set of descriptors (Hottola, 2014). In doing so, it plays out a "racist fantasy" in which the "east" is homogenised and given the role of inferior; seen as feminised and backwards in relation to the western world (Carringan, 2011). A prime example of this is Thomas Cook, who advertise "Africa Holidays" as cultural experiences in which you'll be "greeted by tribal elders" and "experience life the way locals have lived for generations" (Thomascook.com). This echoes the narrative that Africa is primitive and backwards, positioned beneath the west.

Many tourists seek an "authentic experience" which Mkono (2012) critiques as upholding the "Eurocentric grand narrative". Seen through Bruners (2005) theory of "questioning gaze" travellers question if constructed sites and performances are true representations of the culture. However, by seeking "authenticity" the tourist is merely projecting their pre-understanding of place (Maddox, 2014; Bruner, 2005). Tourists that search for authenticity uphold an imagined geography of a romantic, unspoilt place which is "frozen in time" and in doing so they "define India according to their own needs" (Korpela, 2010). This upholds a binary between India and the west, which defines India as ascetic compared to the consumerist west (Maddox, 2014). The creation of binary through tourism places the west as the "norm" and defines India in comparison to the west, in that it views Indian culture as a retreat from the normal, hectic western life. In doing so they deny agency of the local population by ignoring their modernity (Philip, 2009; Korpela, 2010; Maddox, 2014).

So far, it has been seen how writing and media have created a binary between the consumerist west and the homogenised east. In order to fully illustrate Orientalism in tourism, it is important to understand how the writing and portrayal of the east affects actions of the host country and the tourist. This can be explained by exploring how narratives have produced a discourse, which in turn gives meaning to space and establishes accepted practices and norms (Bruner, 2005; Carringan, 2011). Firstly, it is seen that cultural hegemony occurs within tourism; host countries often find themselves forced to adopt the culture imposed upon them (Lears, 1985). Looking at Bali, the country is dependent on tourism and therefore upholds the enforced stereotypes (Carrigan, 2011). Secondly, through media, tourists are exposed to the imagined geography of the place, which affects their expectations of the place, which in turn affects how they experience the place (Gregory, 1999). For example, tourists are controlled where they go when they travel within a place. Travel writing "stages" places constructing them as culturally significant and in doing so signposts tourists from sight to sight. (Gregory, 1999)

To conclude, Said's theory of Orientalism highlighted the power structures that create the binaries responsible for positioning the west as dominant over the subaltern east. It was seen that through literature, narratives were created by the Occident about the Orient, which resulted in the creation of "western knowledge" which was imposed upon the Orient through cultural hegemony. Using Said's theory, this essay has highlighted how the same practices used in imperial discourse are being used in modern mass tourism. Through advertising, travel writing and reviews, cultures in host countries have been homogenised and limited to a set of descriptors. It can also be seen that this practice is intrinsically linked with power through the vested interest of IFIs and corporations based in the west. Lastly, it is important to highlight power structures so that they can be dismantled.


References

Aitchison, C. (2001). Theorizing Other Discourses of Tourism, Gender and Culture: Can the Subaltern speak (in Tourism)? Tourist Studies, Vol.1, no.2, p.133-147.

Andreasson, S. (2005). Orientalism and African Development Studies: the 'reductive repetition' motif in theories of African underdevelopment. Third World Quarterly, Vol.26, no.6, p.971-986.

Ashcroft, B., Griffiths, G. and Tiffin, H. (2008). The post-colonial studies reader. (Routledge, Abingdon)

Behdad, A. (1994) Belated travellers: Orientalism in the age of colonial dissolution . (Duke University Press, Durham)

Bruner, E. M., (2005) The role of narrative in tourism. Berkeley conference October 7-8, 2005.

Burney, S. (2012) CHAPTER ONE: Orientalism: The Making of the Other. Counterpoints, vol. 417, no.1, p. 23-39

Carrigan, A. (2011). Postcolonial Tourism: Literature, Culture, and Environment. (Routledge, Abingdon)

Crang, M. (1998) Cultural geography. (Routledge, London)

Erickson, P. and Murphy, L. (2017). A history of anthropological theory. (University of Toronto Press, Toronto)

Foucault, M (1998) The History of Sexuality: The Will to Knowledge . (Penguin, London)

Foucault, M. (1991) Discipline and Punish: the birth of a prison. (Penguin, London)

Gregory, D. (1999) Scripting Egypt. Orientalism and culture of travelin Duncan, J., Gregory. D., Writing of passage: reading travel writing. (Routledge, New York)

Higgins-Desbiolles, F. (2006). More than an "industry": The forgotten power of tourism as a social force. Tourism Management, Vol.27, no.6, p.1192-1208.

Hottola, P. (2005). The Metaspatialities of Control Management in Tourism: Backpacking in India. Tourism Geographies, Vol.7, no.1, pp.1-22.

Jamerson, T. (2017) Digital Orientalism: TripAdvisor and Online Travellers' Tales. in. Daniels, J., Gregory, K., & Cottom, T. Digital sociologies. (Bristol University Press, Bristol)

JanMohamed, A. (1985). The Economy of Manichean Allegory: The Function of Racial Difference in Colonialist Literature. Critical Inquiry, Vol.12, no.1, p.59-87.

Katan, D. (2012). Translating the tourist gaze: from heritage and "culture" to actual encounter. PASOS, Vol.10, no.4, p.83-95.

Kissinger, H. (1966). Domestic Structure and Foreign Policy. Daedalus, vol.95, no.2, p.503-529.

Korpela, Mari. (2010) "A postcolonial Imagination? Westerners Searching for Authenticity in India." Journal of Ethnic and Migration Studies, Vol.36, no.8, p.1299-1315.

Lears, T. (1985). The Concept of Cultural Hegemony: Problems and Possibilities. The American Historical Review, vol.90, no.3, p.567-593

Lester, A., (2003) Constructing colonial discourse In Blunt, A, McEwan, C, & Blunt, LIGA (ed.) Postcolonial Geographies, (Bloomsbury Publishing PLC, London).

Maddox, C. (2014). Studying at the source: Ashtanga yoga tourism and the search for authenticity in Mysore, India. Journal of Tourism and Cultural Change, Vol.13, no.4, p.330-343.

Mkono, M. (2012). Authenticity does matter. Annals of Tourism Research, vol.39, no.1, p.480-483

Moore-Gilbert, B. (1997). Postcolonial theory. (Verso, London).

Mostafanezhad, M. (2013). The Geography of Compassion in Volunteer Tourism. Tourism Geographies, Vol.15, no.2, p.318-337.

Philp, J. (2009). Yoga, Inc.: A journey through the big business of yoga. (Viking Canada, Toronto)

Said, E. W., (1993) Culture and imperialism. (Vintage, London)

Said, E. W., (2003) Orientalism. (Penguin, London)

Said, E. W., (2016) Orientalism: western conceptions of the orient , (Penguin, London)

Shabanirad, E., Marandi, S. M., (2015) Edward Said's Orientalism and the Representation of Oriental Women in George Orwell's Burmese Days. International Letters of Social and Humanistic Sciences. Vol. 60, no.1, p.22-33

Shivani, A. (2006) Indo-Anglian fiction: the new Orientalism. Race and Class. Vol 47. no.3

Simpson, K. 2005. Dropping out or signing up? The professionalisation of youth travel. Antipode, Vol.37, no.3, p.447-469

Thomascook (2018). Africa Holidays & Luxury Breaks. Online. https://www.thomascook.com/holidays/signature/africa/ Accessed 14 Nov. 2018

Urry, J., Larsen. J., (2011). The tourist gaze 3.0. (Sage, London)

Wodak, R 2005, Discourse analysis (Foucault). in D Herman, M Jahn & M-L Ryan (eds), Routledge encyclopaedia of narrative theory. (Routledge, London)

Young, R. J. C. (1995) Foucault on Race and Colonialism. New Formations, Vol.25, no.1, p.57-65

Decolonial Resistance in Hip Hop: Re-Colonial Resistances, Love, and Wayward Self-Determination

By Joe Hinton

Although many forms of black expressive culture contain elements of political resistance, hip hop is a form that has been recognized by numerous scholars for its unique, complex, and nuanced forms of offering political discourse. As Damon Sajnani notes, the origins of hip hop are inherently political, specifically rooted in the politics of the "decolonization of local urban space". Hip Hop today, the most popular genre in the United States (if not the world), is quite disconnected from these political roots in a radical anti-colonial politic built through creating livelihood out of structure-based psychological pain.

What is the nature of resistance in hip hop, and what do scholars have to say about its current status? Many note that hip hop has been co-opted by a white-controlled market and has been manipulated so as to promote limited narratives of Blackness, many of which are derived from minstrel tropes. Sometimes, these tropes can be manifested as partial resistances to white-supremacist, capitalist, patriarchal settler-colonialism. Sometimes, when they rely on European notions of political resistance that are either inherently capitalistic or statist/nationalist, they reify colonial structures and are thus re-colonial. Sometimes they flip the narrative of oppression or expose it for what it is, as Tricia Rose notes, but do so in a way that constitutes a solid first step to resistance but does not completely answer the question of how one wants to exist and live in a world beyond the reality of this oppression.

In my eyes, the only types of resistant expressive culture that can actually spur Black liberation must create alternative visions that denounce resistances that rely on other closely related forms of oppression and toxic psychologies. Building off the ideas of Cornel West, Zoe Samudzi, and William C. Anderson, these visions must be centered in both collective love and individualist, wayward, and deviant lifestyle choices. By wayward and deviant, I mean prone to reject the boxes imposed by American culture and its depictions of Blackness. I draw on the idea that Black and indigenous people in the United States exist liminally, not as citizens. This means that as the state is functioned to precipitate our extinction and/or suffering and to prevent our full integration into the benefits of society, and that our existence as colonial subjects, regardless of socioeconomic advancement, renders our status perpetually ambiguous and subject to a constantly uncertain chaos and threat of violence that reinforces a spiritual feeling of collective subordination. This chaos can be overcome by a moment of creation and establishment of what the state deprives us of and excludes us from: self-love. Hip Hop originally sought to achieve this, but it has been co-opted by the market and the limited narratives it promotes, with some notable exceptions. Once based in love, and dedicated to the creation of love-based communities, these forms of culture can help spur mobilization against white-supremacist, capitalist, patriarchal settler-colonialism (WSCPSC) to defend ourselves against it and eventually overthrow it; or, more immediately, find a way to create communities that employ social rules and customs that promote Black and indigenous love, rather than relying on the false promises of liberal reformism and partial resistances.

