tourism

The Garifuna in Honduras: A History of Pillage and Dispossession

By Yanis Iqbal

Originally published at Green Social Thought.

Amid the current Covid-19 pandemic, the Garifuna community of Honduras is experiencing state-sponsored violence and regulated repression. On July 18 2020, heavily armed personnel of the Police Investigation Department (DPI) barged into the house of Alberth Sneider Centeno, Garifuna president of the land community of El Triunfo de la Cruz, and abducted him. Later, the same armed group kidnapped Suami Aparicio Mejía García, Gerardo Mizael Rochez Cálix and Milton Joel Martínez Álvarez, members of the OFRANEH (Black Fraternal Organization of Honduras), and a fifth person, Junior Rafael Juárez Mejía. The General Confederation of Labor (CGT) has issued a statement saying “that the kidnapping of these people is motivated by the activity of the Garifuna people in defense of their ancestral lands and the rights of Afro-indigenous and indigenous people in these territories.”

The Honduran Solidarity Network (HSN) has similarly stated that “There are powerful people and businesses that have every interest in terrorizing the Garifuna communities in Tela Bay including Triunfo de la Cruz. Snider Centeno was an outspoken leader fighting against the global tourist industry allied with powerful and wealthy families in Honduras. Centeno was defending his community's collective and ancestral land rights. An investigation into the Honduran government's role in not only the kidnapping but also the context in which the kidnappings occurred, is absolutely necessary and important. The Honduran government has violated the Garifuna's land rights for decades.”

From the statements issued by CGT and HSN, it is clear that the kidnapping is not a regionally restricted event. Rather, it is an act involving myriad actors, both national and international. For example, DPI, the armed group responsible for the kidnapping, is a police force which is economically supported by the US State Department’s Bureau for International Narcotics and Law Enforcement Affairs. With American assistance, the DPI has enormously expanded and by 2022, it is expected to have 3,000 personnel or 12% of the entire Honduran force.

Furthermore, the authoritarian alacrity with which the state has suppressed protests against the kidnappings betokens that there is something deeper of which the government is afraid. These peaceful protests were carried out by the residents of El Triunfo de la Cruz, Sambo Creek, Nueva Armenia and Corozal on Highway CA-13 and demanded that the 5 Garifuna activists be returned alive. In order to understand the underlying factors which are shaping the dynamics of violence and intimidation against the Garifuna community, we need to take a look at the historical backdrop against which it is occurring and understand the path-dependent nature of present-day happenings.

The Garifuna people are a community who find their existential roots in the soil of anti-colonialism and anti-imperialism. In 1675, a ship carrying Mokko people, slated to be enslaved, was wrecked near Saint Vincent, an island in the Caribbean. These people settled in the Caribbean island and resolutely resisted colonialist attempts by the French and British. Inspired by the heroic courage of the indigenous people in Saint Vincent, enslaved Africans escaped from the clutches of colonialism and arrived at the Saint Vincent Island. Through the intermixing of enslaved Africans and Caribs-Arawaks, the Garifuna subjectivity was produced which moored its identity in a revolutionary fight against the savagery of slavery and cruelty of colonialism.

While the Treaty of Paris of 1763 granted to Britain the Saint Vincent Island, the Garifuna people fought against colonialism for 34 long years. It was only in 1797 that the British were able to colonize the island of Saint Vincent, segregate the intermixed population and deport the darker colored Mokko to the island of Roatan, off the Northern coast of Honduras. Initially, the Garifuna community faced a lot of xenophobia and Ramon de Anguiano, the intendant governor of Honduras, had suggested that “all this coast be left clean of blacks...before they multiply further…in order to remove them from this Kingdom a people only good for itself [and] useless for our works”.

Later, it dawned on the Spanish officials that they could exploit the expendable bodies of black workers for mahogany tree cultivation and banana production. The Spanish considered the Garifuna as “diligent in agriculture, incessant in the work of cutting exquisite woods, like ‘fish in the water’ for fishing, skillful sailors, and brave soldiers. By virtue of their physical constitution they are strong and robust; for them, these climes are healthy, and they multiply in great numbers—wherefore they are very suitable for populating the immense wastelands of this coast with benefit to the state, and for forming settlements along the roads, which are so sorely lacking.”

Despite the evident exploitation of Garifuna workers by colonial trade, the community’s territory remained protected. The low population density of the coastal territories ensured that Garifuna people continued to cultivate their ancestral lands at least till the late twentieth century. But beginning in the 1990s, Garifuna land ownership got jeopardized as private investments in activities such as coastal tourism, housing and palm oil production became dominant. Dressed in development, these trade activities pulled to pieces the indigenous culture of the Garifuna people.

While the Garifuna people are present in four different countries (Honduras, Belize, Nicaragua and Guatemala), Honduras has the largest Garifuna population at an estimated 250,000 people located primarily within 48 coastal and island communities. For money-grubbing barons, this meant that “development” required enhanced efforts in Honduras where stronger and sterner techniques would have to be used to subjugate such a large population and conquer their large territory. This type of development was initiated in the 1990s, the age of neoliberalism and Washington Consensus, and the Garifuna labeled it as la maldición – the curse.

In 1992, the government passed the 1992 Law for the Modernization and Development of the Agricultural Sector (LMA) which “promoted foreign and domestic investment in agriculture by accelerating land titling and enabling land cooperative members to break up their holdings into small plots to be sold as private lands.” The Congressional Decree 90-90 supplemented LMA by making foreigners eligible for purchasing coastal lands for tourism.

Earlier, the Honduran constitution had restricted such a free-flowing movement of foreign capital through article 107 which had enunciated that “The land of the Republic, municipal, communal and private property situated on the border zones with neighboring states and on the shores of both oceans for 40 kilometers inland, and the islands, cays, reefs, cliffs, and sand banks, may only be acquired and possessed by Hondurans by birth or corporations made up of only Honduran stockholders and by state institutions, punishable by annulment of the respective title or contract.” Now, any foreign capital seeking to build tourism project is allowed to purchase lands within 40 kilometers of the coast.

Impact of Tourism on the Garifuna People

The Honduran government, apart from instituting the Congressional Decree 90-90, has also passed the Tourism Incentives Law in 2017 which has given a number of benefits to tourism in Honduras: touristic initiatives are exempt from taxes on profits for 15 years, taxes on construction-related activities for 5 years and are provided with the freedom to not pay custom duties and tariffs tax for 10 years. These incentives are paying off as international tourism spending increased from $685 million in 2016 to more than $700 million in 2017. While the pockets of select-few Honduran elites and foreign businessmen get filled to the brim, the unsavory side of tourism is being delicately obscured: As European and American “recreational investors” visit Honduras, the Garifuna people get whipped by the scourge of suppression.

According to Christopher A. Loperena, “Tourism, like mining, is an export-based industry, since the products (e.g. hotel stays, package tours, air and ground transportation) are mostly marketed to, and consumed by, foreigners….Touted as sustainable development, the “industry without smoke” entails the intense commodification of natural and cultural resources, giving rise to recurrent conflicts between subsistence based producers and elite investors.” In Honduras, a number of tourism-related conflicts have arisen between the Garifuna collectivity and politically powerful capitalists and international organizations.

In 2007, for example, “Garifuna land between San Martin and Santa Fe was sold by Omar Laredo, president of the Garifuna community, to a local businessman. There was a community consultation in which it was agreed that about 20 hectares would be sold. The businessman paid $5000 to the president of the Garifuna community and then immediately sold the land for US$20,000 to Randy Jorgensen [a Canadian investor]. Without community consultation, however, the amount of land sold had increased to 53 hectares. According to INA [National Agrarian Institute] surveys done later, Jorgensen then actually fenced-in 62 hectares.” In a similarly shoddy manner, lands belonging to the villages of Cristales and Guadalupe were usurped by Canadian investors and the entire village of Rio Negro was evicted to make way for the construction of “Banana Coast” cruise ship port, a project of the Life Vision Properties, a company owned by Randy Jorgen.

John Thompson, a close friend of Randy Jorgensen, while arguing for the benefits of the cruise terminal in Rio Negro, said that “This cruise ship terminal is vitally important to this entire town . . . all these people are going to lose everything that they could possibly have here because of this. Because he’s [referring to Jorgensen] about to give up and go home. And then we’ll be left on our own, with no money, no cruise ships, no passengers, no airport. Nothing. That’s it. So these people are killing the golden goose.” No one apparently knows what else was left for the Garifuna to lose. With the loss of ancestral territories, Garifuna lose everything and according to Miriam Miranda, the coordinator of OFRANEH, “Without our lands, we cease to be a people. Our lands and identities are critical to our lives, our waters, our forests, our culture, our global commons, our territories. For us, the struggle for our territories and our commons and our natural resources is of primary importance to preserve ourselves as a people.”