Although it remains true that hip hop has been co-opted by a powerful white media establishment, it also remains true that hip hop is an inherently resistant genre in that it constantly engages with the "politics of having fun," a framework that can be perceived as seemingly apolitical, but is actually quite focused on the psychological effects of socio-political hierarchies. Where songs can be differentiated in their political efficacy is the degree to which they promote a liberational Black politic. As Cornel West notes, a truly liberational Black politic is committed to fighting racism at its root: capitalism. And is also determined to end all associated forms of oppression that result from capitalism and colonialism: homophobia, sexism, ableism, and transphobia. Within hip hop, although the 80s and 90s featured a number of artists for whom the legacy of Black Power reigned eminent, the modern mainstream genre is primarily full of either market-driven resistances, partial resistances, or their associated re-colonial resistances.

Partial resistances vary as to the terms to which they reify colonial resistances, but most do to one extent or another. N.W.A's "Fuck tha Police" emphatically decries the historically biased and anti-Black prosecuting tendencies of the City of Los Angeles quite creatively while also reifying the colonial oppression of gay people by using homophobic slurs. The sexual domination narratives promoted by Cardi B and Nicki Minaj take a step towards a less subordinate position for Black women and do promote positive narratives that Black women can be proud of their sexuality, but also reify the objectification and exploitation of the Black female body by offering limited options for how a famous Black women is to present herself and her body. This is not to say that other options are not presented by other Black females; to do so would be myopic. I am rather emphasizing that the female rappers with the most prominence do not fit these narrow images, coincidentally; they are approved by a white-controlled media elite that has never shied away from aligning Black female exploitation and lucrative profits. In the wake of the death of Nipsey Hussle, an LA rapper known for his generosity and devotion to community uplift, Jay Z exclaimed that Black people should look to gentrify their own neighborhoods before white people can. Given that gentrification is fundamentally aligned with the same ideologies of settler-colonialism and economic exploitation that hip hop was founded on alleviating and eliminating, suggesting such a notion is especially re-colonial. All of these are examples of when artists in hip hop use their platforms to promote the advancement of an oppressed group, but somehow reify a hierarchy that exists to make Black people and Black women suffer.

Then how can hip hop be completely resistant and neither partial nor re-colonial? As Sajnani notes, the diasporic nature of Black nationalism is an effective liberational alternative to the pain of WSPCSC, a nationalism distinct from its European analog. This nationalism has been referred to vaguely by scholars such as Bakari Kitwana, specifically to his conception of a Hip-Hop Generation, and was cited positively by West in his analysis of Morrison's Beloved. Many arguments regarding Black self-determination usually rely on this statist conception. Sajnani's analysis of the Black national bourgeoisie, of which Jay Z is a prominent member, is particularly revealing. He claims that partial resistances are often performed by prominent Blacks as a means to receive compensation from the white cultural gatekeepers while Black exploitation is upheld by the national order. To Sajnani, to support the American Dream is to ignore economic stratification, which in the US is always a racial topic. Black capitalists, especially in hip hop, engage in the rhetoric of the American Dream quite regularly, relying on a misguided bootstraps ideology. But even if Black capitalism can't be a true form of resistance to WSPCSC, can diasporic nationalism constitute a more complete resistance? As Zoé Samudzi and William C. Anderson propose in their powerful novel on the anarchism of Blackness as Black as Resistance,

"attempting to reclaim and repurpose the settler state will not lead to liberation, and it will not provide the kind of urgent material relief so many people desperately need, though electing empathetic officials sometimes can arguably mitigate against harm. Only through a material disruption of these geographies, through the cultivation of Black autonomy, can Black liberation begin to be actualized."

As such, a legitimate response to WSPCSC must not consider the future of Blackness as reliant on a statist solution. Although Sajnani's support of a somewhat re-colonial nationalism, no matter if distinct from European nationalism, is misguided, his emphasis on "resisting the appropriation of Hip Hop and elaborating its original mission" (I would replace appropriation with misappropriation) is quite relevant to establishing a liberatory Black politic through hip hop. What is the next step?

While resistance in Black politics today often calls for criminal justice reform instead of radical restructuring of the industrial-prison complex, 2018 saw some powerful forms of resistance enter the mainstream, most notably Childish Gambino's "This is America." Gambino's Grammy-award-winning song and video effectively criticizes the current state of hip hop and minstrel tropes. As Frank Guan notes, "It's a tribute to the cultural dominance of trap music and a reflection on the ludicrous social logic that made the environment from which trap emerges, the logic where money makes the man, and every black man is a criminal." Gambino's work helped bring a critical element of reflection into the mainstream of pop and hip hop: that the limited, minstrel-reproducing narratives of Blackness in popular culture contribute to past and present forms of social subordination. It is a crucial step towards finding a liberatory politic and is quite close to a complete form of resistance. Where it falls short however is along two fronts: an explicit embrace of a collective love ethic, and a moment of creation that accepts the reality of Black liminality and becomes devoted to a deviant determination of one's self that allows for the complexity of Blackness to live freely and waywardly, away from the psychological boxes imposed on us by WSCPSC.

I have come to learn that hip hop has an extremely high potential for being politically resistant to WSCPSC, but it is going to take a lot of work to return it to what it once accomplished. Very few forms of hip hop are directly engaged with a love ethic nor with an explicitly deviant rejection of WSCPSC based in self-determination. Two legacies of Black expressive culture will serve as my examples for such a cultural politic in this section: Toni Morrison's Beloved, as cited and analyzed by West, and the work of Prince, a genre-less Black artist whose influence on and connections to hip hop are understated. These forms of culture are committed to examining how Black people can create their own worlds under oppression, and even as they strive for radical changes, they are pragmatic and understand that a complete rejection of WSCPSC would constitute a violent revolution. As such, they utilize Black art as a means of peaceful resistance and alleviation of colonial pain, as hip hop once did. West noted that Morrison's Beloved was an active buffer against the pain of Black nihilism derived from WSCPSC, stressing that "Self-love and love of others are both modes toward increasing self-valuation and encouraging political resistance in one's community."

Black literature's emphasis on self-love and reflection must be replicated in hip hop. Prince understood that "Transcending categories however is not synonymous with abandoning ones' roots." After his death, Alicia Garza, a BLM founder noted that he "was from a world where Black was not only beautiful, but it was nuanced and complex and shifting and unapologetic and wise." Prince does not allow the chaos of Blackness (as constructed by WSCPSC) to render him a slave to reifying some form of colonial oppression, rather he recognizes that "it's about being comfortable in an unfixed state while improvising the topography of your life and music as you go along." Such a mindset and perspective are directly derivative of African religious culture. Thus, a liberational politic must be Afrofuturist. It must avoid the categorical labels offered by WSCPSC because of how much they limit us and function to constrict us. Perhaps a contemporary example of such a wayward, liberational politic comes in Saidiya Hartman's Wayward Lives: Beautiful Experiments, in which she reimagines the deviant and radical lifestyles and love-ethics of early 20th century upper-middle-class Black women. When Black people have the socioeconomic privilege to be able to transcend the limits of WSCPSC's social construction of race using a collective Black love ethic and staying true to the root cause of Black uplift, a promotion of a more plentiful array of types of Black existence can proliferate. And the commodification of Black art can start to dissipate, pushing more and more colonial subjects to reimagine their humanity away from internal colonialism.

This is the future I see for hip hop, one that returns it to its political roots. I understand that the pull of the market is strong, and that hip hop's decolonial future will require some serious changes in cultural discourse. Hip hop must return to its basis as a means of cultural self-defense, of engaging with the politics of having fun in a way that is more cognizant of decolonial motives. Taking down WSCPSC will require both explicit and implicit resistance, most of which will be anti-capitalist. Black expressive culture and its dynamism, specifically with regard to hip hop, have extreme potential for creating radical Black communities in the United States that are neither re-colonial nor based in the European need to monopolize violence, and embrace the duality of Black liminality, the complex nuances of double consciousness, and consider Blackness on one's own determined set of terms.


Notes

Berman, Judy. "'This Is America' 8 Things to Read about Chidish Gambino's New Music Video." New York Times, May 2018, https://www.nytimes.com/2018/05/08/arts/music/childish-gambino-this-is-america-roundup.html.

Gordon Williams, James. "Black Muse 4 U: Liminality, Self-Determination, and Racial Uplift in the Music of Prince." Journal of African American Studies, vol. 21, no. 3, Sept. 2017.

Rose, Tricia. Black Noise Rap Music and Black Culture In Contemporary America. Wesleyan University Press, 1994.

Sajnani, Damon. "Hip Hop's Origins as Organic Decolonization." Decolonization: Indigeneity, Education, and Society, 2015, https://decolonization.wordpress.com/2015/04/02/hiphops-origins-as-organic-decolonization/ .

Samudzi, Zoe, and William C. Anderson. As Black as Resistance. AK Press, 2018.

Sehgal, Parul. "An Exhilarating Work of History About Daring Adventures in Love." New York Times, Feb. 2019, https://www.nytimes.com/2019/02/19/books/wayward-lives-beautiful-experiments-saidiya-hartman.html.

West, Cornel. "Nihilism in Black America." Race Matters, Beacon, 1994.

Black Feminism and the Rap/Hip-Hop Culture: I Don't Want the "D"

By Asha Layne

"I was born to flex (Yes)
Diamonds on my neck
I like boardin' jets, I like mornin' sex (Woo!)
But nothing in this world that I like more than checks (Money)
All I really wanna see is the (Money)
I don't really need the D, I need the (Money)
All a bad bitch need is the (Money)"

- Cardi B

With the advancement of technology, more specifically social media platforms, the plight of women of color has been widely discussed thanks to the Me Too and Say Her Name movements which challenged and revolutionized the thinking of dominant culture. Of profound importance, the inclusion of Black women and women of color in these social movements contested the sweeping generalizations of 'traditional' feminism. This would later lead to a widespread rejection of popular feminism ideologies, thus making way for a new wave of neo non-conservative ideologies on feminism.

This deviation between traditional and non-traditional feminism can be traced back to the Women's Liberation Movement in the late 1960s. During this period, the conditions and concerns of White middle-class women took center stage and addressed issues that inhibited their (White women) ability to live fully free lives rid from patriarchal oppression. This perspective would continue to serve as the backdrop on a series of feminine-related issues such as equal pay, sexual harassment, sexual violence, and violence against women. Not surprisingly, given the US's racially contentious history, it (Women's Liberation Movement) shamelessly ignored the different culturally-significant spaces that Black women (and women of color) occupied, leaving Black feminists to repeat Sojourner Truth's riveting question: "Ain't I a woman?" This essay explores the evolution of Black feminism through the lens of female rappers, who I argue add to the discourse of feminism, and more specifically Black feminism.