Eco-tourism, a sub-category of tourism related to the visiting of fragile and endangered ecosystems, is a “green” way of dispossessing Garifuna people and attracting tourists to sanitized places, purged of little impurities called “indigenous people”. The Honduras Caribbean Biological Corridor (HCBC), part of the larger Mesoamerican Biological Corridor (MBC), is one such example of eco-tourism which uses “neoliberal conservation” to build purified (cleansed of indigenous people) eco-tourist destinations. The Jeanette Kawas National Park, present with the HCBC, covers over 70,000 hectares in Tela Bay and houses the Garifuna communities of Miami, Barra Vieja, Tornabe and San Juan. In this national park, intermittent bans are constantly placed on fishing and the areas of cultivation have also been reduced. In the Cayos Cochinos Marine Protected Area (MPA), similar restrictions have been placed on the extraction of marine life, leading to clashes between the inhabitants of Chachahuate, a Garífuna fishing village, and the state security forces.

In both the instances, the “environmentally conscious” policies of the government have undermined the Garifuna’s primary subsistence strategy i.e. fishing. Apart from being the economic foundation of the Garifuna group, fishing is the main protein source for the Garifuna living in the Tela Bay. Moreover, the limiting of land cultivation in the JKNP shows how indifferent capitalists are to the exceptionally viable agricultural practices of the Garifuna people. According to a local Garifuna individual, “We don’t use fertilizers because we don’t want to offend the earth. What do we do? There is a model of working, it’s called Barbecho. We work five years in one area, then we let it ferment and fertilize, and then we occupy another space. This is why our property is collectively owned. Because we need this space, which relates to our functional habitat … so the cultural and ancestral life we are accustomed to can continue. Rights are collective; there is no private property in our way of thinking.” In order to utterly uproot this anti-capitalist idea of land ownership and use, imperialists are effectuating “green grabs” i.e. the violent dispossession of lands in the name of sustainable development and environmental conservation. Instead of overtly and barbarously displacing Garifuna people from their lands, a green grab strategy uses the ideological integument of nature conservation to viably and ecologically expel them from their lands.

Through the deliberate destabilization of existential paradigms, eco-tourist projects are excluding Garifuna people from the ecologies in which these indigenous individuals are embedded. CA Loperena calls this “Garifuna Otherness” which is “packaged as a good to further the development of the Caribbean coast as a tourist destination. Garífuna subsistence practices, including fishing, are not contemplated within national development imaginaries, since environmental foundations view these activities as a threat to the touristic potential of protected areas and the sociospatial order pursued by the Honduran government.”

The Violence of Palm Oil

Honduras is the biggest exporter of palm oil in Central America. In the last two decades, its production has increased by 560%, making it the third largest producer in Latin America and eight largest in the world. This productivity increase has been propelled by a favorable global context where both demand and supply are consistently ballooning. From 15 million tonnes in 1995, global palm oil production has increased to 66 million tonnes in 2017. In response to this rising demand for palm oil, Honduras too expanded its production, exporting almost 50% of its palm oil. While countries such as China, India, USA and Netherlands indifferently import palm oil for manufacturing cosmetics, soaps, toothpastes and consumer retail food, the Garifuna community in Honduras is paying a heavy price for the production of these goods.

Vallecito, a Garifuna ancestral land in the municipality of Limón on the north-east coast, is an appropriate example for depicting the dispossession and disruption which has accompanies palm oil production. In this area, “the INA [National Agrarian Institute] handed out new titles to new ‘settlers’ who promptly sold them to the palm oil magnates. In this area alone, the Garifuna communities went from owning 20,000 hectares to 400 within a decade.” An important and strategic player in this chain of dispossession was Miguel Facusse, a Honduran business magnate labeled by locals as "the palm plantation owner of death”.

Between 1970 and 1989, Facusse had expropriated a large number of Garifuna lands to plant African palm, a product necessary to sustain his prosperous company Dinant which sold detergents, soaps and foodstuffs. In 1989, OFRANEH started a land recuperation campaign, aimed at retrieving an ancestral plot of 1600 hectares that 6 Garifuna cooperatives had cultivated. After sporadic and violent clashes between Dinant’s private security forces and Garifuna activists, the land was finally granted to the latter in 1989 by INA. But this gain was soon reversed by the 1992 Agricultural Modernization Law that, in a period of 5 years, planted African palm in 28,000 hectares of Garifuna land. The Vallecito region too experienced the pressures of palm oil predation as Facusse again arrived in the Vallecito cooperatives in 1995 and initiated his palm oil violence. The INA, after much Garifuna activism, chose to extend its administrative sinews and in 1995, restored the stolen lands. Not demoralized by consecutive failures, Facusse came to Vallecito in 1997 and planted African palm on 100 hectares of Garifuna land. OFRANEH, in response to this intrusion, took this land case to the Honduran court and surprisingly, was able to expel Facusse from that piece of land.