As a theoretical construct, feminist theory claims of being woman-centered historically has ignored the narratives and standpoints of women of color. Despite the popular question, "What about the women?" that has long served as the impetus behind the development of feminist theory, the answers to this question have traditionally focused their attention solely on the experiences of White women. Anchoring this sentiment is the emergence of Black feminism and Black feminist thought, which both sought to place the experiences of Black women at the center of its analysis, therefore offering a starkly different knowledge from that of mainstream feminism. According to Collins (2000), Black women in the United States can stimulate a distinctive consciousness concerning their own experiences. Collins, like other Black feminist scholars, understood that this knowledge produced by the narratives of Black women would transform how feminism is defined and understood by Black women (and women of color). Similarly, Kimberle Crenshaw also understood that the experiences of Black women could not be explained by race and gender alone but should also include the intersecting identities that shape their identity as a Black woman. This is best demonstrated by Black women (and women of color) in the rap/hip-hop industry.

Female rappers have (and continue) to take a melodic stance to verbally disseminate information on social issues and struggles that women of color face, such as: white supremacy, sexism, self-esteem, misogyny, patriarchy, sexual harassment, and gender-based violence. One can hear this in the music of both contemporary and non-contemporary female artists, who by applying Collins's theoretical framework share their narrative through standpoint theorizing. Standpoint theorizing is a sociological feminist framework which explains that knowledge of women's experiences is best understood from their social positions in society. In Yo-Yo's 1991 debut hit, You Can't Play with my Yo-Yo she explores what it means to be a woman in a male-dominated environment. She raps:

"If you touch, you livin in a coffin (word to mother)

I'm in the 90s, you're still in the 80s right

I rock the mic, they say I'm not lady like

But I'ma lady, who will pull a stunt though

I kill suckas, and even hit the block

So what you want to do?"

In listening to the words of female rap/hip-hop artists, the audience is able to recognize the nonconventional form of activism which has added to both the discourse of Black feminism and the music industry. In the above lyrics, Yo-Yo also explains that as a female in a male-dominated industry, gender often takes precedence over race and consequently adds to negative experiences Black female MCs in the industry often grapple with. Women of color in the rap/hip-hop industry have inarguably exemplify Collins's concepts of: standpoint theory, outsider-within, and matrix of domination, sidestepping any mention of scholastic sources or prominent experts in the field. One can easily identify these acts of black female activism in the rap/hip-hop industry in the work of contemporary artist, Cardi B. This is particularly well exemplified in Cardi B's debut album, Invasion of Privacy. In her song Be Careful, which explicitly examines infidelity and the double-standard concerns it raises, she raps, "I could've did what you did to me to you a few times. But if I did decide to slide, find a nigga fuck him, suck his dick, you would've been pissed." In Money, Cardi B colorfully explains that money and not a man's penis will meet her needs. She raps, "I got a baby, I need some money, yeah I need cheese for my egg." This album unapologetically proclaims that despite her (un)popular gender non-normative approach that she will be heard and respected regardless of anyone else's opinion. Therefore, demonstrating that, just like her female rap/hip-hop predecessors, she too unconventionally exemplifies black feminist activism.

Patricia Hill Collins's Black Feminist Thought explains that race, gender, and class are oppressive factors that are bound together. In relation to rappers, the commodification of female rappers in the industry and the hypersexual images of Black female rappers speaks to not only this intersection of race, class, and gender but also to the systemic cultural nature of exploitation that is inherent not only to the industry but also within dominant American culture. In both spaces (the industry and American culture), masculinity is directly related to power and violence, and reminds us of the pervasiveness of the White perspective in social institutions. In White-Washing Race, Brown et al. (2003) explains that the White perspective is not the product of salient characteristics, such as skin color, but of culture and experiences. The lyrical narratives shared by female rap/hip-hop artists demonstrates how women of color actively grapple with the many issues, concerns, and questions they experience culturally, socially, and politically.

Is the emergence of the outspoken, gender-bending, highly independent, and sexy female artist a new phenomenon for women of color? Collins highlights how the role of Black women always contradicted the traditional role of women in mainstream society. Collin states, "if women are allegedly passive and fragile, then why are Black women treated as "mules" and assigned heavy cleaning chores" (2000, p.11)? The placement of Black women as 'objects' and 'tools' for production under capitalism is intrinsic to the social, political, and economic arrangements of power in the United States. Black feminism deconstructs the established systems of knowledge and arrangements of power by showing the masculinist bias that frames these arrangements of power from a cultural lens.

The radical changes exhibited in the bodies of work of contemporary female rappers engenders the thesis of Black feminism through frequent displays of gender non-conforming behaviors while embracing the beauty of being uniquely deviant. No longer are women of color minimizing or editing their unique experiences, behaving in gender-conforming ways, or are ashamed of being labelled a 'bitch' for the sake of being accepted by mainstream culture and appeasing their male counterparts. Contemporary Black female rappers, similar to classic rappers such as MC Lyte, Queen Latifah, and Roxeanne Shante, continue to redefine not only gender identity but Black female identity in patriarchal structures.

Both gender identity and Black female identity are socially constructed through interaction and socialization. Following the tenets of symbolic interaction, gender and racial identities emerge out of social interactions which helps to define an individual's self. The formation of self is unique to women of color because of the location and situation they occupy in many faces of oppression. The marginalization, exploitation, and feelings of powerlessness are all too common in the tropes of women of color. Therefore, the gender-social identification of women of color does not examine solely "doing gender" but instead considers key factors that obfuscates women of color from "doing gender."

Women of color in the rap/hip-hop industry continue to demonstrate the spirit of Black feminism through nonconventional methods. Today, Black female artists (and women of color) have changed the way we define women's empowerment. The popularity of female MCs embodying androgenic characteristics through feminine appeal supports the narratives of many women who have mastered the proverbial quote, "think like a man." To condemn the hypersexual behaviors and language used by Black female artists is to ignore the historical truth that Black women (and women of color) were never defined by the traditional standards of being a 'woman.' Black female MCs have and will always continue to redefine what 'doing gender' is from a cultural standpoint, therefore adding to the Black feminism discourse.


Bibliography

B, Cardi. (2018). The invasion of privacy. CD. New York: New York. Atlantic Records.

Brown, Michael K., Carnoy, Martin, Currie, Elliott, Duster, Troy, Oppenheimer, David. B., Schultz, Marjorie, M., and Wellman, David. 2003. White-washing race: The myth of a color-blind society. Berkley and Los Angeles, California: University of California Press.

Collins, Patricia Hill. (2000). Black feminist thought: Knowledge, consciousness, and the politics of empowerment. (2nd ed.). New York: Routledge.

Yo-Yo. (1991). Make way for the Motherlode. CD. New York: New York. EastWest Records America.

Black Metamodernism: The Metapolitics of Economic Justice and Racial Equality

By Brent Cooper

I'd been thinking about this idea for a while before a redditor asked the very pointed question: Are there any black metamodernists? I didn't really have a complete answer yet, which is 'yes and no.' It's a complicated question, and it doesn't seem like many are rushing to answer it. Mostly no in the explicit sense like Hanzi , of developing the "metamodern" concept and advancing a program beyond the discourse of the Dutch school . But yes in many other ways, both explicit and implict.


Black to the Future

For starters, there is one obscure but direct source for 'black metamodernism,' in Transatlantic dialogue: contemporary art in and out of Africa , 1999 (limited to a snippet view). Art history professor Moyo Okediji described contemporary African-American art in terms of metamodernism as an "extension of and challenge to modernism and postmodernism." Without access I cannot offer a thorough review, but the point is clear; black metamodernism exists and was another one mostly missed.

The book jacket lists a number of black artists, including Jean-Michel Basquiat. He is considered a type of black metamodernist described as 'returnee artists'; "African-American artists who return from Africa with a new awareness of their identiy that affects their work." (from Monni Adams book review ). This concept could certainly apply to Malcolm X or Dave Chappelle as well, who were forever changed and radicalized by their pilgrimages to Africa. I think metanoia, a fundamental change of mind, plays such a role in metamodern sensibility. All of this seems to align with metamodern critique, art, praxis, and values, and yet we do not hear much about a black metamodernism today.

Martin Luther King has already been accurately characterized as metamodern by Alexandra Dumitrescu, who thinks "he might have been a metamodernist avant la lettre ," and I couldn't agree more. King had a vision so progressive that it is only just being fully realized (actualized) today. The dream was cut short by his assassination, for which the white establishment is necessarily implicated. Even though he's gone and from a different era, his actions and ideas resonate now in a crucial way because they are still not achieved, so it's a battleground issue (conservatives try to co-opt and re-write MLK). And if we are going to mention MLK, perhaps we should also include Malcolm X, James Baldwin, Fred Hampton and countless other black activists ahead of their time, as implicitly metamodern.

Cornel West could be a metamodern thinker, pictured above, but he has never used the term, and this distinction matters, given its history at this point and his ability to wax on postmodernism. As I addressed in Gonzálezean Metamodernism, West is a good candidate to embrace the discourse, not only because he is invoked by González in that context, but because more broadly black theology is at the root of Hispanic liberation theology, and West is a cutting edge philosopher of sorts. Now is as good a time as any to (re-)introduce black metamodernism, as it builds on the turn González proposed for Hispanic Americans. Black people too are metamodern aliens in the postmodern promise land.

In Whose (Meta)modernism?: Metamodernism, Race, and the Politics of Failure (2018), James Brunton asks the right question, but also misses the source material I've mentioned. He draws his theory from Vermeulen and van den Akker, and David James and Urmila Seshagiri (2014), as well as many black poets, but he is yet another scholar 'missing metamodernism' in the broader sense I describe, and Okediji 's black metamodernism specifically.

This is a call to action to implicit black metamodernists, many of whom I discuss here, to cross over, to represent, and join the paradigm shift explicitly; my inspiration for metamodernism has in part already come from many of them. Wolfgenghis_Khan wants you; and so do we. I have written just two other articles about race/ black issues; one about black abstract art (where Basquiat is mentioned), and one about how racism is "abstracted " (made obscure), particularly by white racism against black people in the US. These are facets of my approach to metamodernism, and how abstraction can reveal or obscure the nature of racial politics and discourse. And in those I also have missed much of what I describe in this article, so it is all (re)combining into a broader black metamodernism.