The constant cycle of dispossession in Vallecito continues till the present-day, despite the fact that a 2012 INA survey had confirmed Garifuna ownership of specific lands and had asked Facusse to evacuate the region. In 2019, it was found that armed groups carrying high-caliber weapons were patrolling Vallecito, cutting security wires, randomly shooting at community members and raiding the beach everyday with motorcycles. The Honduran poet Chaco de la Pitoreta’s poem “Ode to the African Palm”, written a few years back, lyrically expresses the current situation in Vallecito:

You came when we least needed you

and remained longer than we expected.

You displaced the ancestral kapok tree that used to

rise upon my fields

and shook off the maize that filled my plains…

Oh, African palm!

neither white, nor black…

red and bloodied.

You are not from the…peasants

nor from Honduras or Central America.

You are of the looters that ruin us,

of Facussé and his killers.

Challenging Development

With the kidnapping of Garifuna people in Honduras, the thick mystificatory veil of development is slowly peeling off. For decades, the Honduran Garifuna community has been culturally compressed and tyrannized into accepting development. The current kidnappings belong to that concatenation of development-oriented cold-bloodedness. Miriam Miranda, while delivering a speech in New York during the September 2014 People’s Climate March, said that “The time has arrived to question the model of ‘development’ that has been imposed on us in these last decades. We cannot accept nor perpetuate this supposed development which doesn’t take into account or respect nature and the earth’s natural resources...We act NOW against the culture of death that we are being condemned to by the grand corporations of death and transnational capital.” In the current conjuncture, we can’t remain silent on the development which has kidnapped Garifuna people and depredated the entire community. The time has come to challenge development.

Yanis Iqbal is a student and freelance writer based in Aligarh, India and can be contacted at yanisiqbal@gmail.com. His articles have been published by different magazines and websites such as Monthly Review Online, ZNet, Green Social Thought, Weekly Worker, News and Letters Weekly, Economic and Political Weekly, Arena, Eurasia Review, Coventry University Press, Culture Matters, Global Research, Dissident Voice, Countercurrents, Counterview, Hampton Institute, Ecuador Today, People’s Review, Eleventh Column, Karvaan India, Clarion India, OpEd News, The Iraq File, Portside and the Institute of Latin American Studies. 

Orientalism and the Cultural Constructions of Modern-Day Mass Tourism

By John Nightengale

Orientalism is the most extreme form of cultural imperialism as it completely restructures the colony culture. Orientalism is arguably one of the most important theories in post-colonial study. This essay will unpack and explain the nuances of the theory first developed by Said in his famous work "Orientalism," published in 1978, then later expanded upon in "Culture and Imperialism," published in 1993. In short, Said sought to explain how, through the relationship between knowledge and power, cultural representation was used to create the discursive binary between the "east" and "west" which placed the west as superior (Gilbert-Moore, 1997). The construction of knowledge was a form of cultural hegemony which facilitated the colonising of the mind, which is argued to be a prerequisite for colonial control (Burney, 2012). While formal colonisation has ended, it is argued that Orientalism is still widely seen in modern time. The second part of the essay will explore how the tourism industry has been plagued with culturally constructed narratives that seek to homogenise host countries through repetitive reduction (Bruner, 2005; Anderson, 2005; Shivani, 2006). By exploring discourses, the binary and otherness present in tourism is akin to that of colonial times (Carrigan, 2011; Bruner, 2005).

Said follows a post-structuralist model in an attempt to dismantle the binary established by imperial discourse; he tries to highlight the power structure that establishes the Occident as superior to the Orient. Said drew upon theorists of his time to construct his theory. One key theorist he drew inspiration from was Foucault; in particular his study of power (Gilbert-Moore, 1997; Lester, 2003). Foucault said that power and knowledge are intrinsically linked in that the creation of knowledge was an exertion of power (Foucault, 1991; Lester, 2003). The "Orient" was constructed through the systematic learning, discovery and practice from the west (Said 2003; Burney, 2012). Here it is seen through an imagined geography, the east was produced through travel writing, novels and poetry, which sought to bring the east into a realm of understanding (Abdul Janmohamed, 1985; Mostafanezhad, 2013). What is important to remember is that only the west was producing knowledge, the east was not able to produce literature and art about the west. This illustrates Foucault's idea that knowledge is power, in which the west has more power and therefore is producing more knowledge, thus directly demonstrating the dominance of the west over the east. The example Said (2003) gives is, Cromer referring to the Orient as "lethargic and suspicious", and "devoid of energy and initiative". This was the only representation that the people in England received of the Orient at this time (Said, 2003). This creation of "false knowledge" along with other examples of literature and art contributes to the social construct of the "east", in which meaning is ascribed onto people and place (Crang, 1998, Ashcroft, 2008). It is seen that the "real east" is reformed into the "discursive east", meaning that the east is now conformed into the imagination of west, in which the "discursive east" will always be the submissive (Moore-Gilbert, 1997).

The second key concept that Said draws from is Foucault's theory of discourse. In discourse, power is both constituted and exercised through the flow of knowledge and representation to produce objects of truth (Moore-Gilbert, 1997; Lester, 2003). Here it is seen that what is the truth, or rather the constructed knowledge, can be linked to who has power, in that, power controls what narratives are formed or blocked (Young, 1995; Bruner, 2005). Rather than the discourse forming and reforming knowledge through passive powers, it is seen that knowledge was first constructed by specialists, often bourgeoisie men, then the knowledge becomes fact and is later reinforced by society (Said, 2016; Lester, 2003). This explains how the view of the Orient as timeless and unchanging was upheld; the idea was produced and reproduced within the Western mind (Crang 1998; Burney, 2012). Western discourse representations of the Orient have been homogenised and totalized reducing the Orient to tropes and stereotypical tropes being produced as "western knowledge" (Moore-Gilbert, 1997). This in term reinforces the binary between the Orient and Occident (Said, 2003).

Orientalism through the construct of knowledge and Orientalist discourse has resulted in the binary between Orient/Occident; creating the contrast of developing/developed, promiscuous/noble (Ashcroft, 2008). Kissinger wrote of binary opposition which viewed the Orient as "lagging" behind due to the Orient retaining a pre-Newtonian view of the world as " internal" whilst the superior Occident views the word as "external" (Kissinger, 1966; Crang 1998; Erikson and Murphy, 2017). Through the production of knowledge through literature, the Occident was placed as dominant over the east, placing the western world at the centre and the Orient in the periphery (Maddox, 2014). Cromer said that Orients "acts, speaks, and thinks in a manner exactly opposite to the European"; this illustrates how the binary was represented at the time (Said, 2003). The process of ordering is said to control all aspects of the discourse (Wodak, 2005). Gramsci adds to this, with the theory of cultural hegemony, which explains how dominant ideologies are controlled by the hierarchal class to maintain control (Lears, 1985, Crang, 2013). This is done by assigning the subordinate the role of subject which in turn creates "docile bodies" which conform to normalisation (Foucault 1998; said, 2003; Woodak, 2005). The creation of the subordinate also removes their ability to speak. This silencing effect is seen by the spread of popular writing of the era which "writes out" the Orient (Aitchison, 2001). In doing so, this reinforces the Orientalist discourse as the "true east" narrative is blocked and western knowledge prevails (Young, 1995).

This cultural hegemony is an extreme case of imperialism which colonised the mind of the Orient. Creating the viewpoint of the west as superior compared to the subordinate and silenced east led to the creation of thought, in both the Orient and Occident, that the east needs to be colonised and controlled (Lears, 1985). It is widely accepted that the process of Orientalism allowed the colonisation of the east. This is expressed by a quote from William Blake "Empire follows art and not vice versa as Englishmen suppose" (cited in Said 1993).

Orientalism is seen today in tourism, the power dynamics in the representation of the "east" mimic that seen in colonial times. Before delving into the theory, it is important to acknowledge that tourism in the modern day is laden with power inequalities from its first appearance. Mass tourism was spurred on by neoliberal organisations post-World War Two as a way for welfare states to develop (Higgins-Desbiolles, 2006; Carrigan, 2011). International financial institutes offered exploitative loans in exchange for adopting tourism development strategies (Higgins-Desbiolles, 2006). Britain helped establish the "Atlantic Charter" which sought to develop the Caribbean tourism industry, however with vested interest as the UK traded 50 destroyers for a 99 year lease on seven Commonwealth islands (Carrigan, 2011). The tourism industry is also plagued with a "leakage" in that money is commonly siphoned off from the host state following a similar pattern to colonial times (Carrigan, 2011).