Green Metamodernism

In terms of metamodern theory itself we can consider Nordic or Dutch as varieties of green metamodernism. The are green by being or having moved from the left beyond the liberal status-quo, but also green in the sense of being inexperienced or naive. To be sure, they are brilliant, but green (new, fresh) compared to their metamodern forebearers who have been missed. In the dominant Dutch School (art/ history/ culture) mode, the artist Reggie Watts is considered metamodern for his mind-boggling and heart-warming sincere absurdism. Donald Glover is metamodern too, as described here (2014), and here (2017), not least for his meta-humour in the metamodern show Community. Also, here is very comprehensive site, Metamodernity and Because the Internet , dedicated to the study of Donald Glover/ Childish Gambino and metamodernism. And this is all before his song/video " This is America " (2018) made a profound statement about race. After, we can understand him better through a lens of black metamodernism.

Green metamodernists generally do not theorize race directly or explicitly, although Hanzi has deconstructed the alt-right at some length . The general aversion is probably in part because the importance of the subject is generally implied as metamodernism is ostensibly about synthesizing and transcending both the postmodern critique (which includes the intersectionality of race, gender, class, etc) and its target, modernism. Race just becomes a smaller but still important detail in a broader context of meta-theory, planetary crisis, and metamorphosis (systems-change). But race theory is also peripheral in part because these metamodern epistemic communities are mostly white people who are tacit allies.

On the other hand, 'black metamodern' discourse has not been maintained or linked up with contemporary metamodern discourse. So the problem is two-way. This crossover should happen for two reasons: 1) by metamodernism not addressing it, it appears racialized, ignorant, or biased, and 2) by black discourses not combining with the broader paradigm shift, it remains disempowered and marginalized by the anti-postmodern and white nationalist political climate.

Metamodernism, from its Dutch and Nordic schools of origin, appears to have a eurocentric and white bias, though they have a global orientation and sensibility, as well as tacit understanding and concern about systemic racism. As we've seen in all versions, metamodernism doesn't ignorantly deny the merits of postmodern critique, or abandon social justice that conservatives and centrists have written off, nor does it embrace the full excesses of SJW culture and what has been termed 'grievance studies' literature by some determined IDW-adjacent academic hoaxers - The whole problem there is that they don't realize that all academia/ scholarship has similar problems (even their own fields, which aren't social science), but they are singling out and mocking social justice while social justice isn't being achieved in reality.

But metamodernism hasn't yet provided a clear or viral enough answer for the postmodern impasse. Or at least we've tried, and few have paid attention. Meanwhile, the new centrism of the Intellectual Dark Web has filled the void (or rather spoke over the Other) with anti-postmodern and anti-social justice diatribes that actually inflame systemic racism (which they deny exists). Those on the left who have already united against the IDW would do better to understand their moves as metamodern, and generate greater collective coherence as such.

The IDW would have you believe progressivism is a lost cause, yet they stand in the way, provide no alternative, and tune out the people actually working on those problems. The IDW remain do not engage with actual leftist politics, let alone black sociology. I offered a broad critique of the IDW over a year ago , trying to pre-emptively assuage the culture war, much of which still holds up. The IDW have gotten worse in some respects, have been critiqued harder, and now is quickly crumbing and becoming obsolscent, giving rise to a new emergent discourse.

There is also the odd (right-wing) person who is fond of metamodernism, but interprets it for their own ends without really understanding it. They support Trump. They like Jordan Peterson and Jonathan Haidt. They are against immigration for personal (identity) reasons. They have no interest in the thorough critiques of any of these things. They, of course, have also been missing the metamodernisms as I have described in this series, but also in the contemporary sense that comes from Dutch and Nordic versions, because there's nothing in those sources to inspire right-wing ideology. On the contrary, they demand a much closer read of history, theory, and social consciousness.

In general, metamodernism is post-political, beyond the left-right spectrum, and refers to the era we are in (and so does hypermodernity). But along a particular axis of issues, metamodernism as a movement and sociological theory is uniformly aligned with the leftist movement today, as it is expressed throughout this series (vis-a-vis technology, liberation theology, black socialism), and some of my other writings. This doesn't mean conservatives aren't welcome to participate and contribute - they are - but it means zero tolerance for ignorance about what postmodernism actually means, and regressive dogmas about climate change or social justice. In the Dutch and Nordic versions, metamodernism assumes the viability of a socialist steady state, not surprisingly because they are from successful ones, and are relatively successful in such societies. The idea is to provide that to everyone, and it's not a pipedream.

Metamodernism, by all available standards, reflects a progressive culture towards a cosmopolitan post-capitalist demilitarized vision of society that will mitigate climate risk, not an ethnonationalist hyper-capitalist militarist denialist prophecy of social control that will accelerate and exacerbate collapse. The choice is starkly contrasted, and the latter is called hypermodernism, not metamodernism. With this in mind, I see no right-wing person actually theorizing metamodernity, coherently at least, but there is still a need for a course correction in green metamodernism by black metamodernism.


Back in Black Metamodernism

My role here is not to be an expert on black metamodernism per se, but to defer to the real experts in their fields and to help widen the space of the new discourse. Outstanding black scholars are not in short supply, but are still fighting an uphill battle against a white-privileged status-quo. Many are immensely wise, strong willed, and influential, and yet lack the clout they truly deserve. Their critiques have not reached far enough to affect the needed change. And the lack of convergence through metamodernism has not helped either.

Notable black thinkers/ activists/ leaders include Cornel West, Charles W. Mills , Tressie Mcmillan Cottom, Michelle Alexander, Ta-nehisi Coates, Michael Eric Dyson, Benjamin Dixon, Mansa Keita, Bill Fletcher Jr., Wosny Lambre, Briahna Joy Grey, Ilhan Omar, Ayanna Presley, Kwame Anthony Appiah Patricia Hill Collins Kimberlé W. Crenshaw Angela Y. Davis Henry Louis Gates, Jr. , and many more . Could this be a cross section of black metamodern thought? Many of them have theorized or criticized postmodernism as well, so it would not be a stretch to entertain metamodernism, especially with these added perspectives (Borgmann, González, black, in addition to Dutch and Nordic strands).

This negligence of black metamodernism is part of the wider pattern of Missing Metamodernism  - even amongst black scholars. They could perhaps be forgiven for not dropping everything and devoting themselves to Dutch or Nordic metamodern developments, but they also have a precedent with 'black metamodernism,' so we hope they will learn and develop it with us and speak up. Take up this meta- mantle and converge with metamodernism more broadly, to develop a new paradigm.

Much of the public discourse is not lacking in racial awareness, evidenced by the following TED talks, but it's a broader question of some (white) people's interests and attention spans. And the mainstream media is still deeply filtered and divisive over race issues. My purpose here is just to share some of what's out there, so that it can't be ignored or missed by those interested in metamodernism. And so it can't be denied by the centrists and right-wingers that want to preserve some mythical abstraction of white Western civilization. The point is that black culture was metamodern before some industrious white people rediscovered metamodernism.

In The Dangers of Whitewashing Black History, David Ikard recounts the story of his son in Grade 4, who was taught that Rosa Parks was frail old black women, diminishing her life-long struggle and the story of social justice behind her. David wanted to confront the teacher, but because of his experience with the "white fragility" of some people, he knew that might be a bad idea. So he instructed his son to learn the true history, which he did, and his son gave a speech debunking the myth. The teacher apologized to student, and subsequently retaught the Rosa Parks lecture. This is why Rosa Parks wrote her autobiography, so she could tell her own story, David said, but it still so easily becomes whitewashed. In 1950s, lynching was normal. MLK's house was bombed twice. Rosa parks was not an 'accidental activist.' These facts are often submerged by a more sanitized narrative.

Then there was a book draft David reviewed for his brilliant white professor "Fred" (not his real name) while he was a graduate student. Fred was writing a history of the civil rights movement, David explains, "specifically about a moment that happened to him in North Carolina when this white man shot this black man in cold blood in a wide-open space and was never convicted." David saw a problem in a particular personal story of how Fred talked with his black maid (which already has racial undertones in itself).

1968, MLK had just been assassinated, Fred is 8 years old, and his maid is crying and he asks why. "It'll be okay" he says… "Didn't Jesus die on the cross for our sins?" and 'maybe things will work out.' The maid, despondent as she was, tempered herself and gave little Fred a hug and a cold Pepsi. For Fred, it was proof people could cross racial lines to overcome adversity; that love could conquer all; he did a good thing. David called bullshit. The story wasn't about the maid, it was a selfish story about Fred naively thinking he was helping. The whole episode was clouded by the fact Fred was technically her employer, so she couldn't get mad at him. After being called out, Fred then realized that he misread the moment.

And there is many more TEDx that challenge basic misconceptions and expose systemic racism: Black Self / White World - lessons on internalized racism | Jabari Lyles | TEDxTysonsSalon (2017); White Men: Time to Discover Your Cultural Blind Spots | Michael Welp | TEDxBend (2017); Let's get to the root of racial injustice | Megan Ming Francis (2016). Not to mention the ample books and documentaries out there.


From the Intellectual White Web to Black Lives Matter

The more you know, the less ignorant you are, but some people can't be bothered. From the current smorgasbord of trashy thought leaders, Jordan Peterson is probably the most obtuse white person one can picture. He is tacitly against identity politics and racism, white supremacy, and white nationalism, while not having a clue how they actually operate in the world and through his own discourse. The Peterson paradox is being able to unironically praise MLK in one sentence and condemn his core values (like democratic socialism ) in another without an inkling of cognitive dissonance.

Imagine being so functionally ignorant of systemic racism that you lecture about how 'white privilege is a marxist lie' at Trump International Hotel in Washington, DC (2018), behind a picture of Abe Lincoln, as if that means something in this context. It is scholarly dereliction to be so ignorant about those concepts, to say the very least. And then to cry crocodile tears when Michael Eric Dyson calls you out as a "mean mad white man." And then for your demagogic bile and self-help slop to fuel the xenophobic incel rage of white nationalist shooters. And then to get even angrier that you have incessant critics, as if don't they have something important to explain to you. And then you give a high school book report of The Communist Manifesto to Zizek. But at least you've made over $1M in the past year and are now doing a business scam thing with Kobe Bryant and George W. Bush , and chumming with far right politicians who want to purge humanities teachers. So much for classical liberalism. Fear not mean white man, have a cold Pepsi, we know you're doing your best, just like "Fred" was with his maid.

At the end of the day black metamodernism is not just about the 'black' modifier; it's not self-interested minorities with narrow identitarian priorities, like their white majority racist counterparts. Many black scholars do not dwell on race, they are well rounded, but rather race is forced upon them because of their skin color and place in society. Some become experts by choice, others by circumstance. The dream is for racial equality and economic solidarity, not black supremacy, but white anxiety keeps murdering this dream, keeping the nightmare (whitemare?) alive and well in America.

"Black Lives Matter" (BLM) is actually a proportional response to the criminalization of drugs, profiling of minorities, and being incarcerated or killed by racist or paranoid cops. Whether the cops are overtly racist or subconsciously is beside the point, because they are still racist in effect and consequence. Opponents of BLM generally miss the point, only seeing a black power grab, but that itself is a racist interpretation based on ignorance, fear, and (social) media distortion and polarization. The reality is, as Brunton described it;

"The Black Lives Matter movement argues that we need to recognize precisely the opposite of what the movement's hashtag declares that is, historically, white patriarchy has failed to treat black lives as though they matter. American liberal democracy has failed to provide the rights and privileges of citizenship to a large portion of the citizenry, and the election of a black president has failed to usher in a post-racial society." - Brunton, Whose (Meta)modernism?: Metamodernism, Race, and the Politics of Failure (2018)

Like with MLK, this progressive (black) metamodernism includes the racial struggle, but is about the larger quest for socio-economic and even environmental justice. As such, black metamodernism is not reducible to a shallow form of identity politics. To avoid this caricature, the first task is to consolidate the new subfield as metamodern, as could be done for each path in (ie. Borgmann, González, etc…). The second task is to re-integrate back into a broader more inclusive notion of metamodernism to address the meta-crisis of hyper-capitalism. This series tries to advance both tasks in a small way.

Furthermore, it's all about climate change now, the anthropocene, and (quite certain) global existential risks that humanity are creating. There is this overriding sentiment that if 'we're all going to die' then might as well do the right thing now. And as you can see (below), black metamodernists are already ahead of this curve, which is why we should already be united under one paradigmatic umbrella.

The Black Socialists of America were on the podcast New Models - Episode 12: BLACK SOCIALISTS (Z, Busta, Keller, @LILINTERNET ). They describe how they founded it response to how Cornel West was attacked by "black liberals" for critiquing Ta-nehisi Coates, and realized there wasn't a real platform for Black American socialists, anti-capitalists, leftists, etc. At 7:30, they start to get into it;"I don't want to slam postmodernism too hard here but…" Needless to say, they are beyond postmodernism, and have a thoughtful critique that could be described as metamodern.

The Michael Brooks Show (TMBS) invokes black sociology often (consider the work of the Association of Black Sociologists on twitter too), especially with the frequent guest Bill Fletcher Jr . Brooks is so committed his twitter bio says "Member of the Yacubian Left," a nod to the theory that an ancient 'black scientist' created white people through eugenics. On TMBS 91 " Wonkery Won't Save Us & Green Imperialism ," Brandon Sutton (The Discourse podcast) was recently on to brilliantly break down systemic racism and the neoliberal agenda (May 21, 2019). Sutton is also cautious about cancel culture and performative wokeness that run the risk of undermining their goals. TMBS has been critical of Kanye's politics and black activism (vis-a-vis Trump), from black perspectives. Briahna Joy Gray (former Intercept editor and now Bernie's press secretary) is a regular guest too.

Michael Brooks and guests have been the most incisive critics of the IDW, because they already have this implicit metamodern awareness, as noted in Gonzálezean metamodernism. To be sure, black metamodernists would go after the mostly white Intellectual Dark Web, not join it like Candace Owens, Coleman Hughes, or Thomas Sowell to be instruments for a racist status-quo. See ' Coleman Hughes is bad for the discourse ', and this vid , and James B. Stewart, Thomas Sowell's Quixotic Quest to Denigrate African American Culture (2006). Hughes and Sowell, despite whatever intellectual merits, are truly not grounded in racial reality, and are certainly not metamodernists, but reactionary modernists.


Last Light on Black

There is still so much more to explore in this potential subfield than I have not covered here. I have just scratched the surface of black metamodernism, as with the other articles in Missing Metamodernism. Afrofuturism seems pretty metamodern. The movie Black Panther was a critical and commercial success; perhaps a black metamodern film in a metamodern franchise. A black writer named Germane Marvel has authored a couple Medium posts on metamodernism which seem to offer fresh philosophical musings about it; Meta Something? , followed by Meta Nothing? Research in Black Feminist Science explores how "the intellectual endeavors of marginalized black women have historically represented radical challenges to structures of knowledge and systems of oppression."

Some more artefacts of black metamodernism to consider include Get Out , The Legacy of Black Reconstruction, by Robert Greene II Bernie's Plan for Racial Justice, by Meagan Day The Boondocks (TV series) , and Into the Spiderverse . And through the internet over the past couple years I have connected with a few black people in Africa and elsewhere interested in metamodernism, but without having a proper African version of it. I think now it is safe to say there is one, and it can be developed more.


Conclusion

I hope I have established a solid precedent for what I suggest by a broad 'black metamodernism'; a shrewd awakening and reality check for what Charles W. Mills calls 'white ignorance,' among many other things, that metamodernism has not hitherto immunized against. Social justice still demands resolution, despite what the (pseudo-)intellectual posturing against it would tell you. The ample literature on structural racism may seem to shout through the matrix of postmodernism, incomprehensible to the new center, but we are listening. In a time when racial tensions are still high and systemic racism persists around the world, particularly against people of color in the United States, not to mention the scourge of white nationalism and dastardly race/IQ pseudoscience, we cannot make excuses for the absence or negation of a black metamodernism that was always present.

Furthermore, postmodernism and social justice are under constant attack for the wrong reasons, while questionable postmodern (gibberish) scholarship is still being produced, normatively for the right reasons, but at the limits of critique. For many of us in the culture war, this is the whole point of a metamodern intervention; to cut through the bullshit and end the culture war itself (along with actual war), while also reforming the research and education paradigm towards these ends. Who but (black) metamodernists could most aptly advocate for this?

→ Read Part 1: Missing Metamodernism
→ Read Part 2: Borgmannian Metamodernism
→ Read Part 3: Gonzálezean Metamodernism


Brent Cooper is founder and Executive Director at The Abs-Tract Organization , a Canadian think tank.

Decade of the Animals: Eco-Horror and the Cinematic Lessons of the 1970s

By Sean Posey

When Michael Myers donned the Captain Kirk mask in the 1978 classic Halloween (yes, that's a mask of William Shatner) he helped change horror movies forever. For most of the next decade and beyond, the horror subgenre of the slasher film dominated drive-ins, multiplexes and video store shelves.

But before Halloween surged at the box office, another now almost forgotten horror genre made waves by combining the environmental anxieties of the era with giant, murderous rabbits, vengeful dogs and bloodthirsty frogs, among other angry critters. The "Nature Strikes Back!" films of the 1970s ran the gamut from schlock masterpieces and haunting classics to the downright unwatchable. However, these films are also part of a time capsule - giving us a glimpse into an era when a building environmental crisis seemed to provoke real soul searching. What were we doing to animals and the natural world? What might they in turn do to us?

In the opening of her seminal 1962 book "Silent Spring," Rachel Carson describes an idealized American town where nature and man are still in balance, at least for a time. Foxes and deer frolic amidst orchards and fields of grain, and a general bucolic feeling pervades. But soon "a strange blight crept over the area and everything began to change. Some evil spell had settled on the community," Carson writes. In particular, the birds disappeared. "It was a spring without voices."

She was writing about the chemical industry and the destructive effects of pesticides on animals and the environment. "Silent Spring" played a key role in ushering in the environmental movement, which gained strength as the 1960s progressed. But in the film world, in an unplanned coincidence, Alfred Hitchcock answered Carlson's question: "The birds... where had they gone?"

The Birds hit theaters less than a year after "Silent Spring" debuted, and it quickly captured the nation's imagination. The site of something so benign as the common avian viciously turning on man terrified audiences and helped redefine horror. But it wouldn't be until the 1970s that the "eco-horror" film fully blossomed.

The 1972 cult classic Frogs, which ushered in the era's eco-horror films, replaces Hitchcock's birds with an unlikely assortment of reptiles and amphibians - all bent on extracting revenge on a polluting Florida patriarch and his unlikeable family. In the film, Jason Crockett (Ray Milland) is a cranky millionaire intent on wiping out the frog population in and around his private island so that he and his clan can properly celebrate the Fourth of July.

A wildlife photographer named Pickett Smith (Sam Elliott), who is working on a story in the area and encounters the rampant pollution, tries to dissuade him from launching his own private war on the local frog population, to no avail. "I still believe man is master of the world," Crockett tells him.

But the amphibians and reptiles are one step ahead of the game. Guided by the omnipresent frogs, which never seem to directly attack anyone themselves, a bevy of snakes, lizards and even an alligator snapping turtle wreak death and destruction on the dullard cast members. Smith leads a small contingent off the island, where it appears that a mass animal uprising is under way. Crockett refuses to leave and is trapped in his mansion as hordes of frogs - in all of their croaking wrath - descend on him.

Frogs was released the same year DDT - which was applied over Florida for years in a quest to eliminate fresh and saltwater mosquitoes - was banned. The first Earth Day had been held two years previous. "Environmentalism, much like the anti-war subculture, started to influence not only activists and the newfound socially aware, but also the style and consciousness of the new eco-horror films," writes Lee Gambin.

After Frogs, the eco-horror genre gathered steam. Perhaps the most unintentionally funny film to follow was Night of the Lepus, which premiered only months after Frogs. It opens with a news broadcast reminiscent of the TV segments from Night of the Living Dead. But instead of warning of the walking dead, the broadcaster informs the audience of the growing problem of invasive species in Australia and the American Southwest - namely the rabbit. This was a real-life problem, and the issue of invasive species was one of the most readily recognizable environmental topics of the time. Interestingly enough, the broadcaster compares rapidly multiplying rabbits to the human population explosion, a popular intellectual to subjects after Paul R. Ehrlich's 1968 book "The Population Bomb" debuted.

As the film opens, a beleaguered rancher (Rory Calhoun) enlists a group of scientists to help tame a scourge of rabbits in Arizona. They attempt to use an experimental serum in order to scramble the animals' breeding cycle, but one of the scientific team's children switches an injected rabbit she's fond of with one in the control group. When the rabbit makes it back to the wild, it helps breed a group of oversized killer bunnies.