It is seen that tourism seeks to commodify culture by packaging "the other" for consumption by the west (Behdad, 1994; Jamerson, 2017). This commodification of tourism is spurred on by western corporations by the production of knowledge about the host country (Mostafanezhad, 2013). What is important to understand here is that the tourist destinations are always written about, not written by; and in doing so the "native" population is silenced. Using the Caribbean as an example, their image is created through western lenses by western corporations and tourists who define the islands by comparing the differences between "east" and "west" (Shabanirad, 2015). This is done by the tourist's gaze which explains how images and stereotypes of the country are distorted and homogenised by tourists to bring the world of "other" into comprehendible reality, much like Cromer in colonial times (Katan, 2012, Urry and Larsen, 2011). This distorted reality is furthered when portrayed in the media due to repetitive reduction, seen in travel writing such as "Lonely Planet" and review sites such as "TripAdvisor" (Andreasson, 2005; Simpson, 2005). On a larger scale companies reproduce this "distorted reality" through brochure discourse by using the same rhetoric phrases and imagery to sell the destination (Carringan, 2011). Holiday destinations often evoke an image of idyllic landscapes, inscribed with emotions and feelings; this is a result of imagined geographies of the place caused by the culturally constructed narratives (Hottola, 2014). This is a result of advertisements summarising an entire nation's culture into a set of descriptors (Hottola, 2014). In doing so, it plays out a "racist fantasy" in which the "east" is homogenised and given the role of inferior; seen as feminised and backwards in relation to the western world (Carringan, 2011). A prime example of this is Thomas Cook, who advertise "Africa Holidays" as cultural experiences in which you'll be "greeted by tribal elders" and "experience life the way locals have lived for generations" (Thomascook.com). This echoes the narrative that Africa is primitive and backwards, positioned beneath the west.

Many tourists seek an "authentic experience" which Mkono (2012) critiques as upholding the "Eurocentric grand narrative". Seen through Bruners (2005) theory of "questioning gaze" travellers question if constructed sites and performances are true representations of the culture. However, by seeking "authenticity" the tourist is merely projecting their pre-understanding of place (Maddox, 2014; Bruner, 2005). Tourists that search for authenticity uphold an imagined geography of a romantic, unspoilt place which is "frozen in time" and in doing so they "define India according to their own needs" (Korpela, 2010). This upholds a binary between India and the west, which defines India as ascetic compared to the consumerist west (Maddox, 2014). The creation of binary through tourism places the west as the "norm" and defines India in comparison to the west, in that it views Indian culture as a retreat from the normal, hectic western life. In doing so they deny agency of the local population by ignoring their modernity (Philip, 2009; Korpela, 2010; Maddox, 2014).

So far, it has been seen how writing and media have created a binary between the consumerist west and the homogenised east. In order to fully illustrate Orientalism in tourism, it is important to understand how the writing and portrayal of the east affects actions of the host country and the tourist. This can be explained by exploring how narratives have produced a discourse, which in turn gives meaning to space and establishes accepted practices and norms (Bruner, 2005; Carringan, 2011). Firstly, it is seen that cultural hegemony occurs within tourism; host countries often find themselves forced to adopt the culture imposed upon them (Lears, 1985). Looking at Bali, the country is dependent on tourism and therefore upholds the enforced stereotypes (Carrigan, 2011). Secondly, through media, tourists are exposed to the imagined geography of the place, which affects their expectations of the place, which in turn affects how they experience the place (Gregory, 1999). For example, tourists are controlled where they go when they travel within a place. Travel writing "stages" places constructing them as culturally significant and in doing so signposts tourists from sight to sight. (Gregory, 1999)

To conclude, Said's theory of Orientalism highlighted the power structures that create the binaries responsible for positioning the west as dominant over the subaltern east. It was seen that through literature, narratives were created by the Occident about the Orient, which resulted in the creation of "western knowledge" which was imposed upon the Orient through cultural hegemony. Using Said's theory, this essay has highlighted how the same practices used in imperial discourse are being used in modern mass tourism. Through advertising, travel writing and reviews, cultures in host countries have been homogenised and limited to a set of descriptors. It can also be seen that this practice is intrinsically linked with power through the vested interest of IFIs and corporations based in the west. Lastly, it is important to highlight power structures so that they can be dismantled.


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