The director used close-ups scenes to depict "giant rabbits" in miniature sets, and in scenes where they attack up close, actors in fuzzy bunny costumes were used. Never again will you hear rabbits referred to being "as big as wolves and just as vicious." And never again will you see a character grimacing in horror as he watches a caravan of adorable but murderous rabbits appear in his rearview mirror. But beneath the bargain-basement special effects is a message about humanity's harmful tampering with ecosystems and the deleterious effects of introducing invasive species.

Oddly enough, despite featuring a fearsome animal munching on unsuspecting bathers, Jaws, released in 1975, isn't much of an eco-horror film. As entertaining and suspenseful as it is, there's a never a concrete reason given for the great white's assault on Amity Island. If anything, Jaws is more about masculinity and the relationships between men than it's about man's relationship with animals and the environment. Nevertheless, it helped spawn numerous '70s films about how tampering with animals and the natural world will bring down nature's wrath, including Piranha (Then... you were shocked by the great white shark - Now... you are at the mercy of 1000 jaws!), Tentacles (It's turning the beach ... into a buffet! ) and Grizzly (Not since JAWS has the terror been like this!).

So many eco-horror films were made in the '70s that sub-genres soon emerged, including films dedicated to deadly domestic animals. Before Cujo became a household word, 1977's The Pack introduced man's best friend as a murderous foe. In the film, a swift tourist trade is part of the backbone of a small fishing island during season, but well-heeled visitors from the city have a bad habit of leaving their recently adopted dogs behind when it's time to return to their regular lives.

The film follows one such canine that's abandoned by a departing family before joining a pack of wild dogs living in a derelict building. When a readily available food supply runs out, the dogs come for the island's human population. The Pack shows that humanity's disregard for animal life doesn't stop at wild fauna.

A group of trapped tourists who are part of the main cast are depicted as either clueless or venal. It's left to a scientist, played by Joe Don Baker, to save the group. However, Baker's character also sympathizes with the attacking animals, and at the film's end, after the main pack has been destroyed, he saves the helpless abandoned dog we've been following throughout the movie from being killed by a vengeful tourist. In The Pack, man's carelessness and disregard for the animal world extends even to a subspecies that's been his companion for at least 14,000 years.

In 1974, F. Sherwood Rowland and Mario Molina of the University of California found that chlorinated fluorocarbon gases, then found in everything from aerosol spray cans to refrigeration units, were seriously damaging the ozone layer, which helps block ultraviolet light from the sun. That environmental emergency was used as the central conceit in the 1977 film Day of the Animals, which incorporated a real-life environmental emergency to a greater degree than most eco-horror films.

The central plot involves a group of hikers ascending a mountain in Northern California just as a mysterious psychosis begins to effect wild animals in the area. The higher the altitude they ascend to, the more animals begin to act strangely, until finally, they attack. What's driving them? The hole in the ozone layer is allowing in ultraviolet radiation that in turn is causing the animals to kill, though in a karmic twist, they only target humans.

The cast consists of an assemblage of telling archetypes: a Navajo Indian who is the first to sense the rift in the natural world, a racist and misogynistic advertising executive (Leslie Nielsen) who himself goes crazy, and a New York socialite (with no love for nature) who berates her put-upon son. In the town below, news reports reveal the connection between the ozone hole and attacking animals. "God sent a plague down on us because we're just a bunch of no-good fellers," one of the yokels exclaims.

Mountain lions, bears, wolves and snakes (left over from Frogs?) proceed to chomp, tear and dismember the hiking expedition and the nearby town as martial law is declared and troops in environmental suits move in. But the animals themselves also soon die and the "shift in the ozone level" normalizes, according to news reports.

The film's pre-credit sequence announces that this is a scenario that "COULD" actually happen. As silly as it is (and as awesome as a shirtless Leslie Nielsen challenging a bear to a wrestling match is), Day of the Animals is an earnest film that's a time capsule from an era when a pending environmental crisis could be counted on to at least inspire some political action. CFCs were ultimately phased out under the 1987 Montreal Protocol.

Probably the best of the many '70s eco-horror movies is the Australian classic The Long Weekend. Focusing on an estranged couple seeking to rekindle their relationship over a weekend getaway to an isolated seashore in the bush, the film is much more of a psychological horror picture where the danger is never fully shown. The screenwriter gradually reveals the deep rifts that have eaten away at the couple's relationship as the tension builds, one that is echoed by the rifts between man and the natural world. As the two fight, litter, spray insecticide and, in the case of the husband, shoot a dugong (a kind of sea cow), animals and the landscape around them begin to grow hostile.

"My premise was that Mother Nature has her own autoimmune system, so when humans start behaving like cancer cells, she attacks," screenwriter Everett De Roche said in a 2012 interview. No one animal (a mutated bear in 1979's The Prophecy or worms in the case of 1976's Squirm) is responsible for the mayhem that ensues.

It's as if the environment itself wants to do away with the couple. In a way that few other films of its kind succeed in doing, The Long Weekend gives the viewer the sense that the ecosystem and all the animals it supports are attempting to strike back against humans.

This is reflected in the atmospheric soundtrack. A long, slow death rattle punctuates parts of the film, almost as if nature itself were crying out in agony and outrage. The Long Weekend is not only one of the best eco-horror films of any age, it's also a grim warning from the end of a decade where the environment, albeit briefly, seemed to take center stage in the cultural and political world.

By the 1980s, eco-horror films were on the wane. Dystopian productions such as the Mad Max series - also classics of Australian cinema, like The Long Weekend - figured strongly in a cinematic decade more concerned with nuclear annihilation and urban collapse than ecological crises. Films such as Escape From New YorkBlade Runner,The Running ManThe Quiet Earth and Night of the Comet cashed in on the new trend. In more recent years, The Day After Tomorrow and The Road have been among a spate of films with an even grimmer outlook than the '70s eco-horror genre.

The idea of animals taking revenge against man now seems quaint. Indeed, we are currently going through what scientists call the Sixth extinction or the Holocene extinction. Approximately 20 percent of all species on Earth face extinction - a number that could increase to 50 percent by the end of the century. It wouldn't make much sense to produce a film like Frogs today as amphibian populations have been in decline for the past 20 years, according to Science magazine. A third of amphibian species are currently at risk of extinction with chemical pollution being a large contributor to their plight. Perhaps the Jason Crocketts of the world won in the end?

The eco-horror films of the future might feature poisonous jellyfish, sea snakes and other creatures that could expand their natural ranges as ecosystems change due to global warming. Or perhaps now we've come to realize that man is the most dangerous and terrifying animal of all. Rising seas, desertification, chemical pollution, scorching temperatures and other disasters (e.g. California wildfires) - all linked to manmade climate change - now seem to be nature's way of dealing with us. And that's a reality more horrifying than any screenplay.

"A Free Palestine from the River to the Sea": The Nine Dirty Words You Can't Say (on TV or Anywhere Else)

By Bryant William Sculos

No Justice, No Peace

It is not uncommon for a mainstream media commentator to be fired for a bigoted or violent comment on air-or off air. As far as I know, there was never a person specifically fired for advocating non-violence and the equal treatment of a group of people. I'm sure untold thousands have never been hired in the first place because of these views-but that's not the same as having those kinds of views being known and then later fired for articulating them for the hundredth if not thousandth time. That was until November 29, 2018, when CNN fired paid commentator (and Temple University Full Professor) Marc Lamont Hill for articulating a nuanced position of peace and justice through non-violence in Israeli-occupied Palestine. Hill called for the equal freedom and dignity of the Palestinian people, a people long violently oppressed and attacked by a colonizing power.

These facts are not in question. What is in question is whether Hill, at the end of the invited speech delivered at the United Nations to commemorate the International Day of Solidarity with the Palestinian People, also invoked a dog whistle for the extermination of Jews and the eradication of Israel. Despite the complete inconsistency of this interpretation with the previous twenty minutes of Hill's speech (and everything he has probably ever said and done), this was hardly enough to prevent the far-right wing media circus and pro-Israel/Zionist lobby, which dominates the U.S. media landscape and the whole of the two major political parties and their pundits, from unleashing on Hill. Within hours, it was widely believed that Hill was a virulent anti-Semite. Nothing could be further from the truth, as Hill has repeatedly stated and explained in multiple statements since.

A rigorous and righteous critique of Zionism is not identical to a hatred or even criticism of Jews or Jewishness. There is plenty of evidence and argumentation from Jews themselves that unquestioning support for Israel itself does a disservice to the Jewish tradition and Jews worldwide, as well as those in Israel. This argument was made most recently by Cornel West in his defense of Marc Lamont Hill.

The words in question are "a free Palestine from the river to the sea"-the latter four ostensibly being the genocidal dog whistle, a phrasing used by the Palestine Liberation Organization and Hamas (both organizations have been previously criticized by Hill for their use of violence in various contexts). If Hill's detractors had displayed any knowledge of anything about his politics, activism, or even the previous 99.9% of the U.N. speech, their outrage would be less disingenuous. If his detractors could show why his final statement, interpreted as a call for mass violence, was in any way consistent with any part of the rest of the speech or Hill's political or intellectual perspectives, they could be taken seriously, at least on a superficial level. This simply is not the case.

Furthermore, I contend, it was not the last four words that people had a problem with; it was the first three: a free Palestine. A free Palestine for a free Palestinian people. Free and equal Palestinian people. This is the true source of the grievances, which led to Hill being fired from CNN-and since, Hill has been targeted by Temple University for possible censure and/or firing, despite the fact that Hill has an endowed chair and the ostensible protection of tenure (to say nothing for comprehensive free speech rights, which since Temple is a public university, are fully guaranteed by the oft-referenced and little-read U.S. Constitution).

While it is unlikely that Hill will be fired or forced out, the relatively recent cases of George Ciccariello-Maher (formerly) at Drexel University and Steven Salaita (formerly) at the University of Illinois Urbana-Champaign show that there are no guarantees for public critics of white supremacy, global capitalism, U.S. imperialism, and Israeli settler colonialism and apartheid. The most critical topics in need of vociferous dissent are the ones being most aggressively censored.

I'm less specifically worried about Prof. Hill losing one of his side jobs than I am about the multitude of others who share and express his views who will never be given a job, either on cable news or in academia. The chilling effects-especially for early-career scholars, teachers, and journalists, who are the most vulnerable to sanction-are palpable and devastating, the results of which will surely harm millions if not billions around the world, not least of all the Palestinian people.


Apples, Bananas, and the Last Human Voice

The tragedy of Prof. Marc Lamont Hill's firing from CNN is worse for its broader implications. Hill was the only consistently leftist voice on cable news - yes, ALL of cable news. He has been a long-time critic of police violence, structural racism, U.S. imperialism, and economic injustices in the U.S. and around the world. He has accepted both the label socialist and Marxist at times, and his arguments on TV and in his books are broadly consistent with those traditions-though they rarely involve the jargon typically associated with those traditions. He chooses his words carefully, but his meanings are rarely unclear. He has stood for working people, the poor, the oppressed, the colonized, the degraded, and the murdered.

He was the only cable commentator to oppose Hillary Clinton from the left. He was browbeaten by other CNN commentators and analysts. His appearances weirdly were fewer and further in-between. Hill refused to change his position on U.S. imperialism, and if one is a critic of U.S. imperialism, one cannot go on TV and call for people to vote for her. Putting aside debates about lesser-evilism and its dangerous pitfalls, going on TV to advocate for an imperialist would have ingratiated Hill with CNN and his Democratic Party consultant colleagues. More people have complied than haven't. He refused.

CNN has always been a network that turns war, death, murder, and injustice into spectator sports for profit. It has always been a network more comfortable paying neo-fascists, bigots, and regressive morons than it is with paying thoughtful left critics. CNN claims to be a "facts first" network. They run ads equating bananas with falsehood and apples with truth. Some are clever; most are not. Marketing criticisms aside, CNN continues to disgrace and debase itself with this decision. As I write this, Rick Santorum, a man who believes that gay and transgender people are inherently mentally-ill and criminals, that climate change is a hoax, that women should not have reproductive rights, and that none of us deserve affordable quality healthcare, is still employed at CNN, appearing regularly on its prime-time shows. But Marc Lamont Hill called for violence (in a speech about non-violence)? He must be purged! Talk about being fucking bananas.

It was already a tragedy nearing its end that there was merely one regular left voice on cable news. With the firing of Marc Lamont Hill, the process of recessing all the truly radical critics from regular appearances on mainstream airwaves is complete. While young people tend to get their news and information from "non-traditional" media, where there are thankfully far more left voices, what happens in the mainstream media, which is still consumed by the majority of Americans, still matters a great deal.

CNN didn't make this choice out of principle. Hill's appearances were seemingly increasingly irregular as he refused to play into the dominant narratives that hyper-focused on President Trump, so it was easy calculus for them. Avoid any semblance of anti-Israel (and by some perverse twist of illogic, anti-American) sentiment and fire Marc Lamont Hill. They did it for PR reasons. They did it for profit. I'm sure they are satisfied with their decision.

Though perhaps they should rethink that: Fox News' host, and rat sphincter wearing human skin, Sean Hannity, was giddy discussing Hill's firing-and of course took several moments to connect an egregiously mischaracterized version of Hill's comments to the entire "insanity" of CNN and its unprofessional anchors who are "too opinionated." The irony was lost on him completely, and the meaning of Hannity's and Fox News' celebration of Hill's firing was likely lost on CNN as well.


Sorry, Not Sorry

With all of that said, despite his righteous and radical declaration of freedom, equality, peace, and justice for the Palestinian people, Marc Lamont Hill penned an apology for The Inquirer. He apologized not for standing with the Palestinian people. He apologized not for opposing Israeli-Zionist settler colonialism. He apologized not for suggesting that the violence of the colonized was not equivalent to the violence of the colonizer. Instead, he apologized for triggering the misinterpretations of his comments that led to the outrage and subsequent firing.

There is one crucial flaw in this apology however, beyond it being completely unnecessary and equally understandable for all those familiar with Marc Lamont Hill. He has a profoundly generous and magnanimous reputation. The problem with the apology is that it is articulated with a factual inaccuracy baked into Hill's words (a factual inaccuracy he is no doubt aware of): the outrage that led to his firing and the now-informal inquiry by the Board of Trustees at Temple was not a good faith misinterpretation. It was not accidental. It was not a "natural" reaction to his supposedly genocidal words at the U.N. The misinterpretation was intentional from the start, and the outrage was exaggerated for political purposes. The people attacking Marc Lamont Hill-including CNN-are not rightly offended by a scholar and activist's "poor choice of words." His choice of words was perfectly fine. The outrage that Hill's words spawned were because of their normative content; because of whom they were delivered to defend and support: the Palestinian people-as well as the entity they were deployed to criticize: the Israeli state.

Any genuine offense that was created by Hill's words were undoubtedly not from Hill's words themselves, but rather from the feigned offense of others intentionally mischaracterizing Hill's words for political effect. His most recent book Nobody is a testament to his scholar-activist credentials and deeply felt compassion and care for the oppressed and exploited in the world. No one-nobody-could read the actual words in that book and genuinely think that this author would ever defend the extermination of a people (not even cops). There are undoubtedly millions of people who could intentionally misread what he wrote, and he has no need to apologize for those intentional misinterpretations any more than he should have apologized for the intentional misconstruing of his comments on Israel and a free Palestinian people.

By apologizing as he did, while certainly representative of Hill's humility and selflessness and certainly clarifying for those on the left who may not have heard the original speech, I fear some of this ill-motivated criticism may have been unintentionally legitimized. The accusations of anti-Semitism were not offered in good faith in any way and treating them as good-faith misinterpretations threatens to offer a glean of honesty that neo-fascist Zionism will continue to abuse. Marc Lamont Hill shouldn't be blamed for this possible outgrowth of his apology; he was responding to an existential threat to his ability to make a living-and perhaps some perceived genuine misinterpretation that I simply refuse to believe exists.


For Palestinians, Not Palestine

This is just one contribution to an ongoing and undoubtedly continuing discussion about the Palestinian people's right to exist as living beings with dignity, respect, and equaliberty, but it is important to emphasize here that there should be no defense of nationalism implied, interfered, or articulated. While anti-colonial nationalism is preferable to imperial bourgeois nationalism, it is a political dead end nonetheless. In the context of Israel-Palestine, while the discursive move of asserting the right of the Palestinian people to be citizens of a democratic nation-state is assuredly a positive and productive move insofar as it challenges US and Israeli capitalist imperial power, the liberation of the Palestinian people (and the working class people of Israel, many of whom do not support the far-Right Likud Party or the heinous war crimes of the Israeli state) will only be accomplished with aggressively solidaristic internationalism. Demanding political, economic, cultural, and social equality and freedom within all relevant political structures that affect the lives of Palestinians is not inconsistent with a ruthless critique of the modern state system and all of its attendant injustices.

This speaks to the final tragedy of the firing and ongoing assault of Marc Lamont Hill. It was precisely for his passionate, thoughtful, informed words of solidarity and support for the freedom of all people, especially the Palestinians, that he is being punished. While we must match his act(s) of solidarity with the Palestinians with our own words and deeds of solidarity with him and against his detractors, I don't think it is too bold of me to suggest that Marc would want us to put doubly more energy into supporting the cause of peace with justice and freedom for all peoples, which his own passionate support of has precipitated this absurd circumstance.



Bryant William Sculos, Ph.D. is the Mellon-Sawyer Postdoctoral Fellow at the University of Massachusetts Amherst and, beginning in January 2019, will be Visiting Assistant Professor of Political Science at Worcester State University teaching in a variety of areas of global politics. Bryant is also an occasional adjunct professor in political theory at Florida International University. He is a member of Socialist Alternative-CWI in the U.S. and regular contributor to The Hampton Institute, New PoliticsPublic Seminar, and Class, Race and Corporate Power - where he also serves as Politics of Culture section editor.

The Rising Wave of Fascist Terror: Notes on Its Organization and Disruption

By Josh Sturman

The week of October 21st saw three high profile, fascist terrorist attacks. The first of these was an unsuccessful attack on (purportedly) liberal political leaders: pipe bombs were sent to several prominent Democratic Party politicians , including former presidents Bill Clinton and Barack Obama. The next two were more successful and explicitly racist in nature. On October 24, a terrorist failed to gain access to a Black church near Louisville, KY, then crossed the street to a grocery store and murdered two Black shoppers . The following Saturday, October 27, a terrorist entered a synagogue in Pittsburgh, PA and opened fire, killing eleven Jewish worshipers . This week of terror was followed by a high-profile attack the following week in Tallahassee, FL, when a misogynistic attacker murdered two women in a yoga studio on November 3.

We must not doubt that all of these attacks were fascist in nature. Each attack targeted a type of person on which fascist, extralegal violence is traditionally inflicted: the perceived left, subordinated races, and women. At least one of the terrorists, the Pittsburgh shooter, was tied to the fascistic social media site Gab , a refuge for right-wing extremists banned from Twitter and Facebook.

These four attacks, like all acts of terrorism, served a double function. On the one hand, they serve to inflict immediate harm on the "enemies" of fascism, whether these enemies be political opponents, such as "left-wing" politicians, or people whose free existence is a fundamental threat to the fascist project, such as Black people, Jews, and women. On the other hand, the attacks serve to create a climate of fear, a climate eventually intended to scare opponents of fascism out of exercising their freedom.

Students of the American fascist movement will recognize that all four of these attacks fit into the long-time white supremacist strategy of "leaderless resistance." First proposed by Louis Beam in 1983 , the strategy marked a departure from the attempt to build popular institutions such as the Ku Klux Klan towards the reconstitution of the movement into one in which "all individuals and groups operate independently of each other, and never report to a central headquarters or single leader for direction or instruction." The adoption of leaderless resistance as a key organizing principle encouraged fascist activists to act without directly consulting one another, instead interpreting the public proclamations of fascist leaders by themselves and acting as they see fit. It took and continues to take advantage of the widespread authoritarianism, racism, and misogyny embedded in American culture, gambling that these ideas can be activated in independent activists through the piecemeal diffusion of fascist propaganda, thereby creating a general social attitude of support for and fear of fascists without relying on the establishment of a major institutional presence dedicated to supporting the fascist cause.

To date, the largest successful act of terrorism carried out on the basis of leaderless resistance was Timothy McVeigh and Terry Nichols' bombing of the Alfred P. Murrah Federal Building in Oklahoma City on April 19, 1995 , which killed 168 people, including many children. Other high profile terrorist attacks carried out on the basis of this strategy other than those mentioned above include Frazier Glenn Miller's attack on a Kansas Jewish Community Center in April, 2014 Elliot Rodger's rampage through Isla Vista, CA the following month , and Dylann Roof's massacre of Black churchgoers in July, 2015 .

One major advantage of this strategy for fascist organizing (which is emphasized by Beam) is that the decentralization of activism keeps movement leaders safe from activist criminality. Popular institutions are easy targets of government suppression because such institutions link everyone from foot soldiers to the institutions' upper echelons through the institutional hierarchy. As a result, taking down someone at any level of the hierarchy can lead to the imprisonment of all members on conspiracy and collaboration charges and a resultant disorganization. By keeping white-supremacist cells as small as possible, the leaderless resistance is able to avoid large-scale suppression by either the government or anti-racist and anti-fascist movements through a separation of propagandists and theorists from terrorist activists. Strategies developed publicly by fascist ideologues can be taken up by individuals or small cadres who serve as martyrs without the ideologues facing repercussions greater than public censure.

Another advantage of leaderless resistance (which goes unmentioned by Beam) is that very few of those engaged in the strategy need to be cognizant of their participation. Only a handful of ideologues need to be intentionally focused on shifting the Overton window - the limits of acceptable discourse - for efforts to be successful. A small but dedicated group of theorists and propagandists making a concerted effort can move fascist concepts into the mainstream. Once this is accomplished, mainstream politicians and media outlets are able to whip up racist, misogynistic, anti-leftist, and anti-liberal hysteria to the point where lone-wolf terrorists are bound to emerge. Knowledge of this phenomenon helps explain why aforementioned terrorist Frazier Glenn Miller , who previously maintained ties to the white supremacist terrorist cell The Order , spent the first several decades of his life propagandizing through the KKK before picking up guns, as well as why former terrorist Don Black has abandoned his paramilitary activities in favor of running the influential white-supremacist website, Stormfront. When fascist ideologies penetrate mainstream society, some number of people will be brought to the point of "leaderless" violence regardless of their familiarity with white-supremacist tactics.

In light of the above, it is clear that fascist media platforms like Gab and Stormfront, as well as "fellow-traveler" forums like 4chan and 8chan and offline institutions like Stormfront book clubs, are crucial aspects of the success of leaderless resistance. These platforms and others like them play several roles. First, they serve as spaces for the development of fascist theory, locations where committed activists can further fascist doctrines and where inductees can receive indoctrination. Second, they serve as repositories for mainstream figures to draw ideas from, either directly or through layers of distillation as concepts are taken up and filtered through mainstream platforms like Twitter, once the Overton window has moved. Third, they serve as vehicles for the highest levels of agitation, pushing those on the edge of terrorism to engaging in leaderless resistance.

Despite the importance of these right-wing spaces, explicitly and implicitly fascist forums are not a sufficient environment for the production of lone-wolf fascist terrorists in and of themselves. As indicated above, they remain reliant on fascist ideology mainstreaming itself through public figures for the strategy to be fully successful. Wittingly or not, these public figures make their own contribution to acts of terror carried out in the name of leaderless resistance. Most obviously and as previously noted, anti-democratic, racist, and misogynistic statements from prominent politicians and media personalities contribute to fascist agitation. They also both create and reflect public support for terrorist activities. Racist statements from Donald Trump and Tucker Carlson therefore contribute to the spread of racist propaganda and indicate to fascist theorists that large segments of the public are supportive of (aspects of) the fascist cause. Even more crucial than statements are actions of material support. Presidential pardons like those given to prominent racists Dinesh D'Souza and Joe Arpaio demonstrate that elites and the public are willing to support them (to a degree) not only rhetorically, but concretely. Media narratives downplaying or dismissing the threat of fascism, such as the widespread claim that the bombs sent to Democrats were an elaborate hoax designed to discredit the Republican Party , provide space for fascists to move in public without fear of social exclusion, let alone retribution.

What is most important to note throughout in an examination of leaderless resistance is that while the strategy has led to a relatively non-institutional fascist movement, it has not led to an unorganized one. Fascist leaders, theorists, and propagandists are linked to fascist activists, including terrorist activists, through formal, predictably operating channels. Fascist ideology, tactics, strategies, and "commands" are declared in explicitly fascist venues such as Stormfront, Radix Journal, or the National Policy Institute Forum. They are then conveyed to larger, "fellow-traveler" locations like 4chan, where they are picked up and placed on larger, politically neutral sites like Facebook and Twitter, and then heard from the mouths of politicians like Donald Trump, media figures like Tucker Carlson, and celebrities like Kanye West. At each stage of transmission, the ideology and commands are available to be heard by activists, at louder and louder volumes at each stage, some of whom inevitably begin leaderless resistance, thereby reliably producing the results sought by those who initiate the process. Additionally, each stage provides the initiators of the process with feedback on methods of refining the content and distribution techniques of their propaganda as they can see which ideas are and are not transferred and the degree to which ideas are distorted as they pass from one place to another. What ultimately links all the locations is the shared epistemological framework the concepts produce and maintain as they are transmitted, a fascist framework initiated by a small cadre of fascist activists for the purpose of agitating leaderless acts of reactionary violence.

The threat of fascist insurgency must be taken seriously. The recent attacks prove beyond the shadow of a doubt that fascist violence is both immanent and rising. Moreover, the above analysis demonstrates it is a highly organized movement. It must be challenged. There are several areas of social existence in which this can be done.

First, fascist space in the range of acceptable discourse must be eliminated. Allowing any space for fascist propaganda is, as discussed above, a key hinge of the fascist leaderless resistance strategy, without which the production of fascist terrorists and activists cannot operate. Actions taken by major corporations and private citizens alike to remove fascist media platforms from the web, as well as successful struggles to prevent fascists from propagandizing on college campuses , mark the most significant contributions of recent vintage to this effort. Unfortunately, it is likely that such actions are too little, too late. Now that mainstream, widely-followed political figures and media outlets have adopted fascistic rhetoric, fascist discourse has probably saturated mainstream culture to a point where simple "no-platforming" is no longer a viable strategy. At present it seems the far-right has opened the Overton window for the foreseeable future. Nevertheless, such actions demonstrate widespread disapproval of fascism, racism, and misogyny that may serve to demoralize and demobilize fascist activists in the long term. Such actions may also serve to disrupt fascist organization in ways that cannot be accurately valued at the present moment.

More important than closing the discursive space in which fascists operate is taking away the material base of fascist activists. Since the base of dedicated fascist activists is relatively small, crippling that base is both simpler than closing the Overton window and an effective way to smash the beating heart of fascism. Several strategies have been successfully employed to this end. Once again, major corporations have reluctantly, and perhaps ironically, played a part in the fight, with prominent payment processing and fundraising companies taking adverse actions against major fascist organizations , though they have often not gone far enough. Other effective actions have seen fascists lose their jobs and face difficulty at their universities . Attacking the material base of fascist operations disrupts fascists' ability to participate in activism by increasing the cost of such participation or simply overwhelming them with the difficulty of maintaining their everyday existence. Additionally, it can serve to prevent the process of fascist organization from beginning when it is the originators of fascist theory who are attacked. This said, assaults on the material base have limited effectiveness in combating fascist terror carried out by already radicalized activists. The leaderless resistance strategy intentionally relies on terrorists to commit to, plan, and carry out attacks over relatively brief time periods, thereby avoiding detection (and consequently resistance) until the time of the attack. Furthermore, because most terrorists die or go to jail in the course of their action, attacking their economic base is of limited effectiveness even if their motives are suspected ahead of time. It takes few resources to stage a terror attack when the attacker does not intend to live after the fact. For these reasons, depriving key fascists of a material base does more to stunt the movement over a longer period of time than to prevent bloodshed in the near future.

Another, and possibly the most, effective means of fighting fascism is to socially isolate fascists. Isolation destroys fascists ability to evangelize. It prevents the transmission of fascist ideology from one part of the leaderless organization to another, thereby limiting fascists' numbers and preventing the spread of radicalization. Moreover, disrupting social ties among fascist activists using methods like infiltration creates paranoia and lack of trust in the fascist community, effectively preventing inter-fascist solidarity. These strategies can even disrupt leaderless resistance, since confidence in community support and the agitation of friends can lead to individuals undertaking terrorist actions. Yet even attacks on the social lives of fascists face obstacles. The biggest of these challenges is the internet, which serves as a space for geographically and physically isolated and communally shunned fascists to come together. Moreover, fascist internet spaces are easily reconstituted after disruptions . Even more importantly, anti-fascist organizers must be cognizant their efforts serve to isolate only the most committed fascists. Isolating members of the general public with some authoritarian, racist, or misogynistic tendencies is both impracticable given the reach of these tendencies in American culture and risks stigmatizing the naive who would, if treated with care, abandon fascist leanings in favor of liberal and leftist positions.

Fascism must also be fought through a transformation of left and liberal institutions. Activist organizations must add a function of machine politics to themselves at the same time that the machine political operations in existence must begin to organize direct actions. The fascist right has already perfected this strategy through organizations such as Focus on the Family and the Federation for American Immigration Reform (FAIR). These organizations keep activists mobilized and furthering the fascist agenda in periods between election cycles, while ensuring a base for right-wing politicians in election periods. The role of far-right mainstream politicians in promoting fascist terrorism and agitating the fascist base, and the government's ability to suppress both fascist and left-wing movements as it likes, is too important to cede in the anti-fascist struggle. However, mobilizing simply for elections requires enormous effort and resources to reestablish electoral organizations every two to four years. By adding machine aspects to anti-fascist organizations and activist aspects to machine organizations, the most important work, that is, direct action, can be accomplished while a grip on the formal levers of political power is maintained.

A broad-based coalition of leftists and liberals must agree on common terms for fighting the fascist threat. Fascism is able to gain power quickly in a fractured political environment, where factionalism and infighting keep anti-fascists of all varieties fighting with each other and away from anti-fascist organizing. While a revolutionary left consensus may be the ideal tool for mobilizing against fascism, it is not a necessary one. Common terms enable different tendencies in the anti-fascist struggle to fight a common enemy how they see fit while remaining in solidarity with those with whom they are not in total agreement. "We must," above all and in the words of Assata Shakur, "love each other and support each other." We must help each other grow and stand in solidarity, instead of indulging in petty personal disputes in the face of growing fascism. We must resolve differences with respect for one another and without forcing our comrades to abandon deeply held beliefs that, while contrary to ours, do not harm the anti-fascist struggle. The fascists are well organized and "we have nothing to lose but our chains."


Josh is a bike messenger living in Appalachia. He received his MA in philosophy from Duquesne University and is a member of the IWW and DSA. He has been active in the labor, anti-racist, and anti-fascist movements since he was 18.